Category: Tables & Miscallaneous

d100 Wondrous Items

Etching of a table cluttered with curiosities. A skull, a flower, scattered papers and open books, etc.

(Before we begin: Bones of Contention is a new TTRPG review site, for which I am a contributing member. Please give it a look!)

“Wondrous Items” is the category where D&D puts all the good magic items. At their best they demand creativity from the players who possess them in a way that a Flaming Sword or Ring of Protection never could. Wondrous Items didn’t make the leap to video games the way so many of D&D’s other trappings did, because Wondrous Items require a tactically infinite environment in order to thrive.

Here I have endeavored to present the greatest diversity of physical objects I could, marrying each to a magic power intended to push players to engage with the game in new ways.

The treasure chest contains a…

  1. Knife which will expertly season any food prepared with it. Even a novice cook could significantly elevate the quality of their ingredients. The knife loses its enchantment permanently if it is ever used for violence.
  2. Saddle which will resize itself to fit any natural beast it’s placed on. Once the saddle is strapped in place that creature will behave as a well-trained mount for one day. After this the saddle falls off not matter how well secured. Some animals may resent having been ridden, and turn claws and fang upon their fallen rider.
  3. Book which records every conversation of the person who owns it. It does this no matter how far away its owner is. If a new person takes possession of the book (without having it explicitly lent to them by the owner), all its pages become blank
  4. Dry log which burns, but is never consumed by fire. Its owner never needs to gather another piece of firewood again. This log was probably cut from some very special tree, and probably has some much more amazing properties to it, but this is the only remarkable thing anyone has ever discovered about it.
  5. Battle standard which appears friendly to anyone who would recognize a battle standard. One could ride through two warring armies, and both forces would perceive them to be allies. If a person has no knowledge of flags or battle standards, it displays a gray-and-white checkered pattern.
  6. Set of magically silenced woodworking tools in a nice box. Hand drills of various sizes, files, saws, planes, a mallet, none of which will ever make a sound when in use.
  7. Winnowing basket which will sift objects according to any rules described to it. An excellent tool for finding needles in haystacks. For example, it might be told to sift a load of treasure for items worth more than 100 gp, after which any item worth less than that will fall right through the basket’s bottom regardless of its size. The imp bound to the basket cannot read, and refuses to learn, so any attempt to use scrabble tiles to turn the basket into a tedious oracle will not work.
  8. Mirror of capricious deceptions. It will never reflect reality properly, though most of the time the differences it displays are slight enough that one must study the image carefully to determine what’s wrong. Perhaps a ring is shown on the wrong finger, or cheeks are displayed more flush than they are. This isn’t always the case. When one least expects it the mirror will show a demon looming behind them, or spiders crawling out of the viewer’s nose. If someone spends a good Turn or two polishing the mirror to make it look its best, they may whisper a request to it and it will reflect one lie of their choosing.
  9. Pipe which, when lit and puffed on, produces great clouds of cloying, sight-obscuring smoke. If the pipe is loaded with any substance that carries a particular effect (hallucinogenics, poisons, narcotics, etc.) the cloud will also carry those effects, which must be Saved against by anyone in the vicinity. Note that the smoker is not immune, and must save along with everyone else.
  10. Tripod which folds down to fill the smallest unit of encumbrance the game uses. When fully opened up it’s large and strong enough to support the weight of a standard adventuring party.
  11. Bell of attention. For one moment after the bell is rung all eyes and ears will be focused on the ringer. It is up to them to be interesting enough to hold people’s attention after that first moment. If anyone hears the bell a second time within a single day, they will perceive that the ringer is attempting to control their minds with magic. People do not generally appreciate this, and will almost certainly turn violent towards the bell-bearer.
  12. Directional magnet, of the U-shaped variety. The magnetic field it projects is tightly focused on a single point, and is powerful enough to attract any metal object its pointed towards with 2 horsepower.
  13. Music box which suppresses all sound except the plink-plink-plink of its own music. A full wind lasts 3 minutes, after which it takes a few moments to wind up again. The silencing effect is exactly proportional to how well the music can be heard. Those near the box will hear absolutely nothing but the music, while those far enough away to hear the music only faintly will also experience all other sounds being slightly suppressed.
  14. Tent which rolls up as small as a pup tent. However, when properly put up, the tent is spacious enough to stand in, with several semi-private rooms. Additionally, there is an extra flap at the back of the tent which leads to an extra-dimensional reference library. This library is used by a variety of magicians across the planes, and tended by a dangerous librarian. No object may be taken from the library, but anyone willing to spend time there ought to be able to find the knowledge they’re seeking.
  15. Sponge capable of absorbing an abnormal amount of liquid. If thrown into a body of water it could soak up a good-sized lake. It never grows any larger or heavier no matter how much liquid it holds. A single squeeze will always release the whole volume at once.
  16. Wand which allows the wielder to ‘save’ up to ten outfits. They simply must dress themselves a certain way, then wave the wand over themselves from head to foot to store that outfit in extra-dimensional space. By thinking of the outfit and waving the wand over themselves again—from foot to head this time—the clothes will be returned to their body. There is nothing to prevent the wand from being used to store worn treasures, though it must be noted that one cannot switch partially between outfits.
  17. Scabbard which shapes itself to any weapon one wishes to put in it. When the wearer calls for their weapon, the scabbard will oblige by propelling the weapon out of itself. This is best used to instantaneously bring a weapon to hand, even if one is mid-grapple. One may also attempt to launch a weapon directly from the scabbard and towards an enemy, but this form of surprise attack is clumsy, and only rarely strikes successfully.
  18. Ball about the size and density of an apple. It is perfectly accurate within the range of the thrower’s strength, hitting whatever they were aiming at no matter how small or mobile. The ball is unlikely to do any serious harm if used as a weapon.
  19. Net with eight weights around its edge. Each weight has a button which causes it to stay exactly where it was when the button was pressed—even if that means levitating in mid-air. The magic which holds the weights is released if jostled. The net can thus be used to quickly set a simple snare in almost any environment.
  20. Board game with a subtle magic. Everyone who sits down to play it will have a comfortable understanding of the rules, without ever needing to learn them. The play of the game is as simple or as deep as is appropriate to the temperament of the players; and as short or as lengthy as the time they have available to play. Any creature who can be convinced to play will have a nice time, and will remember the party pleasantly.
  21. Key of Imaginary Transportation. When used to mime starting a car, the key enables the holder to also mime sitting down in a car, and driving at car-speeds. The magic lasts for as long as they continue to mime. It will instantly cease to work if they break character by speaking or taking action not possible with a car, or if they ram their imaginary car into something solid / try to take it where it could not reasonably go. If moving at speed, the sudden faltering of this magic can prove exceptionally dangerous. The imaginary car can carry a party’s worth of passengers and luggage.
  22. Wood barrel which will find its way back to its owner (with all its contents) one week after being cast away. It must be truly cast away in order for the magic to work: thrown into an ocean or river, given to a stranger as they leave town for parts unknown, etc. So long as the owner cannot reasonably retrieve the barrel themselves, the barrel’s magic will work, and it will return.
  23. Polished bronze torque which allows the wearer to lengthen or shorten their neck at will. Elongated necks are difficult to move with, but can coil like a snake, and even be climbed by allies. If the wearer is attacked, each additional foot of length their neck current has results in a 5% chance that a successful hit deals 5x its normal damage. (So for 1 extra foot, an attack roll of 20 deals 5x damage. For 2 extra feet it’s 19-20, for 3 extra feet 18-20, etc.)
  24. Mummified cat’s paw. When placed on an object, the paw causes that object (and itself) to immediately become buried ten feet under ground. The buried items can only be retrieved by digging, which may take more or less effort depending on the material they were buried in.
  25. Candle which will undo any harm that is done within the range of its light. The harm simply reverses itself when the candle naturally burns itself out as a stub. Note that the candle must be fully used up before its magic can take effect. If a person is killed in the candle’s light, but then the candle is snuffed out and not used up until 100 years later, then it will be 100 years before that person is revived. Candle burns for 4 hours.
  26. Fish hook that works its magic when slipped into someone’s clothes. An ethereal tether extends between the hook and the person who placed it, so that they always know which direction to go to find the target. If pulled on, the tether will drag the hooked person with magic force along the most expedient path to the one who placed the hook. The magic is undone if the hook is discovered, or if the hooked person changes clothes.
Two etchings of a hand holding a peculiar writing tool. They demonstrate that it ought to be held with its base resting in the palm, and its point guided by the index finger.
  1. Manacles of escaping. If a person goes to sleep while wearing them, they will awaken in a completely different situation. It will be some generally bad situation, such as rower on a slave galley, or prisoner in a foreign dungeon—but perhaps it is a better situation than the one which prompted the person to wear the manacles in the first place.
  2. Feather duster with a wooden handle that has been carved into the figure of a gossipy maid. When the duster is used to brush a layer of dust, the wooden gossip will come to life and tell the whole history of the room since that dust settled here. They know exactly how long it has been since someone passed through, what sort of creature they were, what they did, etc.
  3. Shears which imbue any hair they cut with magic properties. The person who holds a lock of hair cut by these shears is suffused with a subtle aura that makes it completely believable that they are best buds with the person whose hair they hold. Cut the hair of a king? Everyone you meet will believe you’re the king’s friend. The effect lasts until the person who’s hair was cut denies the relationship, after which that lock will never work on anyone again.
  4. Large vermilion folding fan. If a creature or object’s shadow falls upon the fan’s folds while it is opened, then the fan may be snapped closed to fold that creature or object away in extra-dimensional space. Whatever is stored in the fan will be released again the moment it is opened, believing that no time has passed. There are no limits to the size of objects stored, save that their entire shadow must fit on the folds of the fan.
