The Problem with Diversity

“The Problem with Diversity” is not the kind of post title I ever would have expected to see on Papers & Pencils. The site just doesn’t have enough confederate flag icons to justify that sort of thing. I mean, fuck, I’m the kind of hippie who uses words like ‘privilege,’ and ‘cisgendered.’ Yet there it is, and here we go: there is too much racial diversity in modern fantasy gaming, and it’s hurting us.

Allow me to be perfectly clear: I do not mean ethnic diversity. Frankly, I think we could use a few more black elves. It’s pretty fucked up that the only ones we have live underground and worship an evil spider goddess. I get that drow are not intended to have any connection to real-life black people, but that doesn’t make it much better. And while we’re at it, some Asian dwarfs might be cool. So, with regards to ethnic diversity, we need more. It’s racial diversity which we need less of. Racial as in the human race and the dwarven race and the elven race, etcetera.

Most large towns or cities in most fantasy games are expected to have a variety of humanoid species present. Often they’ll have a primary race which exists in the majority, but a “human” city could easily have a population which is 15% dwarves, 10% elves, 8% gnomes, and 5% miscellaneous. I’m not sure what compels us to do this. Maybe we’re all instinctively creating allegories for the real world and trying to craft diverse cultures where everybody gets along. Or maybe we’re just being children who mix 10 flavors of soft drink together and think it’ll taste amazing. (Hint: it doesn’t).

The races of a fantasy world are different. Far more different than any real-world humans might be. Regarding the aforementioned human city, why would enough dwarves to constitute 15% of its population choose to live there? To a dwarf, human cities are ugly and uncomfortable. A dwarf is used to being underground, where even outside of their home there’s still a roof over their heads. Dwarves enjoy the natural beauty of stone formations and mineral deposits, not the natural beauty of flowers and trees. The elves make just as little sense. Elven cities incorporate much more nature into their design than human cities do. And why would a creature who will live thousands of years want to live in a place where most of their neighbors will die of old age in just a few short decades?

The problem with diversity is spawned from another problem more well documented in the tabletop community: the problem of humans in funny hats. It’s hard to see the world from a different perspective–that’s absolutely true. I have a hard enough time putting myself in the shoes of a woman, and I’ve lived with and around women all of my life. The idea of being able to put myself into the shoes of someone who grew up in a completely different culture from me is almost too much to conceive of. And a dwarf? A completely different species with a completely different evolutionary history, living in a completely different kind of world? There’s undoubtedly more to them than short, strong, taciturn humans with Scottish accents.

Gary Gygax realized this. Which is why 1st edition Dungeons and Dragons is explicitly described as a “Human-Centric” game. Now, personally, I don’t like the extremes Gary went to. I don’t like the idea of race being used as class, I don’t think races should have an inherent alignment (at least not an absolute one), and I don’t think we should view other races as being less important to the game than humans are. However, as I’ve mentioned before, we do need to make a concerted effort to make each fantasy race distinct. Part of that is that they should all live separately.

I sometimes feel as though modern fantasy is trying to emulate the cantina scene from Star Wars, without understanding that scene’s full effects. On the one hand, the cantina scene shows us just how diverse the Star Wars universe is. We’re overwhelmed by the amount of fantastic creatures we encounter all at once, and we gain a better appreciation for how large and varied this universe is. Everybody understands that part, and it certainly seems like something we’d want in a fantasy game. The second element of the scene, however, is that nobody cares. Aside from Luke, the wide-eyed farm boy, none of the characters give the slightest indication that the scene before them is as impressive to them as it is to the audience. And even Luke just walks up to the bar and orders a drink. So yes, that scene shows us just how diverse the universe is. But it also shows us that diversity is old news. The various species of the galaxy have lived with each other for so long that they’re all on pretty familiar terms. Is that really what we want in a fantasy world? By placing humans, elves, dwarves, and the rest into a single environment and making them as bored with one another as the species in the Star Wars cantina, we take away a lot of what makes them interesting to us in the first place.

Now, I’m not saying there should be no mixing of the species at all, but it should be much less frequent. Two or three orders of magnitude less frequent. For example, a human settlement could have a 1% chance per 1000 people to have [population/1000]d4 member of a different species living there. As an example, a city with 10,000 people would have a 10% chance of having 10d4 dwarves living there. And those dwarves would probably be outcasts among their people, or have some other extreme reason for living amongst humans. Greater diversity could always be achieved in other ways as well: a human city might have a delegation of 100 elven diplomats in residence. Halfling merchants may frequent the town to sell their fine textiles. Or perhaps there’s a gnomish settlement half a day’s travel away, and only one of the two towns has a high level cleric. But regardless, the different races should live apart, not together, except in special circumstances.

Far be it from me to tell anyone how to run their game. There’s nothing worse than somebody who thinks it’s possible to have fun “the wrong way.” But I sincerely believe that most games would be more fun with better distinction between fantasy races. I’ve certainly been guilty of shoehorning pointless amounts of racial diversity into my game’s settlements. But I’ve known for awhile now that it reduced the impact of my game worlds. It’s only now that I’ve put it into words that I can say with conviction that I am officially done with it.

Negune: The Nation of Stekett

This is the third in a series of posts about the continent of Negune. Negune is the setting for my Ascendant Crusade campaign, as well as The Girl and the Granite Throne series of short stories. Previous posts in this series have provided an overview of the continent as a whole, and a detailed account of the nation of Regalia.

Stekett traces its roots back to a paladin named Grephar Siveren. More than eight hundred years ago, during Grephar’s adventures with his six legendary companions, the group pursued a clan of violent stone giants into the mountains of present-day Stekett. There, the giants regrouped, and called upon other clans to help them in their fight. The adventurers nearly met their end in that battle, but they managed to scatter; Horatiana’s limp form slung over Grephar’s shoulder. What had been an attempt to stop a single giant raid turned into a two year guerrilla war against all the stone giants of that region. During that time, Grephar frequently remarked to his companions that if the giants were clever enough to utilize their natural surroundings properly, the adventuring party wouldn’t stand a chance.

Years later, when the party went their separate ways, Grephar decided to return to Stekett. At heart, he was a solider and a tactician. If he was to found a kingdom, he decided, it would be one that could defend itself from any attack. Even long after he was dead and gone.

Stekett is the second largest autonomous nation on the continent, after Regalia. It is also the most geographically separated from the other nations. Anyone who wishes to travel to or from Stekett must choose either a long and dangerous journey through the wildlands, a long and dangerous journey through the unpredictable island of Argania, or a voyage by sea. Most opt for the latter, and Stekett maintains a thriving trade relationship with the two Regalian provinces of Shield Haven and Centralia by utilizing the small sea that connects the three.

Military life is a major part of Steketian culture. While the law does not require enlistment, nearly every citizen spends at least a few years in military service, and it is regarded as a high honor to defend one’s homeland. Only about 5% of Steketians never serve in the nation’s armed forces, and many of those are simply unable to do so based on physical frailty, or chronic illness. Those who do not spend time in military service are not actively discriminated against, but find themselves cut off from Steketian culture, since they lack an experience which is considered to be fundamental. This causes them to miss out on opportunities available to the majority of their countryfolk.

Due to the relative peace on the continent, the Steketian military focuses its attention on preventing the monstrous races from organizing. There is usually at least one flotilla of ships active on the sea, and two legions of ground soldiers active in the wildlands–though they obey the ancient dictate to never establish permanent bases in that area. Stekett is also the only nation which sends regular expeditions into Argania. These missions are dangerous, and consist entirely of volunteers. It is hoped that in time, a safe method of passing through Argania can be devised.

Given the importance of the military in Stekett, it is perhaps not surprising that military leaders are powerful figures in politics as well. Since the death of Grephar, the nation has been ruled by a triad, the members of which share power equally: the Commander General, the High Admiral, and the Prime Minister. The three represent the Steketian army, navy, and civilian government, respectively. Most decisions require only a majority vote between the three. However, any decision to go to war with another nation requires a unanimous vote, and any single member of the triad may choose to call an end to war.