  5. Gloves capable of magically producing cord of any commonly available type and thickness between them. It may be ropes, chains, fishing line, twine, etc. The cord can be attached to the gloves, or released from them, but will never be any longer than the width to which the wearer can stretch their arms.
  6. Metal stud for wearing in a pierced tongue. While worn, the wearer gains a sticky frog’s tongue with 5 feet of reach.
  7. Steel bucket which is able to produce twenty times the amount of sand, water, gravel, or any other useless material it is filled with.
  8. Gardening trowel. If used to dig a shallow trench, and that trench is filled with water, the little furrow will expand to become a full-sized moat.
  9. Vase which “melts” any metal placed into it down to a liquid state. If one then whispers a shape into the vase and pours the metal out, it will “cool” and form itself into the shape desired. One can form the metal into coins, or statues, or bricks, or balls. The process is quick and does not involve any heat.
  10. Quill and ink-pot that imbue any words they write with supernatural comprehensibility. They can be read and understood even people people who do not read the language they are written in, people who are entirely illiterate, and even by creatures who lack language entirely. Even a mindless zombie or an alien slug could understand what is written.
  11. Lockpicking tools which work on people’s hearts. If someone skilled in legerdemain is able to sneak up on an unconscious person, or do their work on a restrained person, they can use these tools to “open” the person’s heart, and place some new love inside of it.
  12. False mustache cut from the lip of a great warrior who was cast out of his tribe, and ritually deprived of this symbol of his manhood. When it tied by straps to be worn on a person’s face, the mustache grants the ability to tell absolutely superb war stories.
  13. Farming scythe. If passed backwards over some dead thing, that thing will very briefly be brought back to life. It may be a few minutes, or an hour, but they will shortly return to death.
  14. Crowbar which is a magical force multiplier, in addition to being a mundane one. If an average person uses it, it will be as though 10 burly strongmen are all helping them. Note that this functions only when the crowbar is used as a lever, not if it’s used as a cudgel.
  15. Bright clear crystal which cleans any room it’s left in. Nothing will happen while one watches, but leaving it alone for only a few moments will eliminate dust and detritus, put items back in their proper place, brighten paint, etc.
  16. Folded fortune teller made of browned and tattered papyrus. If placed in a dead person’s hands, the hands will move to open and close the fortune teller. Back and forth, accelerating rapidly, until a choice is made, and an inky rune is revealed, taking immediate effect (d8): 1-3: Speak With Dead, 4: An illusory scene appears, depicting this dead creature’s final moments of life, and how they came to be where they are. 5. Raise the dead as a powerful undead revenant which loathes the living. 6. Raise the dead as a simple creature under the command of the caster. 7. Animate the dead, and return the creature’s mind to it, for one day. Experience of the afterlife will have made them weird, and they will likely have their own unfinished business they want to attend to. 8. The body explodes, splattering those nearby with blood, and leaving nothing left for a magician to tamper with.
  17. Straw whisk tied with simple cord. If waved vigorously in the air, the whisk will make a huge mess of any room. Anything that isn’t nailed down will be scattered pell mell.
  18. Quizzing glass which allows its wielder to see through another’s eyes. They simply need orient the glass towards any creature with eyes, and it will display what that creature is seeing.
  19. Complex and awkward vestment which must be actively held together by one hand in order to be worn, precluding the use of other weapons or tools. The garment takes a full Turn to don or doff, but while it is worn anything a person says is significantly more compelling. If one uses a 2d6 reaction roll, this vestment would enable the wearer to roll 2d8 instead.
  20. Grappling hook which falls up. It’s prongs have a jagged zig-zag pattern, as stylized lightning bolts. If allowed to reach 100′ in height, a lightning bolt will flash from the sky to catch the hook, and carry it away. The hook—and anyone holding on to its rope—will be transported [d12 * 10] miles towards the destination of their choosing. The travel is instantaneous, but dangerous, as everyone going on the journey must make a saving throw or take 2d6 damage from the lightning bolt.
  21. Wagon with a hatch door in its bed. Beyond the door are stairs which lead into an extra-dimensional cellar. Cool, dry, and with plenty of space for storage. There is a door in the cellar which is heavily barred on the other side.
  22. Statue of a roaring leopard carved from tufa. It has a perfectly ordinary appearance, but has been enchanted so that if someone tells a lie while their hand is in the leopard’s mouth, it will snap closed hard enough to crush bone, and won’t release until they reveal the truth that they lied to protect.
  23. Rustic hat with a wide shady brim. The shade cast by the hat is variable depending on how tight or loose the band around its rim is fitted. The wearer can vary the shadow to be simply personal, or up to 20′ in diameter. Anyone within this shade is immune to magical spying, and will appear to be a mere trick of the light to anyone observing from more than 60 feet away.
  24. Clay jug filled with three corrupting ichors: Slurry of Instantaneous Decay, Ooze of Malignant Mutation, and Vinegar of Undousable Incineration. The three fluids occupy the same space within the jug, each filling it entirely, but never mixing with one another. One never knows which one will come out when the jug is tipped, and no other vessel can safely contain these three potent liquids. The jug contains one gallon of each.
Etching of a woman with a black cat sitting beside a table of men. The men are drinking, with swords, axes, and shields resting nearby. The woman leans forward as if to intimidate them, and some men appear cowed, while others are defiant.
  1. Buff coat which makes anyone who wears it appear to be the most physically powerful person in the world. All bulging muscle and towering height. This strength is entirely illusory.
  2. Prop sword which is obviously fake and not at all threatening. Anyone touched by the blade will perceive that they’ve been stabbed by a real weapon, and react accordingly. To anyone watching, however, the object is clearly harmless. They’ll think the person who was “stabbed” is wildly overreacting.
  3. Wooden pole which can be pressed down to 2 feet long, or stretched out to 15 feet long at the wielder’s preference. On one end of the pole is a willowy wooden hand which the wielder of the pole can manipulate as easily as they do their own hand.
  4. Roll of cotton bandage which surreptitiously draws out more blood from any wound it binds. Unless used on a very minor cut, the bandaged person will bleed out and die without ever realizing that they haven’t been properly tended to.
  5. Domed birdcage with a little locking door, large enough to fit most tiny creatures inside. Any such creature placed within gains a humanlike intelligence and understanding of itself, as well as the ability to speak, and a desire to be pleasing and cooperative. This state is very uncomfortable for the animal. They don’t want to be rude, but they would really very much like to get the heck out of this cage as soon as possible.
  6. Small statue which watches and listens. When picked up it will describe everything it has seen and heard since the last time it was set down. If only recently rediscovered after being left alone somewhere for many years, this may be a lengthy and tedious recitation.
  7. Wrought iron fire poker. Each time it touches a fire, that fire will double in size. Fortunately, irresponsible wielders of this item will kill themselves long before they pose an existential threat to the whole region.
  8. Mousetrap of the spring bar & board style. When the jaw is pulled back and locked in place the weight of the trap increases to ten tons, and it will remain in this magically-heavy state until the trap arm is fully closed. Few creatures will be strong enough to escape the trap, and their own trapped foot or hand will prevent the bar from closing enough to dispel the magic.
  9. Small brazier, in which burns a magic fire. Legend has it this is the first fire made by human hands, kept burning through the eons by careful tending. If it ever goes out the magic is lost forever, but so long as it still burns, any creature close enough to be warmed by its heat will be healed 1hp every 2 Turns.
  10. Glass thermometer with a plug at its top. It’s meant to be filled with a few drops of a person’s blood, rather than with mercury. It will then display hotter temperatures when it is closer to that person, and cooler temperatures when it is further away from them.
  11. Parasol which stores the current weather at the moment it’s opened. Closing the parasol then conjures that same weather regardless of place or time. For example the parasol might be opened in the arctic during a blizzard, then kept open until it can be closed in an arid desert to really mess with the local environment. Of course, an open parasol is an awkward thing to move around, and cannot be easily kept in one’s bags.
  12. Comb which will quickly ferret out any needles hiding in haystacks, or any other aberrant objects that have been lost in a material fine enough to be ‘combed’ through.
  13. Twelve marbles which accurately and unerringly roll and bounce anywhere their user desires, within the range of a thumb flick. This is not limited to a single target or semi-natural path. They will zig-zag, hop, and backtrack as needed to accomplish their wielder’s goals. This is the only power which the marbles wish their wielder to access. Together they are an object of immense cosmic power, with a will all their own. On any given flick there is a 1-in-20 chance that the marbles will choose to become lost, having decided their time with the player character is done. The marbles do not move with enough force to deal damage to most creatures.
  14. Maraca filled with the broken teeth of the dead. Shaking it draws the attentions of nearby ghosts, causing at least one to appear (1d6 – 3, min 1). Ghosts are not friendly, but they know many secrets which were taken with them to the grave, and will sometimes trade what they know in exchange for the characters acting as their living agents in some way. Often what they want is minor, but never is it wholesome.
  15. Satchel of wood blocks. They’re brightly colored, come in various shapes, and are of a style a child might play with. They may be arranged however the user would like. A single clap causes the blocks to grow to become structure sized, while three claps in rapid succession cause them to shrink down to normal. Note that while they could be used to build a little house for the night, the blocks are not affixed to one another, and would make for a somewhat unstable structure.
  16. Sand timer which lasts 10 minutes. When the sand runs through to the bottom chamber, the hourglass and the person who set it in motion will jump backwards in time 10 minutes. Very handy for testing out uncertain actions, since you’re guaranteed a second try. Be warned, however, that the timer can’t be stopped once started, and there’s a 1-in-12 chance for each use that the timer will jump back without the person who turned it, disappearing from their reality, and leaving them stuck with whatever actions they’ve taken.
  17. Line measure of the type commonly used aboard boats. When lowered into a body of water the line causes that body to be at least as deep as the line. A shallow puddle could be made into a 15-foot-deep pool by lowering 15 feet of the line into it. Note that the magic does not actually create more water, it simply causes the water that exists to bi-locate or multi-locate into extra-dimensional space.
  18. Conductor’s baton. When pointed at an object or creature, that thing’s movement begins to produce a musical sound. If pointed at a rat, every scurrying movement and twitch of whiskers will produce melodic tones, which will merge nicely with other tones produced by other moving objects, revealing a sort of music underlying the ecology of a space. Once the baton is used, the thing indicated will continue to produce sound until the next sunrise.
  19. Plumage arrayed in a crest, with a bolt for affixing it to a helmet. Whomever wears it may see and speak with the ghost of the long dead bird whose feathers adorn the crest. The bird is of a large sort which has long since ceased to exist anywhere in the world. It’s not kindly disposed towards the descendants of primates which wear its feathers, but will grudgingly scout for them, and offer mostly accurate information. Doing the bidding of primates is moderately preferable to existing in the tedious limbo the bird returns to whenever the crest is not being worn.
  20. Blanket which traps any 1 person who sleeps with it in a fuzzy, two-dimensional prison. While there they perceive time, but suffer no hunger, thirst, or other basic need. Shaking the blanket causes them to come tumbling out of it.
  21. Stained glass in a 2 foot by 2 foot wood frame, depicting a sleeping dragon. The magic of this device must be attuned to a room by hanging it in a window long enough for one full cycle of moonlight to shine through it. After which the dragon recognizes this room as the location of its hoard. The glass may be carried anywhere in the world, and functions as a small portal back to that room. Any objects placed on the stained glass will disappear when no one is looking, and can be found later in the dragon’s hoard room.
  22. Length of chain 15′ from end-to-end. If lain in a circle, only true promises may be spoken within. It does not lay a geas on the promise-maker, but it does prevent them from speaking if they lack the intention and the will to carry their promise through.
  23. Locket capable of binding a willing soul to this world. It must be placed on the dead person’s body before the body grows cold, after which the soul may be asked to remain awhile before moving on. If they agree, they will appear in the locket as a tiny portrait capable of speech. Being stuck in a locket is dreadfully tedious, and the amount of time any soul is willing to stay there will range from hours to weeks, but not longer.
  24. Razor-sharp scalpel which can cut into living flesh without causing any pain, and any damage caused by its cuts heals itself within a few hours.
  25. Dirty rag of cloth which must be worn in some way in order to work its magic. It might be used as a pocket square, a kerchief, or just lain on top of one’s head. The rag then causes it to appear as though everything the user is wearing or carrying is trash. If they were to hold up a gold coin, it would look like a rock to everyone else. They will be dismissed as a beggar or a dirt farming peasant.
  26. Hide of a great animal treated with magic oils. Three people holding its edges can hurl a fourth person 30′ in the air, after which they will drift gently and safely back to the ground. Each additional person adds 10′ to how high the bouncer can be thrown, up to a maximum of 10 people hurling someone 100′.
An etching depicting an assortment of farm tools. Saws, shears, knives, a bell, ladders, a wheelbarrow, a bucket, a hammer, and a few items of unclear function.
  1. Rake which creates a magical one-way window through any surface it’s dragged across. Each stroke of the rake causes the window to show a space 10 feet deeper. So, for example, if there is a secret cultist den 20 feet underground, then raking the surface a single time will show whatever earth is 10′ below the spot, and raking the surface a second time will show the cultist’s hideout.
  2. Perfume spritzer which causes any ol’ liquid placed inside it to smell like delicious food when sprayed. “Delicious” here being relative to the nose that smells it.
  3. Bar of soap which is most effectively used when one is fully dressed. Not only does it clean the user perfectly, but it also removes minor bruises and abrasions, performs minor mending to clothes, polishes gear until it gleams, and otherwise removes all signs of wear and tear.
  4. Bicycle with a peculiar lever on its handle bar. Any distance covered while riding this bike can be instantaneously un-covered by pulling on the lever. The bike and rider are teleported immediately to where they started from. This option is lost the moment the rider dismounts the bike.
  5. Torch made from treated hardwoods which will never burn down so long as the cloth fuel is replaced regularly. Carvings indicate a particular way of holding the torch (somewhat awkwardly) which causes its flame to stay in whatever air it moves through. Somewhat like the images that are left behind by moving the torch quickly, except semi-permanent and still as hot as ever. With a little patience a person could create a wall of torch fire to close up a corridor, for example. Once placed, the fire remains until the wielder adjusts their grip on the torch.
  6. Ball of yarn with little wisps of smoke twirling off it. When dropped, it will tend to roll towards something that deserves the dropper’s attention. It may indicate secret doors, trap triggers, the hiding spot of a foe waiting in ambush, or just a good deal at market. Each time the yarn is dropped, a few inches of its length burns away, until there’s not enough left for it to have any use.
  7. Paper envelope, appropriate to contain a folded piece of paper. When closed with a wax seal, and words describing a destination location are etched on the wax, a gust of wind will whisk the envelope (and anything it carries) away towards that destination. The location can be anywhere, so long as it is a specific place. “Tom’s desk on the second floor office of his home in Bluehaven” will work. “Tom’s current location” will not. The wind carries the envelope about as fast as a bird flies.
  8. Snow globe which contains a small village. If placed down somewhere and rubbed with the hand, a person can be transported into the village. There they can access the goods and services of the town, and when they wish to leave they merely need to rub the glass dome from the inside to pop out again. The villagers are fully aware of their condition. This place is a purgatory for them, where they are punished for terrible sins committed in life. If they can behave like decent people for for 100 years they’ll get to be reborn, and have a second chance at living a good life. If the snow globe is smashed while someone is inside, they will be trapped at that smaller size until some alternate means of growing large can be found.
  9. Pale blue paste flecked with silver. Safe to touch with the fingers for spreading, but a mere moment after being spread the paste hardens to the strength of iron welds.
  10. Broom which produces a strong gust of wind in whatever direction it’s swept towards. Strong enough to cause an unsuspecting person to stumble, or to propel a sailing ship. There is no limitation on the frequency this item can be used, though note that once a foe gets used to the wind it will have almost no impact on their ability to act.
  11. Tiny catapult, small enough to fit in a backpack. A peculiar spigot allows it to be “inflated” to full size by blowing or using a bellows. At full size it is just as sturdy and heavy as any other catapult, yet if the spigot is opened it will release all the air pumped into it and the catapult will return to its small size.
  12. Plow which digs furrows that are potent with fertile magic which will grow plants from any item as if it were a seed. Plant a sword, get a sword tree. Plant a gold coin, get a gold coin flower. The plants require a normal amount of time and care to develop, and the items they produce will not replicate any magic or artistry present in the original seed. For example, a gold coin will not produce a flower with the same image stamped on it.
  13. Whetstone, long with two flat sides. Twelve strokes will hone any blade to a set purpose. The first side hones a blade to fighting trim, and could make a butter knife dagger-sharp. The second side forms a worker’s edge, allowing even a delicate rapier to chop trees like an axe, or strike stone with its point like a pick.
  14. Belt buckle in the shape of an alligator’s head. A whistle brings the buckle to life, and it can move about using the belt its attached to to push itself along the ground. Its abilities are limited, but it will do whatever it’s asked. Once awakened the alligator will not go back to sleep until it is fed.
  15. Scale which is able to weigh values other than weight. A dial on its base allows it to be set to measure monetary value, cultural value, academic value, spiritual value, and probably a few other sorts of value as well. In order to be of any use, the scale must have something to be weighed against. A gold coin to measure monetary value, or a holy symbol to measure spiritual value, for example.
  16. Spectacles which allow the wearer to see a number above the head of any property-owning creature, showing the net value of their assets.
  17. Whip which tangles expertly and perfectly every time. Able to quickly grab a far ledge, or reliably initiate a distance grapple against a foe. When targeting a living creature the wielder must roll a d20 all the same, and if a 1 is rolled the whip deals draws blood, and deals 1 hp of damage. Contact with blood causes it to lose its magic until ritually purified for 30 days and 31 nights.
  18. Veil of coarse thread, but hemmed elaborately. When worn it reduces vision to indistinct shapes. Putting it on and wandering aimlessly for d6 + 3 turns will lead a person to a safe place. There is food, potable water, shelter, and safety from attack. (All relative to the environment. Where the veil leads in a dungeon or desert will be different than where it would lead in a lush countryside or city). The veil wearer may bring as many people as they like with them, led in a chain of hands, all with eyes closed. While wandering the wearer and followers are guided by the veil’s magics, and will remain safe from harm or violent encounters. However, if anyone opens their eyes, or if the veil wandering is halted before its proper end, the wanderers will invariably find themselves in a terribly dangerous situation. The veil’s magic is able to lead the wearer, but cannot phase them through bars if they’re locked in a cell, or divert a determined foe from killing them if donned mid-combat.
  19. Casket of dark citrus wood. If a person is properly buried in this casket, then the very next day a tree will have grown where they were put to rest. High in the branches of the tree is a book, or perhaps several, which contain every noteworthy piece of information which this individual took with them to the grave.
  20. Censer which produces smoke of special divinatory power. After a space has been thoroughly filled with its fumes, items and marks which are evidence of some wrongdoing will glow a faint yellow. The censer reveals anything that points towards violence, deceit, oath-breaking, or willful disregard towards the welfare of others.
  21. Rug, blue with floral patterns at its edges. About 3′ wide, and 30′ long. When rolled out it’s stiff enough to serve as a bridge, and tough enough to form a short barricade. Only the very ends remain pliable, and allow the rug to be rolled up again.
  22. Empty turtle’s shell which, when placed in water, propels itself at incredible speeds. If the user is able to keep hold of it (no easy task!) they may learn the nuances of movement which allow them to guide its course, and move through the water with the speed and grace of any marine animal.
  23. Embroidery hoop which allows objects to be stored as images on fabric. The fabric must be held firmly in place by the hoop, after which anything from a dagger to a dog can be placed on the taut cloth. The placed item will disappear, existing now only as an embroidered image. At any time the cloth can be torn to break the enchantment and release whatever was stored there.
  24. City seed. Heavy and awkward. When planted, it will overnight grow into a bustling town filled with people who believe in a fictional history of their lives and their town.