As Grephar noted, the geography of Stekett is uniquely defensible. Treacherous mountain ranges limit any invading army to a very few avenues of attack. Aside from attempting to cross the dangerous Arganian island, invaders must choose between two paths into Stekett. First, they can travel across the wildlands and attempt to breech the northern boarder, but to do so they must cross the Iron Lake which is defended by numerous barriers, traps, land based weaponry, and an elite flotilla of freshwater ships. The only other option would be attempting to land on the southern Steketian coastline. However, most of the southern coast is formed by high cliffs and rocky waters. There are only four safe places to land ships, and each one is home to either a port city, or a shipyard. Each is defended by the peerless Steketian navy.

Furthermore, nearly a third of Stekett’s total landmass is within a natural encirclement of mountain ranges. The only passage through the ring of mountains is a gorge, roughly 300 feet wide, called Stone Giant Pass. One of Grophar’s first edicts upon founding Stekett was that a great barrier should be built to seal that opening: The Obsidian Gate. It took three generations of Stekett’s most gifted stonemasons, wizards, and iron smiths to fully construct and reinforce the gate. The outward swinging double doors are 20ft thick, and their movement is supported by massive railings built into the ground along their swinging arc. With a full compliment of men and beasts operating them, the doors can be opened or closed in 20 minutes time. While not being used to defend against an oncoming enemy, however, the gates are left open.

Economically, Stekett produces the finest meats, fruits, and armaments anywhere on Negune. A military force in the Wildlands will commonly return bearing its weight in meats from the beasts there, and Steketian methods for preserving and preparing that meat are as advanced as their military forces. Most of the land within Stekett’s boarders is used to cultivate various types of fruit. A few farms even use minor magics to cultivate fruits which would not normally grow in the area–though these farms are generally quite small, and the fruits they produce are considered delicacies.

In the West most region of Stekett, nestled against the mountains, is the city of Anvilholm, known across the continent as the “City of Swords.” This multi-tiered metropolis was built by humans, but incorporates many designs most commonly found in dwarven citadels. The entire township is designed to function as a colossal smithy for masters of arms crafting. The ring of hammers is constant within the city walls, lasting all day and through the night. So single minded is the populace that even food and other basic items must be brought several times a day from nearby settlements, which are sustained entirely by providing support to Anvilholm. The settlement first began as a mining colony, but when a vein of Mithril was discovered, craftspeople flocked to the town in droves. Over the centuries the mine has continued to be a source of materials for Anvilholm. Not only of Mithril, but many other metals as well. It has been speculated that the Anvilholm mine is the richest on the entire continent. A claim which makes the dwarves of Shornholm none too happy.

Stekett’s legal system sometimes appears draconian to outsiders–or at least overly security conscious. The most noted example of this is Stekett’s treatment of arcane spellcasters. While the casting of arcane magics is not prohibited, it is strictly regulated. All such spellcasters are required to register with the ministry of artillery, and are subject to four random inspections each year. These inspections are generally conducted in a friendly and respectful manner, but some wizards understandably object to having their entire spell repertoire, as well as all of their research, tracked by the government. Some spells–including most of the enchantment and divination schools–are strictly regulated, and require a dictate from a military officer of general’s rank or higher. Additionally, while Stekett has never instituted a draft among its general population and allows members of the military to retire at their leisure, arcane spellcasters are always considered to be in reserve. Spellcasters visiting Stekett will need to submit their spellbooks for inspection, and based on their contents, may be required to leave their spellbook in a government office during their stay within the nation’s boarders.

What I Want

I like Pathfinder, which is why I’ve always been a vocal critic of it. It has a lot of problems; in many ways it falls short of my ideal game. I’ve often tried to improve upon the flaws with house rules, and I’ve been open in discussing the flaws which can’t be fixed. Over the past few months I’ve read through a number of other RPGs as well. Aside from my well documented perusal of the original Dungeon Master’s Guide, I’ve been looking at various retro clones created by the OSR community, some modern Pathfinder alternatives, and some games in completely different genres. More and more I think that I won’t be happy until I produce my own sourcebook.

It’s not something I think I’ll be doing anytime too soon. I don’t think I’m ready for that kind of massive and involved project yet. But thinking about how I would design a game has got me thinking about what I want in a game. So I’ve compiled a list. And, since this list undoubtedly says a lot about this blog’s perspective, it seems useful to share.

I want rules which can be memorized. This doesn’t mean they need to be short enough that I can learn them by rote, it just means that they need to be logical enough that I can quickly deduce any I forget. If I need to spend a few sessions looking things up after we play, that’s okay.

I want rules which don’t try to establish mechanics for every possible action players might take. Instead, I want rules which guide me in coming up with my own mechanics for those situations, and which help me make those rulings without unbalancing my game.

I want more rules directed towards the GM than the players. There should certainly be rules that players can learn, but none or very few which they feel forced to learn. Nothing dissolves a budding player’s enthusiasm faster than telling them they need to buy a $60 rulebook, and read 300 pages of it before they’ll know how to play.

I want more supplements geared towards GMs than players. I understand why this hasn’t been the case in recent years: for every GM, there are probably three or more players. And since GMs will buy books anyway, it’s obvious which type of book has more potential customers. But never forget that the GM is your best salesperson. I can think of eleven people off of the top of my head who would probably have never picked up a tabletop RPG if I hadn’t invited them to my games. None of them bought supplements, but a lot of them bought core books and dice.

I want characters that can be created quickly. I don’t want to feel as though I’m sentencing players to waste eons every time I kill their characters. And I don’t want to force new players to sit through a bunch of obtuse character creation nonsense before I have a chance to show them how fun the game can be.

I want characters that can be customized and specialized endlessly. Character class is a fine starting point, but if my players want to make choices then I want to be able to offer them. If a player sets a goal for something they would like their character to be capable of, I want that goal to be achievable.

I want deep, tactical combat which forces players to think beyond a mundane exchange of blows. Combat where making a plan and knowing how to work together can mean the difference between life and death. Combat which none the less encourages players to take risks. Combat where being clever about your environment can turn the tide of a losing fight. Combat which is fun every time.

I want combat that doesn’t need to take an hour.

I want mechanics that engage players beyond a die roll. Rolling dice is a great way to resolve some types of action–but not ALL types of action. If every problem is solved with a die roll, then we might as be playing around a craps table.

I want mechanics unburdened by vestigial adherence to tradition. Just because past games have always done things a certain way doesn’t mean modern games should. The past exists for us to learn from, not to mindlessly emulate.

I want a game which doesn’t ignore history. If Gary Gygax or Dave Arneson figured out how to handle a situation amazingly, there’s no reason modern games should simply handle the same situation passably.

I want a game that equally supports many modes of play. A game which is just as engaging in tasks such as exploration or political intrigue, as it is in combat.

I want a game which explains not just the rules of the system, but the spirit which those rules support. One which explains why rules exist, and how certain mechanics improve play. I want a game which helps Game Masters make the leap from learning rules, to running a campaign.

I want a game which is supported by online tools, but which recognizes that if a game relies on online tools, it is a weak game.

I want rules that don’t need to be bypassed because they pointlessly add unnecessary work.

I want a game where the rules are designed to support me, not a game where the rules waste my time and frustrate my players.

I want a game without ‘traps,’ intended to impede a character’s build. Honestly, I want a game which doesn’t support even the concept of a ‘build,’ but instead promotes mechanical customization.

Lively Locals 1: Maeglen Valley

Anyone whose been to Maeglen Valley will tell you: once you’ve stood amongst the the valley’s trees, and heard the music of the wind in their branches, something inside of you changes. Plants outside Maeglen never look quite as green as they once did, and the taste of fruit never seems as sweet as it should.

But no one ever regrets the experience.

Maeglen Valley is cradled between two large hills, deep within the forest. It is said that one of the powerful gods of nature was born there, but no one can agree on which one, or how that ascension took place. Some say the god’s mortal life ended violently in the center of the valley, and that their divine blood still fertilizes the soil. Others argue that the valley is the location of the very first tree in all the world, and that the god was once a Dryad bonded to that tree. Most druids maintain that the fertility of the valley is its natural state. They say it was so powerful when time began, that their god grew there, as a plant might.