That’s another d100 table on the books! I hope you enjoyed it, and that you’re happy, healthy, and getting vaccinated!

d100 Merchants

An older man with a chinstrap beard counts his gold coins.

When next your players wish to go shopping, they may discover that this store is tended by someone with their own rich internal life. This post was written by request from a friend, who has since informed me that it is not at all what she wanted and is totally useless to her. I probably should have clarified her needs at some point, but perhaps it will be useful to you!

The shopkeep / merchant / salesperson is…

  1. Going to notice something about the party. They’ll latch onto a peculiarity and refuse to let it go. If someone is wearing a funny hat they’ll make little jokes about it. If someone is of a species not commonly seen in this region, this person will ask probing questions. They just do not have good boundaries.
  2. Chatty. She wants your opinion on some big issue in the news, or perhaps on one of life’s big questions. If someone makes the mistake of answering her, she takes that as her opportunity to give HER opinion, the explanation for which will last at least seven times as long.
  3. Intensely lamenting a dead plant which he tried really hard to tend to properly.
  4. Obliged to try and upsell every customer on her cousin’s homemade jewelry. It’s terrible stuff. Cheap, garish, unwieldy. She’s embarrassed to be selling it, but familial solidarity is important.
  5. An excitable and energetic young woman. She’s highly knowledgeable about what she’s selling, with a level of expertise that is moderately remarkable in someone so young. She works for a disinterested and penny pinching owner, who doesn’t pay her enough to live on, and frequently demands that she spend more time selling product, and less time helping customers make informed choices.
  6. A pair of elderly newlyweds who cannot keep their hands off one another. This is the first day back from their honeymoon, and they’re still in full-on hornt mode.
  7. Pretending to be asleep so she can catch thieves.
  8. Secretly practicing some ultimately harmless but culturally taboo religious rite. Perhaps they are worshiping the Sun while living under Christendom, or they may be leaving offerings to the finger bones of their ancestors in a place where anything other than toe bones is considered a great sacrilege.
  9. A lethargic young fellow who is thoroughly annoyed to be stuck in this dead-end job. Questions about his wares make him indignant. He’s a shopkeep. The junk on the shelves is what it is. Buy stuff or don’t, but don’t bother him about it.
  10. A stocky redheaded woman in her early thirties, with one eye and one arm. She’s short tempered, and particularly has no patience for looky-loos. She has a tendency to bully women who come into the store. She is attempting to flirt with them, but is very bad at it.
  11. An elderly woman with a lot of religion in her heart. She tends to assume that everyone she meets shares her peculiar beliefs and prejudices, and attempts to commiserate with them about the sorry state of the world.
  12. The bastard child of some great noble. At least that’s what he claims. There is a vague resemblance, which he seems to think is the only evidence he needs. He’s outspoken about local politics, and all of the things he will change when his parent finally gets around to recognizing him.
  13. Someone who grew up quite affluent, but whose family fell on hard times while she was yet in their late teens. The trouble was sufficient to bump them down two or three socioeconomic classes. Now in her late twenties she’s learned how to get by as a dirty poor, but has an irritating sense that the world owes her a better living.
  14. An older fellow whose body isn’t regulating his body temperature properly. He’s either feeling way too cold, or way too warm in any given environment.
  15. A bored young woman fiddling with a bag of marbles. If no one is around, she’ll ask if the customer wants to play a round with her. She’ll even offer a discount if they will liven up her tedious day with a few minutes of playing marbles.
  16. Apparently surrounded by very eager customers who mysteriously clear a path for the players as they approach. The shopkeep has hired a whole crowd of actors to make his shop look busy, in the hopes of attracting business.
  17. Eager to be well regarded for his intelligence. Recently he learned the word “Axiom / Axiomatic.” He doesn’t properly understand its use, but is eager to slip int into conversation to sound smarter.
  18. Wishing her partner was here. She has no idea how to properly record the inventory, they usually handle these things.
  19. Stressed about his kids running around the store, bothering customers and making a mess of things.
  20. Dreadfully ill. Coughing, sneezing, the whole deal. She came in to work out of a misguided sense of dedication, and is very proud of herself.
  21. Outspoken about what a hard lot merchants have to deal with. Everyone above her in society is leeching off her hard work, and everyone beneath her is a layabout. In her estimation it is the merchant class which built society.
  22. Raising funds for an orphanage. She’s got a big bucket on the counter filled with donations, and will be sure to ask anyone who makes a purchase to consider adding their own contribution.
  23. A beautiful man. Drop-dead gorgeous. Lithe of body, gentle of touch, with dark hair and a faint leatherwood scent. He is fiercely devoted to his partner, and does not appreciate people hitting on him.
  24. Attempting to learn a new language out of a book. She’s hoping it will allow her to expand her business into new markets, but she’s having a tough time of it. Her enunciation wrong. If one of the players happens to speak the language she’s learning, they could really help her out.
  25. Cooking a set of eels on a makeshift griddle in the shop. The sea isn’t anywhere nearby, so it is a rare treat to have fresh eels. They will not share even a single bite unless they’re offered an absurdly disproportionate amount of money. They’re also hard of hearing, and may intentionally “misunderstand” any inquiries about their treat.
  26. Wearing an ornate metal nose prosthetic on her face. She likes to make up stories about the spectacular ways in which she lost her nose, though if her partner is around, she’ll usually pipe in with the very mundane true story.
A busy market scene. People in Renaissance-era clothing bustle about, buying and selling. In the foreground, a large scale is used to weigh a barrel against a set of weights. A man holds a basket to be weighed next.
  1. In need of someone to do some minor chores for them. Rake leaves, clean gutters, paint fence, that sort of thing. They’re too frail to do so themselves, and will offer a nice little discount for the work. Not enough of a discount to justify the time involved, but not nothing either.
  2. Accompanied by an overbearing guard who makes it very uncomfortable to shop. This is a new arrangement. The vendor himself had a bad experience recently, and isn’t yet ready to see any issue with the guard’s behavior. Once he notices how little money he’s making, he’ll learn to reign the guard in more.
  3. A collector of live insects. She keeps a great many of her darling pets with her, even while traveling. They require smelly foods and uncomfortable levels of heat. Several are allowed to crawl across her body casually as she works.
  4. Trying to keep himself together, despite having gone through a really bad breakup just yesterday.
  5. Either an informant for some secretive organization, or just the biggest gossip you’ve ever met. He’s absolutely shameless about it, plugging everyone he meets for the juiciest information he can get.
  6. Trying to to sell off excess stock of a peculiar fruit. They thought something exotic to the area would sell well, but they grossly miscalculated. Nobody wants the stuff, and it’s going to start going bad soon. They’re claiming the stuff has wild magical properties in order to liquidate their stock before it rots.
  7. Covetous of something the player character customers posses. It would probably be something fairly obvious: a nice hat, or sword, or bit of jewelry. He may try to buy it, or if he can’t afford it, may attempt to find out where the customers are staying so he can steal it while they sleep.
  8. Red-faced about a very recent and very public embarrassment. He made a big show of seeking some minor position of power within the community, talked to everyone as if it were a sure thing, and when the moment came his bid for the position received absolutely no support whatsoever. He’s a bit of a laughing stock at the moment.
  9. Recently returned to this job, after having quit it in spectacular fashion a few weeks ago. They resent themselves for coming crawling back, and are turning that resentment outwards at everyone.
  10. A little high, and has just come to a perspective-altering realization about the nature of the universe. Something about all reality being predicated on tension between slime and algorithms. They’re eager to share their new wisdom with others, though in about 20 minutes it won’t even properly make sense to them anymore.
  11. Wrestling with a disorderly pet they’re taking care of for a friend. Perhaps a dog, cat, bird, or—most destructive of all—a monkey?
  12. Lifting weights, doing crunches, and jumping rope between transactions. They mutter a lot of weird self-abuse / encouragement, like “Keep going, keep going you trash heap, just 30 more. Nobody will ever love you unless you do 30 more!” If asked why they’re doing this, they will enigmatically say that they’re “in training,” and wink.
  13. Using a complicated sales system which requires a lot of paperwork for even very small transactions. They insist it’s better for everyone in the long run that every detail be properly documented, but clearly the effort is wearing even them down.
  14. Distracted by tending to a crying baby. She is embarrassed and apologetic about it. Way more than she needs to be.
  15. In the midst of a shouting match with their business partner. The two both try to keep it together when a customer shows up, but neither can resist making snide remarks, and then the shouting starts again. Savvy customers could potentially play the two off one another to get some real bargains.
  16. A young person with just…just the absolute worst haircut you can imagine. Like seven different styles all fighting one another on the battlefield of her head. There are huge bald spots, and spikes, and curls, and braids, and it’s just….distracting.
  17. A blind, jack-of-all-trades hustler. While shopping with her, she’ll casually mention all sorts of other things you might pay her for. She is (according to her own reckoning) an accomplished barber, an adequate player of both fiddle and concertina, an excellent fisherwoman, thoroughly knowledgeable about safe paths through a nearby woodland, and not-half-bad as a doctor.
  18. Insistent that everyone in his shop must strictly observe some peculiar cultural or religious practice. There are signs everywhere reinforcing this rule. Characters may be asked to wear heavy chains about their shoulders, or carry a fish in their pocket, or not to speak, or to wear special curly toed shoes, etc.
  19. A shepherd. This isn’t her job. She’s the cousin of the usual shopkeep, and was press-ganged into taking over the job this morning because her cousin is ill. She has no idea what she’s doing.
  20. On a bit of a tear at the moment. They’re angry, and eager to rant about their personal enemies to anyone who will listen. Every stimulus, no matter how banal, somehow prompts fresh memories for them to be angry about.
  21. Convinced that he has a special ability to spot a sucker from a mile away. And the party sure does look like a bunch of suckers to him.
  22. Carefully watching an hourglass. If the party stick around for awhile, she’ll flip the glass and scratch a tally in her notebook. Even when making a sale she keeps glancing at the hourglass, as if it will somehow jump ahead if she doesn’t keep eyes on it. If asked why she’s doing this, she will change the subject by trying to upsell the customer on something.
  23. In mourning. Someone very dear to them died recently. Their grief is sincere, but it is also being highly performed as a show of respect to the departed. Everything is draped in black, they weep loudly, and have even hired professional mourners to stand outside the shop beating their breasts and crying to the heavens.
  24. Intensely enthusiastic, and desperately needs everyone around them to be on the same level they are. If they talk to someone who isn’t smiling and giddy, they feel as though that person must be angry with them. As such they’re constantly trying to coax an unseemly excitement out of people.
  25. Gravely concerned that a recent scientific discovery conflicts with their religious beliefs. They consider themselves both religiously devout and scientifically enlightened, so this is a big problem. They are consumed by attempting to massage these two conflicting sets of facts into accord and resolve their personal paradox.
  26. A foreigner who speaks the local language only brokenly. She is kind and her wares are good, but her lack of familiarity with the local language and customs is causing her problems. She will invariably commit some serious faux pas, offer to sell something dramatically below its proper value, or otherwise put herself in an awkward position which the players can choose either to take advantage of, or help her out with.
A peasant woman with a basket filled with ribbons on a portable stand. She gestures towards the viewer, as if inviting them to peruse her wares.
  1. Very passionate about her hobby. In her off-hours, she devotes almost all her time and money to attempts at breeding cryptids. She has nothing else in her life to talk about, and she is a very talkative person.
  2. Front-woman for some shady practices. Nothing in this shop is actually expected to sell. This place does not turn any profit. She makes the real money from letting criminals use it as a meeting place, or as a warehouse for stolen goods.
  3. Drunk, wearing an outlandishly colorful costume, and playing dangerous games with a deadly weapon. Perhaps he is swinging a sword in wobbly-yet-artful loops, or pointing a loaded crossbow around the room while making ‘pew!’ sounds.
  4. Wayyyyy too casual with threats of violence. He just weaves it into his conversation everywhere, like “If you don’t buy that you’ll be dead before sundown for wasting my time, haha.” He is not serious, but for whatever reason he thinks this behavior is normal.
  5. Obsessed with the peculiarities of a culture two nations away from here. All he knows are tidbits of information gleaned from stories and art, which have led him to construct a fictionalized version of that culture which suits his own quirks. He’s taken to using scattered words from that nation’s language, and explaining them incorrectly to anyone who looks confused (which is everyone).
  6. Planning to commit a murder tonight. She’s anxiously going over her plan again and again in her mind, and terrified she’s going to tip her hand. She just wants to get this interaction over with as quickly and normally as possible.
  7. Supremely kindhearted, to the point of absolute absurdity. This must be a new business, or she’s new to running it, or has recently had a dramatic shift in her personality, because no one so generous could possibly keep this business afloat for more than a few weeks.
  8. A sub-rational nihilist. She actively disbelieves in logic, and causality. Reality is random. If it appears that reactions follow actions, and that their relationship is predictable, that’s just one more layer to the cosmic joke that is life. Her boss insists she take the correct amount of money for purchases, though. The boss is such a philistine.
  9. An absurdly tall woman. Seven feet if she’s an inch. She’s got shifty eyes, is scruffily groomed, and smells…peculiar. She is very worried that someone will discover that she’s been illicitly fermenting cheeses in the back room.
  10. Garbed in the absurd and impractical fashions that were in vogue with the high aristocracy a few years ago. He picked up the costume second hand in an effort to look cultured and well-off. The clothes are constantly getting in his way, and he fail to understand that absolutely no one is impressed.
  11. A person whose legs were not fully formed when they were born. They’ve rigged the whole shop with a complex series of pulleys and ropes which allow them to zip around the rafters and drop down anywhere they need. They’re able to get around with downright frightening speed.
  12. A short fellow with a great big beard, which rests across the counter. He wears a horned helm on his head, has a glassy 1000-yard stare, and speaks almost exclusively via indecipherable grunts. One might be tempted to think there’s something seriously wrong with him, but this is just the means by which he combats boredom. He speaks quite clearly when indicating prices and enforcing the details of his transactions.
  13. A person of indeterminate gender, wearing a long black cloak. Everything about their behavior—their accent, their puns about sucking blood, their avoidance of mirrors and light—makes it painfully obvious that they are a vampire. They aren’t though, not really. They avoid light because they’re sensitive to it, avoid mirrors because they don’t like the way they look, and make bloodsucking puns because they think it’s funny to play on people’s assumptions about them.
  14. A deep believer in the importance of proper augury. She does not attempt to tell the future (such things are irreligious nonsense), but to determine whether or not there is any particular divine favor or disfavor for her endeavors. She has a great pen of chickens outside, and will often throw feed to them, and study their movements to calculate her proper course.
  15. Insultingly arrogant. He makes no secret of the fact that he thinks his wares are too good for a party of dirty adventurers. He’ll take your money, but emphasizes that he doesn’t accept returns.
  16. Willing to accept certain…unusual forms of payment. They regularly barter with wizards, demons, and other dark things which live in the forest. They know adventuring types when they see them, and know also that such folk are often willing to part with things like blood, souls, first born children, etc.
  17. An absolute drop-dead, twelve-outta-ten hottie who has lived their entire adolescence and adult life among dwarves, who didn’t recognize them as anything other than just another human. They’re totally unaware of how attractive they are.
  18. An enthusiastic sports fan. She’s desperate to talk to someone about a match that occurred recently, which the party is likely to be unaware of.
  19. A fellow who is casually tossing items around the store as he works. He throws junk into the trash, product onto the shelves, or onto the counter. Nothing is being damaged, but that seems to be a result of luck rather than skill on his part. It’s probably just a matter of time before he causes problems with his careless behavior.
  20. A massive, muscled, shirtless fellow. She’s got a luscious mane of shoulder-length hair which has clearly been tended with great devotion. She doesn’t say much. She just does her job, and occasionally answer questions with impressive flexing rather than with words.
  21. The architect of a massive building project which was completely bungled. The structure collapsed, dozens died, it major tragedy. The news spread quickly around the area. She had to change her name, her hair, and start a new life.
  22. Suffering from a peculiar paranoia. He believes he is being watched, but has come to enjoy that feeling. He takes a certain exhibitionist glee from being observed at all times, and often assumes new people are privy to details about his life which they have no way of knowing.
  23. Going to try to sell something under the table. It is unlikely the players will want this item (perhaps an old racing toad who is past his prime but ready to stud, or a vial of angel blood, or something like that). None the less, she will talk about the sale as if it is an amazing deal on highly illicit goods. It’s unclear whether she is sincere, or if this is just some strange sales ploy.
  24. A Don Quixote style character. She believes she runs a very high class place, with a royal clientele. Her shop and wares are actually a little below average, but you’ll never convince her of that.
A seamster sits in the large open entryway to his shop, working with needle and thread on a piece of fabric. His wares hang in the background. A man in a cape and feathered cap is speaking to him as he works. There is a sad dog in the corner.
  1. Cursed with invisibility. He hates it, and wears a lot of full-body clothes so people can see him. Doesn’t wear masks most of the time though. Maybe on formal occasions, but in his day-to-day they’re too irritating to bother with. This man is incredibly tired of people trying to hire him based entirely on his invisibility, and will turn hostile at any suggestion that he could “use” his malady.
  2. A living statue which does not speak. He communicates primarily by pointing. He has a slot in his chest where payment may be deposited.
  3. A precocious child with an oversize head—both literally, and figuratively. He’s a meticulous planner, and has every confidence that this first little business is just a stepping stone to greater things. He doesn’t entirely overrate his own ability, he is quite good. But he is a child, and lacks for social intelligence. He has no idea how casually insulting he is, and how many customers he has already driven away.
  4. Engaged in an act of performance art. You only think you’re in a shop because you’re not fully appreciating all the artistic nuance on display. This is artifice. A statement that reflects the artist/shopkeeps supreme genius. You can still buy things from him, but it’s not JUST a transaction. It MEANS something.
  5. Cursed with the form of a pig. Upturned snout, bright pink skin, little curly tail, the works. This is a real problem for him, but paying the rent is a bigger problem, so he’s got to keep the business going and hope the curse works itself out eventually.
  6. An animate structure. The shop themself is alive, and avaricious. They have a face which can manifest itself on any surface within the building. What they use the money for is uncertain, but they seem to want it very desperately.
  7. The body of a person who needed money badly enough to allow a wizard to perform experiments on them. An unintended side effect of said experiments is that their mind got swapped with a creature from another world that orbits a distant star. That creature is sly, distrustful, and slow to action. They’ve been living in this body for a few months now, attempting to blend in as they learn about our world and species.
  8. A very sweaty fellow who is followed everywhere he goes by a wizard. The wizard insist you pay no attention to her. As the sweaty man goes about his business, the wizard collects his sweat in vials, and studies each carefully before labeling it, and placing it in her satchel.
  9. An orc with a great big white beard, who has all the typical lexical impediments one would stereotypically expect from an orc: trouble with pronouns, mismatched word order, etc. The orc is actually something of a polyglot, fluent in 100 languages from a dozen or more different worlds. He’s working in this shop in order to immerse himself in your culture while learning your language as his 101st. He’s been working at it for about a week now.
  10. A gray furred, elderly, rat-person scholar. She really ought to be spending her days in teaching and academic study, but times are hard right now. Even the most learned must find ways to make ends meet.
  11. A guy who clearly does not work here. He just noticed the shopkeep had wandered off for some reason, and decided to try and handle sales while they were gone. He’s not trying to steal or swindle anybody. He’s just acting on a peculiar impulse, and hasn’t yet realized why that might be a problem for others.
  12. A subby guy with boundary issues. Tries to maneuver people into dominating him without their consent.
  13. Human shaped, but only 3 feet tall, and covered head-to-toe in long greasy hair which leaves only her eyes visible. She speaks a language that is not intelligible to anyone in this region, but seems capable enough in the conduct of her business. She gets by mostly with hand gestures.
  14. The demon Pogu has been bound to this body, and kept in thrall to a wizard. The wizard found that she had accumulated entirely too much junk over the years, and tricked Pogu into this bondage until all her excess assets are liquidated. Pogu must seek a reasonable price and must transact his business with the consent of the customer, but has few limitations beyond these.
  15. Leaking honey from his nose and ears, because a colony of bees has made their hive within his skull. His brain is still in there as well. He and the bees came to this arrangement semi-voluntarily after he committed a grave offense against them, and was allowed to choose the mode of his restitution. He assures anyone who asks that he is fine.
  16. What appears to be a half-developed fetus curled up in a floating uterus. The creature speaks by blowing bubbles out the various tubes of the uterus. Each bubble releases a syllable as it pops. The creature is strange, but does not revel in the curiosity of customers. They are a crafty and diligent salesperson, and will not gratify any attempt to pry into their personal life.
  17. Someone very clearly under the influence of a charm spell. They say there’s a special bargain today: you can choose to pay with money like normal, OR climb down into the “hole of fun,” and keep your item for free! The hole they indicate leads to a subterranean nightmare chamber where the customer will be devoured by terrible monsters. It is not subtle.
  18. Riit , Giit, and Viit are a trio of bear brothers. They are not anthropomorphized in any way, save that they can speak and engage in commerce. They have a tendency to bicker constantly among themselves, but clearly care for one another very deeply.
  19. A lizard man who has just gotten to a really good part in the book he is reading. Most certainly will not be pleased to serve customers at the moment.
  20. A disembodied voice who sees everything that happens within her shop. She is terribly exasperated by folks trying to outwit her, and has a standing policy of adding a 10% ‘shithead tax,’ cumulative for every attempt. Notice of this tax is clearly posted behind the counter.
  21. A fish-woman who moves about the shop via a series of hidden pipes and open canals. There are a few different tanks which allow her to swim up to eye level with customers. She specializes in trade goods from the deep sea, but has expanded into local wares as well.
  22. Someone whose reincarnation cycle is broken. Their consciousness never resets between lives. They remember every one from their months in the womb, to their deaths, and the strange visions experienced between. Their memory spans countless generations. They’ve used their vast knowledge to rule the world in previous lives, but that was a long time ago. For the last few lives they’ve mostly just been going through the motions.
  23. An ethical cannibal who will pay to eat bits of you. She would never take meat from someone who didn’t or couldn’t consent, and she always pays a fair price for her food.
  24. A mystical aberration. She was born with the ability to produce powerful jolts of electricity from her body. She uses this ability to emphasize how “shocking” her prices are! What a bargain! She makes a good living here. She will scoff at any suggestion that she leave a prosperous business, a lovely family, good friends, and a stable community to pursue a life of adventure. That’s not a real job! Get a life.