Truth be told, no one really knows what they’re talking about, because nobody has been there more than once. Part of the magic of the valley prevents anyone who has memories of Maeglen from ever finding its location a second time. Those who seek it have tried to create maps, leave trails, or even travel with a guide who has never been to the valley before. Everyone who has been there once wants to go back, but so far no one has ever succeeded.

Aside from being a place of indescribable beauty, Maeglen valley is possessed of immense natural magical. A seed planted there will fully bloom within days, and will thrive regardless of its natural habitat. Even those most learned and widely traveled druids who make a pilgrimage to Maeglen Valley will find numerous species of plants there which they’ve never encountered before. Most treasured of all, and the reason why many seek the valley in the first place, are its legendary fruits. Many of the plants within the valley bear fruit, some familiar, some completely otherworldly. Each has a powerful effect on any who eat it. Some fruits cure disease, or close wounds. Others strengthen the body or mind, while a few even bestow hidden knowledge.

Many who taste these fruits are overwhelmed by the experience. Not only is the fruit’s flavor unlike anything they’ve ever eaten, but the elation which is felt as the magic takes hold has sometimes been described as addictive. Almost everyone eats a second piece of fruit, some eat a third. Those who don’t know the fruit’s dangers often eat a fourth or a fifth. The number of fruit a which can be eaten is different for everyone, but without moderation the result is always the same. Eventually the fruit sours in the glutton’s stomach, leading to painful vomiting. Anyone who reaches this point will lose all the benefits the fruit had bestowed upon them up tot hat point, and will find all fruit completely unpalatable for the rest of their lives. Often in the valley’s history, enterprising adventurers have tried to take as much fruit as they could with them. Even if they can’t eat it, they imagine they can sell it for an exorbitant price. Unfortunately, the fruit of Maeglen Valley becomes virulently poisonous the moment the valley is out of sight.

Being within the valley also has a strong effect on magical spells. Any spell which would harm the plant life within the valley, such as fire, acid, or necrotic spells, has its effects reduced to about 25% of normal. And any damage to the plants from such spells is healed within minutes. Conversely, natural spells such as those cast by druids are twice as effective as they are normally.

Fantasy Languages

Language has an important role in fantasy. In the video game Skyrim, the language of dragons produces powerful magic effects when spoken. In the Lord of the Rings stories, Gandalf repeatedly mentions that the ‘dark speech of Mordor’ should not be spoken, and when it is, it appears painful to hear.* In Judeo-christian mythology, the entire universe is created when god speaks; “and god said, let there be light: and there was light.” So why is it that we ignore language in fantasy RPGs? The most it is ever used for is a minor obstacle when a message or an NPC requires fluency in a certain language to understand.

As I’ve already mentioned in my analysis of the linguistics skill, learning languages by spending a skill point is stupid. Not only can it quickly lead to a character knowing an absolutely ludicrous number of languages (See: The Owlbear) but it doesn’t represent the proper amount of time investment for language learning. I’ve been pondering how this could be improved, and I think I’ve come up with something workable. Characters start play knowing their “basic languages.” These would be The Common Tongue, and any languages which the character should know based on their race and class. For a human fighter, the only basic language would be The Common Tongue. For a dwarven druid, the basic languages would include The Common Tongue, Dwarven, and Druidic. From there, the character may select a number of bonus languages equal to their intelligence modifier. These languages must be of the commonplace variety, but can be selected during gameplay rather than at character creation, if the GM is willing.

After selecting these first languages, players may learn additional tongues by investing time. They must purchase a book (which varies in price from 10gp for commonplace languages, to 10,000 gp for the rarest tongues), or be traveling with a companion willing to teach them. They must spend 8 hours every day in light activity, studying this language. If they are being taught by a companion, their companion must also spend this time in teaching the language, rather than in other tasks. After 35 days (equal to 1 game month for me), the character has successfully learned the language.

A character can learn a maximum number of languages equal to twice their intelligence modifier. So a character with a +4 intelligence modifier can learn up to 8 languages. Note that a character’s basic languages do count against this maximum. So a human fighter with 18 Int starts out knowing The Common Tongue, and 4 other languages based on their intelligence. After that, they may learn 3 additional languages for a total of 8. On the other hand, a dwarven druid with 18 intelligence starts out knowing The Common Tongue, Dwarven, and Druidic, as well as 4 other languages based on their intelligence. That’s a total of 7 languages, so the dwarf will only be able to learn 1 more after the fact. If a player wishes to learn more than their maximum number of languages, they may do so by taking the Polyglot feat, which allows characters to learn as many languages as they like.

Below is a list of languages organized by how common they are. I’ve included the 21 languages in the Pathfinder Core Rulebook, as well as a number of additional languages from other sources, and some of my own creation.

*While I have read LotR, it was more than half my life ago. Forgive me if my memories are more influenced by the films than the novels.

Commonplace

Commonplace languages are spoken openly by many people throughout the material plane. A textbook for learning a commonplace language would be available in most book stores, and could be purchased for 10-50gp. Note that The Common Tongue is not listed, as it is a universal language, not simply a commonplace one.

Dwarven Dwarven is filled with hard sounds, much like real world German or Russian. ‘Dwarven’ is a common tongue spoken by most dwarves. However, in a campaign world with different species of dwarf (Such as The Forgotten Realm’s Shield, Gold, and Gray dwarfs) each dwarf subspecies may have its own language, separate from the shared language of Dwarven. In such a case, each of the languages would be considered a Commonplace language. That includes the language of Gray dwarfs, since the mine-dwelling dwarven species are likely to encounter their Underdark dwelling cousins with some frequency.

Elven In contrast with Dwarven, Elven has very few hard sounds. Most words are composed of soft sounds, which flow one word to the next. The few words which do contain hard sounds are among the rudest words in the elven tongue. Elven is also the most expansive language, with a massive alphabet, and a lexicon which could contain the languages of several other species at once. Elves do not have multiple languages in campaign settings with more than one elven species. Wood elves, sun elves, high elves, etc. all speak a single unified language, though certain ways of phrasing things may be more common among one group than they are among another. The only exception to this is the Drow, whose tongue is a bastardization of Elven and Abyssal.

Gnomish Gnomish is a fast language. This often makes it difficult for non-native speakers to follow conversations between gnomes, even if they do know the language. It is also an extremely descriptive language, and it is not uncommon for a noun to be followed by a lengthy list of adjectives which–in most languages–would be considered excessive. Like elves, the gnomish language is universal among gnomes. This includes the Svirfneblin, or deep gnomes, who–despite being culturally quite different from their surface cousins–are none the less on amicable terms with the rest of their species.

Halfling Halfling sounds very similar to elven, and in fact is thought to be descended from that tongue. Most of its words, however, are not found within the expansive elven language. Halfling, more than any other language, incorporates words from many other languages as well. Dwarves, gnomes, and even orcs might occasionally recognize a random word within a sentence spoken in Halfling.

Gnoll Gnoll is a particularly difficult language for non-gnolls to speak. It is filled with many high pitched sounds, and a lot of bleating and yelping. Fortunately, it is also a very limited tongue, with a vocabulary of only a few thousand words.

Goblin Like Gnomish, the Goblin tongue is extremely fast paced. The chattering of Goblin often sounds comical, which belies how many synonyms they have for acts of violence. Goblins learn to speak it at a remarkably young age, and some anthropologists surmise that the language is actually instinctual for these creatures.

Orcish Orcish is a brusk, primitive language without artistry or style. Any of its subtlety comes from gestures made with the hands, head, or face. Note that these two are not considered separate languages, but a single language which combines vocal and gestural elements.

Giant The language of Giants sounds very similar to the Dwarven tongue, and in fact uses the same alphabet as Dwarven. The various types of Giant (Hill Giant, Stone Giant, Ice Giant, and so forth) have not quite developed their own sub languages. However, they do have very distinct dialects, which can take some time to grow accustomed to.