I hope everyone remains safe and healthy. Don’t let the bastards get you down, friends. America delenda est.

The Dungeon d100s: Locks & Keys

A good dungeon will have many places in it that the players wish to go. On their way, they will need to overcome many obstacles which make their journey interesting. Sometimes the “lock” they encounter will be a goblin, and the “key” is a sharp sword and a good attack roll. Sometimes the lock is an illusory wall, and the key is realizing there’s a breeze coming from nowhere. Sometimes the lock is a literal lock, and the key is in a chest at the other end of the dungeon.

One must always remember, however, that in Adventure Games, no lock is always going to be overcome with the intended key. The goblin could easily be avoided with some clever sneaking, the location of the illusory wall could be bullied out of the goblin, and that locked door could have its hinges popped out. One must never get too attached to their keys, and sometimes I do not even plan out a key at all. I simply trust that the players are clever enough to figure their way past an obstacle.

It must be mentioned that a good dungeon is one where the players can walk away from a barrier if they can’t figure out how to deal with it. Don’t design a dungeon that will come to a complete grinding halt just because the players can’t get past a single barrier. There should always be some other direction to explore in.

I will also note that some of the keys below imply the presence of a door keeper who controls who gets in and out. In most cases it will be best to make these guardians difficult to kill. They might operate the door remotely for example, and speak only via an intercom. They might be shouting from the other side of the door. The guardian might be an incredibly powerful and dangerous creature that is otherwise not interested in doing the party harm, or the guardian could even be the door itself via an animated face. If the door guard is available to be killed, and the players do so, then whoever put that guard there is going to send more later, and with increased security to back them up.

Thanks to Gus L. for reading through this post to ensure it all made sense.

The Dungeon d100s
1 – Themes
2 – Structures
3 – Rewards
4 – Doors, Floors, Walls, & Ceilings
5 – Factions
6 – Locks & Keys

Bonus – Auto-roller, at Liche’s Libram.

d100 Dungeon Locks & Keys:

  1. A landslide has blocked the path forward. Time must be taken to dig it out.
  2. A great tree has grown through the doorway. Chopping it down from one side will be awkward.
  3. The passage is high up, and in the middle of a vaulted ceiling. Getting there would require something like a skillfully thrown grappling hook, a very tall ladder, a flight or spider climb spell, etc.
  4. The way forward is tiny, barely big enough to get your hand through. A person would have to shrink, or transform into a small animal to get through.
  5. A well constructed and unattended drawbridge on the other side of a chasm. There is no prescribed way to open it from this side.
  6. An energy barrier bars the way forward, sustained by the life essence of some notable creature who may or may not reside in the dungeon. So long as this creature lives, the barrier will remain impassable.
  7. The pathway is out of phase with our reality. It can only be moved through by shifting oneself into the phase where the pathway exists. This phase will doubtless have other differences as well, and may not be friendly to outerphasic life.
  8. There is a combination or password which must be entered. It might be written down or known by someone elsewhere in the dungeon, or it may require searching outside of the dungeon to learn.
  9. A particular sound opens the way forward. Perhaps it is a specific song, or the sound of a specific instrument.
  10. The key to the door is has been copied several times by a certain faction. Many members of the faction carry a copy.
  11. They key is in some treacherous location: tangled in a spiders web, or on a plinth in the center of a pool of lava.
  12. They key is itself hazardous or difficult to handle, requiring the players to make some clever plan for transporting it to the lock. As examples, the key might generate enough heat to melt through steel, or it could be incorporeal. The key might be possessed by an intelligence that dominates whoever holds it, or it might bestow some curse on whomever touches it, etc.
  13. The key to the door is an object of importance to some particular dungeon faction. It may be a sacred object used in their religious devotions, or a symbol of office worn by their leader.
  14. The door ought to be easy to open, but some essential element of its mechanism has been removed by previous adventurers. Perhaps a golden sprocket or magic gem. It must be found and returned here to open the way forward.
  15. The way forward is blocked by a terrible guardian beast, who will allow passage so long as they are brought the food that they like to eat.
  16. A door opening ritual must be performed. Its details may be provided, at least in part, by carvings on the door, or it may need to be learned in dusty tomes in the basements of old libraries.
  17. The lock and key are both obvious, and near one another, but the key is a huge 250lb object which must be carried up a vertical ladder to reach the keyhole.
  18. A biometric scanner will only open the way forward for certain people, using eye/face/voice/hand scan to identify them. The scanner may or may not have measures to prevent its being used by force.
  19. Some previous adventurer got all set to destroy the barrier. There’s a ram, or a cannon, or some TNT, etc set up here, but for some reason they didn’t do it, and now an essential component has been removed, and must be replaced to clear the way forward.
  20. The way forward is opened by placing three objects of power (gems, medallions, orbs, etc.) in the proper place. All three might be found in the dungeon, or may require adventuring outside the dungeon, or some combination of the two.
  21. Before the sealed door is a round table with a bronze statue sitting at it, and several empty seats with pressure plates on them. Adding the exact correct amount of weight to each seat will be tricky, but might take less time than recovering the other bronze statues which have been taken as trophies by various dungeon factions. Either way, once the correct weight is in place the door will open.
  22. A terra cotta warrior stands guard before a sealed door. Portions of the figure are clearly less worn and dirty than others, implying it once wore armor which has been removed. If the warrior is fully outfitted once again, the way forward will open.
  23. Two feuding factions must work together to open the way forward. Perhaps each knows half a password, or there is a ceremonial table which only opens if representatives from each both sit at it.
  24. The way forward can only be opened by a doorkeeper who is too sad to do their job. The party must somehow cheer them up, or otherwise convince them.
  25. The lever which opens the door is visible, but inaccessible. Perhaps behind bars, or glass, or in the middle of an acid lake. There is a creature near it who can open it, but they are incapable of understanding language. Perhaps a monkey, or a toddler golem.
  26. Vampire rules apply to everyone. Anyone who wishes to pass through this barrier must be invited by someone who lives beyond it.
  27. The walls of the room are covered in dozens or hundreds of forearm-sized holes. One of these contains the lever which will open the way forward, while many others are trapped, or have become nests for potentially poisonous plants or animals.
  28. The way forward opens only for those who have legitimately achieved some particular social position. (Mayor, King, Priest, Spouse, etc). To enter, the players may need to win an election, gain an appointment, complete training or rituals, etc.
  29. There is no actual barrier to entry. However, surrounding cultures all observe a strict taboo against going through. At the very least people who disregard this taboo will be shunned.
  30. Only those dressed a certain way will be allowed inside. The guard may be checking for a certain uniform, or for formal wear, or perhaps ritual garb.
  31. Anyone who wishes to enter must commit some suitable crime, so that the doorkeeper knows you’re cool before letting you through.
  32. The door is a philosopher. It postulates that as a door its purpose is to bar entry, and further that the party are the exact sort against whom the way forward must be protected. The door is willing to listen to counter arguments.
  1. An impenetrable physical barrier will only open for those who have accomplished some specific deed, such as raising a child, or slaying a dragon. They may bring guests with them if they wish.
  2. No one may pass unless they convince the gatekeeper that they’re qualified to handle the hazards beyond the gate. They do not want blood on their hands by allowing brash young folk to charge straight to their doom.
  3. The way forward is blocked by a thick tangle of vines and briers. An axe, machete, or sword will be adequate to hack a path through, but it will take time to do so, and there may be consequences for damaging these plants.
  4. The way forward is opened by paying a toll. There may be a powerful toll taker, like a dragon, or simply a coin slot which opens a door when sufficient gold is dropped into it.
  5. The way forward is hindered by customs officials who wish to inspect goods, assess taxes, and collect information for their records.
  6. The dungeon seals up when outsiders enter it. If they wish to leave again they must deposit some item into a chest. It may be a specific key located further in the dungeon, or perhaps it’s just 10% of their total carried wealth.
  7. The space ahead is an “X Free Zone.” Players can only enter it if they relinquish whatever X is: weapons, armor, illumination, meat, or whatever else the players are accustomed to having access to.
  8. The space ahead is subject to magically enforced terms and conditions. Failure to adhere to the agreement will result in being hurled back out by a mysterious and irresistible force. This usually hurts quite a bit.
  9. Anyone who goes through this passage experiences severe time dilation. There are no barriers, but those who go through must accept that they will miss some significant span of time. Months, or even years will pass by in the outside world.
  10. The door is opened by performing a spell on it. It doesn’t matter what spell, so long as the party’s magical resources are somewhat diminished.
  11. The door requires an offering of blood before it will open. Approximately d4 hp worth.
  12. The way forward explicitly only opens for a certain sort of creature: rats, dogs, goblins, etc. Characters who wish to enter will need to find means of transforming themselves into the appropriate shape.
  13. Dungeons do not tidy themselves. Chores are carved in the stone of the door. It will only open once an appropriate amount of cleaning has been done.
  14. The way forward only opens at a certain time, and for a certain length of time. It may open once a day, once a year, or once every hundred years.
  15. The switch to open the door is far away, and the door slowly closes immediately after it opens. Getting through the door before it closes requires either splitting the party, or moving with great haste.
  16. The way forward will open itself only after everyone in the room has slept in its presence, so that the spirit in the door may observe their dreams.
  17. This room is a sort of airlock. Before the way forward opens, the way back must be sealed, and vice versa. The process takes time, such that the party could easily become cornered in this room if they’re being pursued.