Gestural Languages Most cultures have developed gestural languages which are similar in style to their spoken languages. These have a twofold purpose: first, they allow those who are deaf and/or dumb to communicate. Second, they allow for silent communication during military action–though those who learn the language for its stealth applications normally have an extremely limited vocabulary. These languages include: Gestural Common, Gestural Elven, Gestural Dwarven, Gestural Halfling, Gestural Gnomish, and Gestural Giant. The other common species have not developed any detailed gestural languages, though that does not mean they are not capable of extremely basic gestural communication.

Uncommon

Like common languages, uncommon languages are mostly spoken by creatures on the material plane. However, most human and demi-human cultures will have had little to no contact with the creatures who speak these languages. As such, they can be difficult to learn. Textbooks for learning these languages are likely to be found only in universities, or the bookstores of large cities. Purchasing one will likely cost between 200 and 1000 gold pieces.

Aklo & Sylvan To someone who speaks neither Sylvan nor Aklo, the two languages might sound identical. Even non-native speakers sometimes fail to understand why a word from one language can’t be used while speaking the other. But to the creatures who speak these languages natively–the fey–the two tongues could not be more different. Speaking a word of Aklo within a Sylvan sentence is profoundly offensive, and vice-versa. It is also said that a plant which grows hearing the Sylvan language daily will flourish and grow strong, whilst a plant which grows hearing Aklo will become twisted and thorny.

Aquan Primarily the tongue spoken by water based outsiders, Aquan is none the less ‘uncommon’ rather than ‘rare,’ because the many water dwelling peoples of the material plane (such as merfolk) speak it. Aquan is strange, in that it can be heard as easily through water as most languages can be heard through the air. Additionally, it has been found that speaking this language wets the mouth of the one speaking it, though one who does not understand the language cannot replicate this effect by speaking the same words. There are some tales of people surviving for weeks without water, sustaining their life by speaking Aquan aloud to themselves.

Auran Like Aquan, Auran is a tongue primarily spoken by air based outsiders. However, many flying creatures on the material plane also speak the language, and this allows it to be more commonly known than most outsider tongues. Most native speakers find it frustrating to converse with non-native speakers, since they often don’t have the lung capacity to speak Auran easily. As a result, they need to take a breath after almost every word, giving the impression that they’re constantly exhausted from physical stress. Despite that fact, those who speak the language actually find it much easier to breathe while speaking it–an ability which comes in handy when faced with poison gases, or low oxygen environments.

Draconic Though the language of dragons is spoken by Kobolds and might be thought to be common, the dialect which Kobolds speak is composed only of the simplest words, with no regards for grammar, and numerous mispronunciations. While this works fine for the Kobolds, true Draconic is a much rarer and much more complicated language. In order to speak it correctly, a creature as tiny as a human needs to almost constantly shout the words in order to create the proper volume and inflection.

Undercommon The common tongue of the underdark is most naturally spoken in low, quiet tones. In that deep place it serves the same purpose as The Common Tongue does on the surface world: it is a universal language, which is none the less distinct from the specific racial languages found there.

Ancient Common Many of the commonplace languages slowly evolve over time. While an individual’s life is too short for this gradual shift to matter, after countless generations it can be impossible to decipher a book written in a language you ostensibly speak. As such, many languages have an “ancient” counterpart which must be learned as a separate tongue. These include: Ancient Common, Ancient Dwarven, Ancient Gnomish, Ancient Halfling, and Ancient Giant. The Elven language is unique in that it does not evolve, save to occasionally add new words to its expansive lexicon.

Drow As mentioned above, the language of the drow is a bastardization of Elven and Abyssal. Unlike elven, the drow tongue does evolve over time, and ancient versions of it do exist. Though, the older an example of the drow language is, the more it resembles Abyssal words shoehorned into Elvish conjugation and grammar.

The Gravespeech Intelligent undead are imbued with knowledge of this tongue upon their reanimation. Many of its guttural sounds are difficult for a living creature to create, but learning the language is a coveted rite of passage for necromancers. Those who chant their necrotic spells in this tongue swear that their command of the undead is strengthened.

Rare

Most rare languages are not spoken by creatures native to the material plane. They are the languages of outsiders, and their words carry great power. A textbook for learning such a language will be difficult to obtain. Likely only a few exist in the world, and they will either be owned by wizards and kings, or guarded by fearsome monsters in a dungeon beneath the earth. Purchasing one would cost not less than 5,000 gold, and could be as expensive as 10,000 gold, or higher.

Abyssal Every word in the grammarless language of demons sounds horrible. Some are reminiscent of a retching cough, whilst others sound disturbingly like a wail of pain. Those who speak it often find themselves prone to acting irrationally for a time afterwords, and respond a little more spitefully to minor annoyances.

Celestial The language of the upper planes always feels good to speak for creatures of good alignment. There is no distinct sensation, but your breathing becomes a little deeper, and your mind a little clearer. By contrast, most evil creatures find it unpleasant to hear. Not quite as bad as nails on a chalkboard. It’s unlikely that the language could be used to detect evil folk by watching for people’s reactions

Ignan The language of fire based outsiders requires a rasping voice to pronounce correctly. Speaking it drys the mouth of the speaker, and prolonged speech can apparently begin to drain a body of its water reserves. It is not recommended to speak the language at length without a beverage nearby. Those who do speak it find themselves temporarily immune to natural fire damage for a few moments after speaking.

Infernal The grammar of Infernal is so strict and obtuse that it makes the language almost impossible to speak until you can speak it absolutely fluently. An incorrectly conjugated verb is enough to make an entire sentence completely indecipherable. And a small error in a lengthy conversation can completely change the meaning of something spoken twenty minutes earlier. The impenetrable nature of the language provides a new dimension to the old phrase “Devils always speak in contracts.”

Terran All of the words in Terran are extremely short. In fact, each of the letters in the Terran written language can also be used to spell a single-character word. The language does not lend itself to lengthy conversations, and is best used to facilitate brief exchanges of necessary information. Speaking the language makes the ground somewhat more welcoming of you. Those who speak it often mutter to themselves as they travel, and swear that their feet hurt much less at the end of the day because of it. Of course, this application is most useful when falling from a great distance, as it reduces the amount of fall damage taken by 1d6.

Treespeech & Seavoice When the trees rustle, and the waves crash, subtle words are being spoken by nature itself. No one, not even fey creatures, can actually learn to speak in either Treespeech or Seavoice. Both languages are created by forces far beyond the ability of a pair of lungs and a single larynx. However, after careful study and a great deal of listening, one can learn to understand what is being said. An astute listener can learn a great deal about who and what is nearby, and it is impossible to become lost when you understand the language of your environment. As a special requirement, both of these languages require a Wisdom score of 14 or higher to learn.

Secret

Secret languages are known only to a chosen few. Helping an outsider learn it, or writing a textbook on it, is a grave offense. Special conditions must be met in order to learn any of these languages.

Druidic Druidic is a known only to druids, and taught to them through communing with nature. Druidic spells with verbal components must be spoken in druidic, or they will not work.

Thieves’ Cant Spoken in the underbelly of society, Thieves’ Cant is a carefully guarded secret of those on the wrong side of the law. Teaching it to anyone on the ‘right’ side of the law is enough to get your throat slit.

Drow Sign Language Though many societies have gestural languages, as mentioned above, the gestural language of the drow is taught much more universally amongst their people. In the underdark, where many creatures hunt by sound rather than sight, the ability to pass messages silently is essential to survival. Given the violent nature of drow, even allowing an outsider to witness too much of the language might earn someone a violent execution from their superiors.

Language of the Church Historically, the official language of the catholic church is Latin, despite the fact that the language has been dead for the majority of the church’s history. Using a language known only to educated members of society allowed the church to create a veil of secrecy between the clergy and the lay people. No one can question how certain teachings were derived from sacred texts if only the clerics can read the sacred texts. Many, or even all churches in a fantasy world might have secret languages of their own. They need not be a method of deception either; a goodly church may simply wish to keep its secrets safe from those who would exploit them.

Unknowable

There are some languages which simply cannot be learned. Hearing them puts a mortal in danger of losing their sanity, and speaking them threatens a mortal’s very existence.

The Dark Speech The true name of The Dark Speech is not known, and if it was, it could not be shared. It is the language spoken when the evil gods gather to converse–not even their mightiest servants are fluent in it. Most mortals would immediately die if they attempted to utter even a word in this depraved tongue. In some cases, however, the most powerful individuals can learn to speak a one or two words of The Dark Speech. They none the less suffer terrible pain from doing so, but the destruction their utterance can cause is sometimes worth the pain.

The Words of Creation The Ineffable Language of the Logos has been mentioned before. Even the most powerful gods cannot speak this language fluently. Instead, they utter only a few key phrases at a time, like a wizard invoking a spell’s trigger. A single word can rearrange the multiverse, or un-make a man.

Loot from the 25th Sublevel of the Dungeon

I recently crossed into a new age category. My Strength, Dexterity, Constitution, and Charisma all now suffer from a -2 penalty. This sucks, but there are a few upsides. For one, my Wisdom and Intelligence each gained +1. They were on even numbers before, so my modifiers didn’t actually increase, but it’s still cool. I also acquired some nifty loot, pictured above. Some of it is from my very friendly ladyfriend, and the rest is just from allowing myself to be a little less thrifty than normal. Given that it is all at least tangentially related to tabletop gaming, I thought I’d take the time to share.

Pictured at the top of the image are three board games: Small World, Tsuro, and the Order of the Stick Adventure Game (Deluxe Edition). The first two of those I’ve been interested in since seeing them featured on Wil Wheaton’s “Tabletop” series of YouTube videos. He’s already done a very thorough job of explaining both games, so I would simply recommend checking out what he’s posted. Small World was the focus of episode one, while Tsuro was the first of three games in episode two.

I’ve mentioned in the past (a no doubt annoying number of times) that I’m a huge fan of Rich Berlew’s Order of the Stick webcomic. It’s funny, clever, involved, and surprisingly emotionally compelling for a comic about stick figures. So when I drove into the city to have a nice dinner and visit Card Kingdom, I was delighted to find a copy of the Order of the Stick board game on display there. It even includes a thoroughly amusing comic to explain the rules. I won’t go into too much detail, since I’ll probably write a review of it once I have a chance to play it properly. Essentially, it’s a cooperative dungeon crawling game where only one of the players can actually be the ‘winner.’ If you’ve ever played Munchkin by Steve Jackson Games, think of this as Advanced Munchkin. It’s also much funnier, which is saying something, because Munchkin is pretty funny.

Moving on, in the center of the picture are three of the old Van Richten’s Guides. Ravenloft is easily my favorite campaign setting. I love the macabre style, I love undead creatures, and I all around love the land of mists. I first encountered Van Richten’s guides when I visited a local book store and picked up Van Richten’s Guide to Vampires. The books are written from an in-universe perspective. The ‘author’ is legendary undead hunter Dr. Rudolph van Richten, who writes these books to help novice undead hunters understand the dangers they’ll face. There were tons of these guides, and they’re absolutely timeless. It doesn’t matter what game or campaign setting you’re running, because they’re structured more like a work of fiction than a sourcebook. It’s only at the end of each chapter that the various elements are explained within the structure of AD&D’s rules. Pictured are the guides for Ghosts, Flesh Golems (“The Created”), and Mummies (“The Ancient Dead.”)

On the center left is “Tales of The Dying Earth” by Jack Vance. If you’re reading this, chances are you’re already well aware of why this is significant. If not, all you really need to know is that when we talk about “Vancian” magic in D&D, Jack Vance is the guy it was named after. On page 40 of the Dungeon Master’s Guide, Gygax directs anyone curious about the background for D&D’s magic system to read three books. Two of which (“The Eyes of the Overworld” and “The Dying Earth”) are both included in this volume. I’m a little curious as to why the cover looks quite so science-fiction-y, but I’m sure the meaning for that will become apparent once I get a chance to read it. Now I just need to power through the significantly less interesting book I’m currently reading.

On the center right is the sourcebook for Dungeon Crawl Classic. It’s a unique kind of retro clone which has integrated some aspects from modern gaming, and has some very interesting ideas in it. It’s also the first game I’ve encountered which will require me to find some of the more obscure Zocchi dice, such as the three, five, and seven sided dice. There are already a lot of things here I like, and a lot of things I don’t like. I’m sure this game will be getting a few of its own posts in the future, so I’ll leave it at that for now.

Finally, I got an oversized D12. Each side has a body part listed on it: Right Hand, Left Hand, Right Arm, Left Arm, Right Foot, Left Foot, Right Leg, Left Leg, Stomach, Chest, Head, and Full Body. I’m not completely sure what I want to do with it yet, but I just like the idea of it. I’m thinking it might work best in a game like West End Game’s Star Wars RPG. That’s a game where combat is supposed to be extremely lethal. So, instead of using their system of “wounds,” you could instead use this die to determine whether a shot is lethal or not. I’m not completely sure what to do with “Full Body” though. Perhaps it’ll just mean you have to re-roll twice.

Now it looks like I’ve got some serious reading to do, so if you’ll excuse me, I want to see if Van Richten has any tips which will help me with my Mummy problem.

By the way, if you did enjoy this post, it’s Garage Sailing season. Which means my seasonal Garage Sailing site will have a post like this every week.

Dissection of Pathfinder's Monster Entries

One of the frequent criticisms of Dungeons and Dragons 3.0 is that it made monsters too complicated. It’s a criticism which D&D 3.5 and Pathfinder both inherited, and its one that I’ve offered some defense against in the past. However, having created several monsters of my own by now, I find that my resolve in this matter is weakening. When I’m preparing for a game, and I need unique monsters, I don’t employ an elaborate series of rules for constructing the statblock. I take my concept, write down any information which I think will be relevant to play, and that’s that. The whole process takes 5 minutes. Maybe 15 if the monster is particularly complicated, or I’m being fiddly with the mechanics.

The only time I’ve ever actually followed the rules for creating monsters is when I was preparing that monster to be posted on Papers & Pencils. That’s a total of four times in my entire GMing career: The Corpse Sewn Hekatonkheires, the Bloody Avenger, the Draugr, and the three spiders I ganked from Telecanter. Every time it was a pain in the ass which lasted at least an hour, more often two. And what, precisely do I have to show for it? Do those monsters I created according to the official rules function more elegantly? Are they balanced better? Would players even notice a difference between a creature created in 15 minutes, and one created in two hours using the official rules?

No.

If the answer to any of the above questions was ‘yes,’ would it justify the extra time investment?

No.

Functionally, there’s very little difference between a monster I quickly jot down, and a monster I laboriously construct using the rules. Aside from the “statistics” block of information, all the same stuff is there. What else could you even conceivably remove? In combat you need to know a creature’s defenses and offenses. Ecology might not be strictly necessary, but it has a lot of value to GMs, and takes no real time to create. The reason the official monster creation method wastes so much time is not because of the volume of information it creates, it’s because of the ridiculously precise methodology it calls for. Every monster needs to have a certain amount of HD, and based on that can have a certain number of feats and skills.The monster’s statistics, HP, AC, saving throws, attack and damage rolls, all of it needs to be cross referenced with the desired CR of the creature, and anything that is raised requires something else to be lowered in response.

Ostensibly, the hope is that all of this will help GMs predict the how challenging a monster will be. Once the process is complete, you should theoretically be able to calculate a monster’s Challenge Rating, and know what level of adventurer it is appropriate for. Following the rules will ensure you don’t create a monster so overpowered that your players get murdered, and you won’t create a monster so underpowered that your players get bored.

For the moment, I’m going to set aside the question of whether or not a GM should even try to create “appropriate” challenges. For myself, I prefer that my players learn to run away now and again. If they never face a battle which is beyond them, then they’ll never be forced to look beyond combat for solutions. However, I can understand and appreciate the desire to have some kind of measuring stick for the level of challenge an encounter will present.

The problem is that after all the work this system puts us through to ‘calculate’ a monster’s challenge rating, it doesn’t even work. It doesn’t work because there’s no meaningful way to take a monster’s Special Abilities and Qualities into account when you’re trying to calculate CR. There’s not even a quarter of a page in the “Monster Creation” section of the bestiary devoted to the topic, and it’s the most important one. Pick up your bestiary, flip to any monster in the book. If that monster has a CR higher than 1, a guarantee you that the most important part of the statblock is the special abilities. Of course it is! If not for special abilities, then a monster is nothing more than a pile of calculations about how hard the monster hits, and how hard it is to kill. If monsters didn’t have special abilities, then there would hardly be any point to having a Bestiary at all.

I am not making the argument that Pathfinder needs a better system for determining how special abilities influence a monster’s CR. Special abilities often bend the rules, or create entirely new mechanics. They are far too varied for any system to properly take them into account, and any system which tried would be even more complicated than the one Pathfinder already uses. The argument I am making is that the official monster creation rules don’t even succeed at the one task they’re supposedly good for: accurately estimating a monster’s CR. And even if they were, it still wouldn’t be worth the time.

Then there’s the “statistics” block. Here you’ll find information on the monster’s six base abilities, it’s base attack bonus, it’s CMB and CMD, the feats it has, the skills it has along with any racial modifiers, and the languages it speaks. I confess that I find most of this to be at least marginally useful. Certainly it is essential to know the combat maneuver scores of anything the players might fight. And even if I don’t need to know the bonus that a Couatl has to its survival check, I can accept that others do. But what is gained by meticulously calculating how many skill points each of these creatures receives per hit die? Is it imperative that each monster can be reverse engineered, just so others can have the satisfaction of discovering that there was indeed an internal logic at play? I remember that after I had finished with the Corpse Sewn Hekatonkheires, I realized that I had forgotten to add feats. I then felt forced to search for ways to empower a monster which I knew was already powerful enough to suit my needs.

So what’s the solution? To be frank, I don’t have one right now. As I mentioned above, I see the value in challenge rating. It provides a measuring stick, and its never bad for a GM to have a fuller understanding of how something will impact their game. But I don’t think that measuring stick is worth the eternity required to achieve even the most uncertain result. For now, I’ll resign myself to making estimates about a creature’s abilities. Perhaps at some point in the future I’ll come up with and post a new system. But, for now, I think it’s simply important to acknowledge that the current system is bad. It is broken, and should not be used.

Colorful Characters 17: Limenent Geary, Duchess of Greyholm

Limenent Geary was the same as lot of kids who grew up on the streets of Darton; she had a tough exterior, no idea where she came from, and no respect for a legal system which would rather see her die of starvation than live through theft. She was just a lot better at that last part than the other kids were. By the time she was in her teens, Limenent had been accepted into the Darton Thieves’ Guild. Before she was twenty she had made a reputation for herself as a thief with a knack for daring heists, and never getting caught. Her specialty was the manor houses of the rich, and she made a comfortable living for herself.

During one such heist, Limenent broke in at ground level and made her way cautiously into the basement. In her experience, many of her ‘patrons’ (as she sometimes called them) kept pieces of artwork and other valuables in storage. By fencing these, rather than the more visible wealth in the living areas, the theft might not be discovered for weeks, or even months. But this house was strange. The building’s sublevels were as finely furnished as the living areas normally were, with carpets covering the stone floors, and pieces of artwork hanging on the walls or resting on tables, rather than stored in crates or covered by tarps. She didn’t understand what was going on, and she didn’t like not knowing what was going on. Thinking she could just hit up a different house the next evening, she turned to leave–and slammed face first into what felt like a stone wall.

What it turned out to be was a man’s chest. A man of no great height or girth, but a man as cold, hard, and sturdy as stone. Limenent was no fool. The man was clearly more than he appeared to be, most likely a a spellcaster of some sort. She immediately tried to dart past him, hoping she moved quick enough to prevent him from getting a good look at her. Her face was covered, but there was no point in taking undue risks. It didn’t matter, though, because the man was twice as fast. His hand darted out like lightning, taking hold of Limenent’s neck and lifting her effortlessly to slam against the wall. In desperation, a dagger appeared in Limenent’s hand, and she stabbed into the man’s arm, but it only tore his clothes and glanced harmlessly aside.

The two stared at each other for a long moment. Limenent struggled to breathe, but she refused to betray any weakness in her gaze. Blackness started to appear at the edges of her vision, and she felt herself about to lose consciousness. Then the grip on her neck weakened, and she felt her back sliding down the wall until her feet were safely on the ground. She looked up, unaware of when she had broken her captor’s gaze. He bared his teeth at her, and for the first time she saw that they were unnaturally sharp. She had only begun to wonder why that was when he forced her head back, and drove his razor teeth into her jugular vein.

Limenent Geary died.

When she awoke some time later, lying in a bed in a dark room, she knew exactly what had happened. Something about her transformation had granted her understanding–not that it was difficult to figure out. The man had been a vampire, and now she was one too. A fledgling undead bound to serve the one who created her until he was destroyed. She immediately set about planning that destruction, but each time she tried her mind would wander elsewhere. She would later learn that the same magics which compelled her to obey her new master also prevented her from plotting against him.

As it turned out, Baron Telmalane–that’s what he called himself–had been impressed by Limenent’s resourcefulness. While she had been easy prey for him, he recognized that she had not been prepared to encounter a vampire. He even complimented her by noting that if she had been, she might have stood a chance against him. With the vampiric might he had bestowed upon her, she would make an impressive agent of his will. And though she was unable to disobey him, he promised that the rewards for her service could be great.

For decades the younger vampire did as she was told. She dutifully carried out her master’s will, be it delivering a message to a fellow, or assassinating a rival. And, as he had promised, she was well rewarded for her work. She had personal wealth, status among her master’s servants, and freedom to feed upon whomever she pleased. But she chaffed beneath the yolk of servitude. She strained against the mental bonds which diverted her each time she tried to plot against her master, but even a century after her enslavement she found her focus constantly diverted.

Circumstance intervened on her behalf one night when Baron Telmalane was again staying in his Darton manor. While gazing out the top story windows, Limanent saw a party of heavily armed men and women approach the house. There were ten of them, and based on their equipment there was only one thing they could be: hunters. They had discovered that the lord of the manor was a vampire masquerading as a reclusive noble, and come to destroy him. Seeing a ray of hope for herself, Limanent recalled that her master had expressed a desire for more exercise a few months back. Surely he would enjoy fighting these weaklings himself. She found a candle, and climbed out the window onto the rooftop so she could have a better view of the stars. Once she was there, she poured the candle’s wax into her ears, because the warm sensation might feel nice on her cold skin.

She gazed up at the moon, and sought to hold on to the fragile illusion she had created for herself. She did not know her master was in danger, could not hear his cries for her aide. She sat in still silence for a quarter hour, then a wave of pain slammed into her. Her temples throbbed, and her back arched as a scream escaped her lungs. And as soon as it began it was over. She lay panting on the roof, weak from pain. But she knew, instinctively, that she was no longer controlled by anyone. She picked the wax from her ears and listened as the hunters searched the house for any more creatures. They never thought to search the roof, which was good because Limanent could not have stood against them. She waited until they left, then cautiously climbed back into the manor just in time to avoid the morning sun.

Once she recovered, Limanent immediately set to work. While she’d never been able to plot against Baron Telmalane, she’d spent decades planning what she would do if she were ever free of him. She knew his manor was no longer safe, so she immediately took flight to find a safe haven where she would–at least temporarily–be safe from vampire hunters. Through the following months she returned to her her roots as a thief. In life, it had afforded her a comfortable living, but in death she was capable of so much more. By transforming herself into a cloud of mist, she could enter a building through a crack in the wall, rather than fumbling at a locked door. With her great strength, she could heavy sacks of riches effortlessly. And a century of vampirism had left her with little regard for human life, allowing her to easily dispose of anyone who discovered her pilfering. When she ran out of public buildings to rob, she began using her vampiric charms to coax an invitation from unwitting residence.

Within a year, Limanent was fabulously wealthy by mortal standards, but the people of Darton were well aware that they had a master thief among them. So she hired a battalion of porters, and moved away. She boarded a ship, and crossed the southern sea. When she reached the continent of Edargeln, she purchased a manor house of her own in the capitol city of Abingarde. She filled it with riches, and introduced herself to high society as the Duchess of Greyholm. A place which did not actually exist, but was very far away so it was understandable no one has heard of it.

Limenent continues to live there, though by now she is known as Duchess Geary the Third.

Limenent Geary, Duchess of Greyholm (CR 11)

XP: 12,800
Female Human Vampire, Rogue 10
NE Undaed
Init +10; Senses Perception +23 (+28 to locate traps), Darkvision (60ft)

Defenses

AC 26, Flat Footed 19, Touch 17 [10 + Dex(6) + Armor(3) + Natural(6) + Dodge(1)] (AC 29 v. traps) (Cannot be caught flat footed, nor flanked, nor sneak attacked by a rogue of less than 14th level)
hp 78 (10d8 + 20)
Fast Healing 5
Fort +3 (Immune unless effect can target objects, or is harmless) Ref +15 (+16 v. Traps)(On 1/2 damage, takes no damage) Will +5
DR 10/Magic & Silver
Resist Fire 20, Channel 4, Cold 10, Electricity 10
Immunities Mind affecting effects, Bleed, Death effects, Disease, Paralysis, Poison, Sleep effects, Stunning, Nonlethal Damage, Ability Drain, Energy Drain, Physical Ability Score Damage, Exhaustion, Fatigue effects, Death from massive damage, effects which require a fortitude save

Offense

Speed 40ft
Melee Shortsword of Subtlety +15/10 (1d6 +6/19-20 x2)[Sneak Attack +17/12 (1d6 +9/19-20 x2)]
Melee Slam +12/7 (1d4 + 5/20 x2)(Magic Weapon)(Energy Drain)
Ranged Shortbow +16/11 (1d6 + 2/20 x3) [Range Increment: 70ft]
Sneak Attack 5d6 against flat footed or flanked opponents.

Stats

Str 20 (+5) Dex 22 (+6) Con — (–) Int 17 (+3) Wis 10 (+0) Cha 20 (+5)
Base Atk +7/2; CMB +12; CMD 28
Feats Quick Draw, Point Blank Shot, Far Shot, Iron Will, Run, Weapon Focus(Shortbow), Alertness, Combat Reflexes, Dodge, Improved Initiative, Lightning Reflexes, Toughness
Rogue Talents Fast Stealth, Stand Up, Surprise Attack, Weapon training(Shortsword), Opportunist
Skills Acrobatics (+19), Bluff(+26), Craft(Trapmaking)(+16), Diplomacy(+20), Disable Device(+24), Knowledge(Dungeoneering)(+16), Knowledge(Undead)(+13), Perception(+23)(+28 to locate traps), Sleight of Hand(+19), Stealth(+33), Use Magic Device(+18)
Languages Common, Thieve’s Cant, The Gravespeech
SQ
–Quick Draw: May draw weapons as a free action.
–Point Blank Shot: Ranged weapons gain +1 to attack and damage within 30ft.
–Far Shot: Each range increment imposes only a -1 penalty, rather than a -2.
–Run: May move 5 times normal movement rate when running, and maintains full Dex bonus to AC while doing so.
–Fast Stealth: May move at full speed while moving stealthily at no penalty.
–Stand Up: May stand up from the prone position as a free action. Still provokes attacks of opportunity.
–Surprise Attack: During a surprise round, foes are always considered flat footed. Even if they have already taken an action.
–Opportunist: 1/round, may make an attack of opportunity against a foe who has been struck for damage in melee by another character.
–Blood Drain: If an opponent is pinned, may deal 1d4 Con damage per round. Gains +5 HP (or +5 temporary HP) for each round blood is drained.
—Children of the Night: 1/day, summon 1d6+1 rat swarms, 1d4+1 bat swarms, or 2d6 wolves as a standard action. Creatures arrive in 2d6 rounds, and remain for 1 hour.
–Create Spawn: Creatures slain by blood drain or energy drain rise as subservient vampires within 1d4 days.
–Dominate: Target must succeed on a will save (DC 20) or fall under the effects of a Dominate spell.
–Energy Drain: Creatures hit by slam attacks gain two negative levels.
–Change Shape: May assume the form of a dire bat or wolf, as Beast Shape II
–Gaseous Form: As a standard action, or upon reaching 0 HP, the vampire can assume Gaseous Form indefinitely. Has a fly speed of 20ft with perfect maneuverability.
–Shadowless: Casts no shadows, nor is he reflected in a mirror
–Spider Climb: May climb surfaces as though under the effects of the Spider Climb spell.
–Combat Reflexes: May make up to 5 attacks of opportunity per round. Even while flat footed.

Weaknesses
–Aversion: Cannot tolerate the strong odor of garlic, mirrors, nor strongly presented holy symbols. Must succeed on a DC 25 will save each round, or stay at least 5ft away from these objects.
—Entrance: Cannot enter any private home or dwelling unless invited by someone with the authority to do so.
–Sunlight: Exposure to direct sunlight causes the staggered condition in the first round, and utter destruction in the second round.
–Running Water: Being submerged in running water deals damage equal to 1/3rd of max hit points per round. Upon reaching 0HP, the character could not escape using gaseous form as normal.
–Wooden Stake: If a wooden stake is driven through the heart while Limenent is helpless, she is instantly slain. However, if the stake is ever removed, she returns to life unless her head is also severed and burned.

Gear +2/+4 Shortsword of Subtlety, +2 Shortbow, 24 Arrows, 6 Sleep Arrows, 8 Arrows of Ice (+2d8 cold damage), Masterwork Studded Leather Improved Fire Resistance Armor, Ring of Water Walking, Ring of Speed +10, Softfoot Boots (stealth +6), 350 gp

The Wide-Swing Dilemma

My party’s cleric wields a large, two-handed warhammer. It’s not a weapon which appears in any of the Pathfinder books I’ve read, but I include it in my games as a piece of standard equipment because they are awesome. In our last game session, the party was ambushed by a number of animated goblin skeletons while they were exploring the base of a giant statue. As monsters go, skeletons are not particularly deadly. But they were numerous, and none of the players had ever encountered a creature with damage reduction before. The party’s ranger was none too pleased when his arrow simply clattered through the undead’s ribcage without dealing damage.

Once I explained how damage reduction worked to my party, they figured out that the cleric’s warhammer, as a bludgeoning weapon, was able to overcome this defense. The barbarian cleverly responded by finding the largest rock she could, hefting it, and waddling around the battlefield smashing skeletons to pieces. The rogue and ranger did the best they could, but found that their piecing and slashing weapons weren’t up to the task. They encouraged the cleric to take the forefront in the battle, since her weapon was ideally suited to the fight. She did, and eventually ended up in this position:

I know, my battlemat is out of scale with the miniature base. I need to do something about that eventually.

Anyway, when the player found herself in this position, she told me she wanted to try and attack all three of the skeletal goblins in a single horizontal swing. I couldn’t think of a single diegetic reason why she wouldn’t be able to attempt this. I made a quick ruling at the table, and told her that she would be able to attempt it as a full action, but that each attack would be made at a cumulative -2 penalty. So her attack on the first goblin in her arc would be at a -2 penalty, the center goblin would be at a -4 penalty, and the final goblin would be attacked at a -6 penalty. This seemed like a reasonable penalty to me, and I had the player roll her attack dice.

As it turned out, none of her attacks landed, nor did any of her attacks land on her next turn when she tried the same tactic again. The penalties didn’t even come into play, she never rolled above a 10. Bad luck, but the party prevailed, and continued on with their adventure. But the encounter stuck with me throughout the rest of the evening, and I’ve continued to ponder it ever since. My ruling ‘steps on the toes’ of two mechanics built into the Pathfinder game: multiple attacks from a high base attack bonus, and Cleave/Great Cleave feats.

If you’ve played Pathfinder, or D&D 3.x, you’re familiar with these rules. Each class has a base attack bonus which rises as the character goes up in level, and this bonus is added to most types of physical attack that the character will make. Once the creature’s BAB gets high enough, they gain secondary, tertiary, and even quaternary bonuses which are lower (-5, -10, and -15 lower) than their full BAB. As a full action, the character can make multiple attacks per round using progressively lower bonuses. But while a character must be at least level 11 to gain three attacks with their BAB, my table ruling allowed a 2nd level character to attempt three attacks. And she did it at a -2, -4, -6 penalty, rather than a -0, -5, -10 penalty. A net bonus over the official way of doing things.

Gaining iterative attacks from base attack bonus does have a few benefits which I would not have allowed the cleric, had she asked. For example, a character attempting multiple attacks using their BAB is allowed to choose the order in which they attack their foes, can take a 5ft step in between attacks, and can even decide whether or not they want to continue attacking, or take a move action instead, after the first of their attacks. None of these should be possible if all of the attacks are made in a single fluid motion. But nor would they seem to make up for the fact that my cleric was able to access an ability which (according to the rules) was far beyond her ability.

The second rule I stepped on the toes of, the cleave and greater cleave feats, serve a similar function. If a character with the cleave feat successfully deals damage to one foe, then that character may make a second attack (at their full BAB) against another adjacent enemy. The greater cleave feat works the same way, it simply allows the player to continue making new attacks against adjacent enemies so long as the chain of successful attacks remains unbroken. Both feats subject the player to a -2 AC penalty for a round after use.

My player did not have the benefit of being able to use her full BAB on each attack, as the cleave feat allows players to do. But she also did not suffer a -2 penalty to AC, nor did she need to successfully deal damage to the first enemy in order to attack the second, or the third. And, on top of that, she didn’t need to take 3 feats (Power Attack > Cleave > Great Cleave) to make the attempt in the first place. Once again, it seems that my table ruling gave the player more a net bonus over the official rules.

Despite my ruling interfering with two official rules, I can’t help but feel that I acted correctly. I still cannot see a single diegetic reason why Gibbous the cleric would not be able to attack all three of the closing skeletons with a single horizontal swing. And while I’m sure the rules could be debated forever, I don’t particularly care. Combat balance is not sacrosanct. Player Agency is.

None the less, I am left with a few thoughts on how to improve my game in the future.

If a player attempts this tactic again, I think they should take a -2 penalty to AC for being off balance. I think it makes a lot of sense that a player who attempts a really wild attack wouldn’t be able to block attacks as effectively.
If a player attempts this tactic again, a slightly more harsh penalty might be appropriate. A -3 cumulative penalty, instead of a -2, should be sufficient.
Players with high base attack bonuses can make iterative attacks as a standard action, rather than a full action. This is a house rule that my twitter friend Rilgon first pointed out to me, and I’ve thought it sounded like a good idea for awhile now.
I long ago abolished the Power Attack feat from my games, because it falls prey to my problem with feats. I now think I’ll remove the Cleave feat for the same reason. Great Cleave can remain, as a means of allowing players to overcome the cumulative attack penalty, but only if they hit each time. After that the penalty stacks for each attack they miss.

I’m curious how other GMs would have handled this situation. Personally, it’s just edged me closer to the day when I build my own tabletop role playing system, with blackjack and hookers.

Abyssal Rambling

Note: Members of my ToKiJaTiMo gaming group should not read this post.

I don’t remember precisely when I first obtained my copy of D&D 3rd edition’s Manual of the Planes. It was probably among the first supplements I ever owned. It’s almost certainly the first RPG book I read cover-to-cover. I spent much of my early life exploring fantastical worlds through books and video games, so I was no stranger to the idea of otherworldly dimensions where the laws of reality work differently. What was completely new to me was to see those worlds explained and quantified. In a narrative, it’s important to maintain an aura of mystique about such locals. But this book had diagrams, explanations of different types of gravity, even pseudoscience about how the planes interacted with one another. The volume of concepts the book presented set my imagination aflame. The possibilities of running a planar adventure are always wafting about in my mind, but in all this time, I’ve never got around to actually doing it.

In our most recent session I presented my players with four different hooks. The elves needed help in their war against the orcs to the south, and there were three different adventures the players would need to undertake to obtain the three different materials they would need to transform their sorceress into an Arachnohominid. So what happens?

Gibbous The Cleric “What about all those gnomes that were turned to stone in the dungeon?”

GM “Well, Pumofe [The party’s new gnome barbarian] was one of them. The rest are still in there.”

Gibbous “We can’t just leave them down there. We should help them first.”

Poker the Rogue “I see no profit in that.”

Rosco The Ranger “Well, we could at least tell the gnomes that they’re in there.”

Pumofe “But they can’t get them out, can they? There’s the magical barrier thing that keeps gnomes out.”

Poker “Oh! Since we’re the only ones who can go in there, we can charge the village per statue we carry out!”

Gibbous “Guys, we have gotta help these gnomes! I wasn’t here last session, how did we rescue Pumofe?”

Rosco “We used Demon’s blood.”

Gibbous “I have some of that!”

GM “No you don’t, that’s the blood they used.”

Gibbous “Cuthbert damn it! We need to find some demons then. Come on guys!”

A few hours of gameplay later, the party had tracked down their wizard friend Mahudar Kosopske, and convinced him to make them a Gem of Plane Shift with 2 charges. One to get them to the Abyss, and one to bring them home. (a scene which I recently posted an illustration of, in fact). Assuming they stick to their present adventure path, it looks like I’ll be running my first Planar adventure pretty soon. I’m excited, and brimming with ideas.

The gem the wizard is making for them will teleport them to a relatively unpopulated area, ostensibly for safety’s sake, since they are still low level adventurers. But since the purpose of their trip is to harvest blood from demons, a remote location serves the double purpose of making their task more difficult. I’ve been trying to come up with challenges they’ll need to face which will test their mettle without giving them what they need too easily. So far I’ve com up with the following:

Field of Chains an area of ground covered in barbed chains and dead bodies. At first these chains will appear to be set dressing, but once all players are standing on the chains, they will begin to make grapple attempts against the players. Once grappled by at least two chains, they will attempt to pull the player apart. Each chain is AC: 12, Hardness: 4, HP: 6, with a CMB of +6. Each round a character is successfully grappled, they will take 1 damage from the barbs on each chain, as they shift and twist. Once there are two chains on a player, they will make a combat maneuver check at a -4 penalty to pin the character. This penalty is reduced by 1 for each chain on the player. Once a player is pinned, the chains deal 1d6 damage per round as they attempt to pull the player apart.
Suicide Forest An extremely dense forest of dead trees, with a body hanging by a noose from each tree. The branches of these trees are extremely brittle, and whenever one breaks, the tree screams in agony from an unseen mouth. It is impossible to move through this forest without breaking branches every few feet. And every scream has a chance to attract a hellhound–or worse. (Thank you, Dante Alighieri!)
Acid Lake A titanic creature died here–violently. Only its top half is anywhere to be seen, and it towers above the players like a castle. It appears to have died some time ago, because it has rotted away enough that many bones are visible. Its stomach is completely gone, and from the rotted cavity a wash of green, bubbling acid flowed out to form a lake which deals 1d8+2 damage per round.
The Gods are Not Welcome Anytime a player attempts to cast any good aligned clerical magic (such as Gibbous’ healing spells) demons nearby will sense the intrusion into their realm, and a random encounter will be rolled to appear 1d6 rounds later.
Field of Razorgrass Field of waist-high grass. Any character not wearing armor takes 1d4 damage per square they move through. Characters wearing armor on their legs still take 1d4 damage, but only once per movement.

If anyone has any more environment ideas, I’m eager to hear them.

I think the best way to run this little planar excursion will be to style it like an outdoor dungeon. Instead of using 6 mile hexes, I’ll use 5ft hexes, and the players will need to solve problems in 10 minute turns. I’ll also need to figure out just how much blood they can get from each demon–and how big and bad the demons will get. If they’re not careful, they will probably encounter something severely out of their league, such as a Marileth.