  18. The way forward opens when a target is hit. It may be near enough for thrown weapons, or distant enough that a sling, or a bow is required.
  19. The way forward is on the other side of a peculiar court. A ghostly figure challenges you to a match. The nature of this game has been lost to history, but the way forward will only open once you can win a round.
  20. The way forward is through a complex clockwork mechanism. You could jam it to make it safe, but doing so will cause the machine to stop functioning. Depending on its purpose, players may not wish to do that. Another option is to observe the timing of the mechanisms carefully, and attempt to dodge through them as they move. This would be a difficult check with dangerous consequences for failure.
  21. A surveillance system activates deadly countermeasures against any who attempt to pass through. To reach the other side, one must move stealthily.
  22. The passage forward is large, heavy, and imbued with magical intelligence. It spends most of its time asleep, and open. If roused by heavy steps or clanging armor it will slam itself closed, crushing to pulp anyone who was attempting to pass.
  23. The way forward is blocked by a heavy door which must be lifted or pushed aside. Requires either great strength, or a clever use of leverage.
  24. A tumultuous body of water lies between where the characters are, and where they wish to be. They must navigate it using some seaworthy vessel. This may involve the characters being shrunk to cross some tiny body of water, or the dungeon might contain a subterranean lake.
  25. The way forward is open, but is much too hot to pass through. It must somehow be cooled to a safe temperature.
  26. The way forward is a long hallway with a ceiling that begins to lower as soon as anyone enters it. Not even the fastest runner could get through safely. It must be wedged open somehow.
  27. The players must pass through a literal minefield to reach the other side. Doing so safely requires that they find some way to detect the mines, or perhaps acquire a map which shows a safe path through.
  28. The way forward is a maze shrouded in magical darkness, and filled with spike pits and other traps. If the darkness could be dispelled, or the traps turned off, it would be easy to pass through safely just by taking a little time. While both are active, it is certain death to try.
  29. A bridge used to span a deadly gap here. It has long since collapsed.
  30. Unbelievably powerful magnets line the corridor. Enough that a ferrous sword would fly out of its sheath, and require immense strength just to drag it along a few feet. Gods save you if you’re wearing ferrous armor. Those who pass through can only reasonably expect to bring non-ferrous metals with them.
  31. The way forward is underwater. It would take an excellent swimmer 5+ minutes to reach the other side if they were unencumbered.
  32. The path forward is up-stream of a powerful flow of water. It must be turned off or diverted in order to progress.
  33. The path forward is through a swamp or sewer. The players should be informed that they will definitely contract an illness if they don’t take precautions.
  34. A series of powerful lasers bar the way forward. Powerful enough to slice through most materials easily, but mirrors or heavy stones will redirect them long enough to allow the characters to slip through.
  1. A great blind guardian beast sniffs everyone who passes through. Those who smell correctly are let by, those who don’t are devoured.
  2. The way forward is blocked by a belching geyser of fire, a waterfall of acid, or other constant source of harm with an identifiable “type.” It is contingent on those who pass to procure the correct potions of temporary immunity. Preferably enough both to get in, and to get out again.
  3. Axe wielding statues stand on either side of the door, and will swing mighty blows at anyone they see walk past. Their attacks are deadly, but they are simple constructs. If their eyes are covered with a blindfold or a basket, they cannot see, and will not attack.
  4. A winding corridor with an electrified floor, spinning buzz saws, or similar impassable danger. The ‘off’ switch for these is at the other end, and could be activated by a creature or device capable of getting through safely.
  5. Writhing, grasping tentacles protrude from every surface of the corridor. Instinctively they tangle and crush any object that comes within reach. They must be occupied, or made docile in order to skirt through.
  6. A room filled with air so noxious it will melt skin from bones. Some sealed protective clothing is required to survive moving through it.
  7. Three or more objects rest on a plinth. A riddle describes one of those objects in an obscure way. Anyone holding that object as they pass through will be safe. Anyone who isn’t, or who is holding multiple objects, will be subject to deadly traps of some kind.
  8. The lock is a huge cylinder pin-tumbler. Large enough for people to walk inside it, and each push one of the pins. If all are pushed just right, then others standing outside the lock can rotate the chamber their companions are standing in.
  9. The door is sealed by a heavy magnetized bar, which is completely hidden within the door and wall. Characters may notice ferrous metal objects being drawn towards it if they stand near. If a substantial ferrous metal object is dragged along the wall, the magnetized bar can be moved to unseal the door.
  10. Were the whole dungeon annihilated by the angry fist of God, this door would still stand. It is absolutely impenetrable. It will only open if knocked on politely, in which case it swings easily inward.
  11. The way forward was walled up, but that nearby column doesn’t look terribly stable, and it’s probably not load bearing…
  12. A statue holds out their hands in anticipation. Clues elsewhere in the dungeon indicate that the statue wants some sort of common object: a stick, rock, string, some water or a bit of money. If that object is placed in the statue’s hands, the way forward will open.
  13. A sort of guest book rests on a lectern beside the door. It prompts anyone who wishes to pass through to write their name, the current date and time, as well as to enter an example of some specified wordplay. Perhaps characters must write an alliterative sentence of at least 2d4 + 2 words, or a unique joke, or a set of seven rhyming words, etc. Once this is done, the door will open. The magic doesn’t work if the characters lied about their name or time, or if they copied an example from elsewhere in the guest book.
  14. Near the door are several torches which, if lit, will open the way forward. For added complexity, one of the torches may be in a previous room, it may be disguised, or it may have been destroyed and need to be replaced.
  15. A plinth with an obvious weight pad sits in front of the door. It requires an immense weight to open the door. The players will either need a material of unusual density (like an anvil made from osmium), or devise some contraption that allows them to balance a great deal of weight on this tiny plinth.
  16. Candles rest on inset shelves on either side of the door. Clearly many candles have been placed here over the years, because there is a sheet of melted wax an inch thick coating the wall. If this sheet is chipped away, the lever for opening the door will be revealed.
  17. A skeleton lies in an open coffin beneath a headstone which reads “Here lies a bastard who deserves what he got.” If the long dead corpse is in any way abused or desecrated, the way forward will open.
  18. The way forward is high up, and a powerful current of air prevents throwing grapples, climbing sheer walls, or placing ladders. There is a strange plot of soil beneath the passage. Anything planted here will go through its whole life cycle very rapidly, so if one were to plant an oak tree, it would quickly grow large enough to be climbed, then rot away and die by the end of the day. Note that this magic is tied to the spot, not to the soil.
  19. The door forward has a clock face on it, which must be set to some appropriate time which is hinted at either on the door itself, or elsewhere in the dungeon. It may be a fixed time (the minute on which the door builder’s child was born), a fluid time (the minute that the clock-turner woke up this morning), or not a time at all but simply a number that can be expressed by clock hands (such as 3:14 representing pi). In any event, the time must be held in place for at least 60 seconds to prevent characters simply spinning the hands quickly through every possible option.
  20. The players come upon a place that is clearly labeled “The Dark Stair,” or “The Dark Passage.” If they attempt to traverse it with illumination, it will seem to go on infinitely. If they bravely douse their lights and go through it in complete darkness, they will reach the other end easily.
  21. Murals in the room depict a story where a fisherman catches a fish, it spits out a key, and the key opens the way to great treasure. The room contains a pool of water, but no fish. If a living fish is brought to this room and placed in the water, the way forward will open. Transporting a live fish and keeping it healthy through the dungeon up to this point may prove to be somewhat difficult.
  22. The room appears to have been the site of a battle. There are skeletons leaning against the walls, spatters of dried blood, gouges in the walls, blades stuck in mortar or wood. Examining any of these objects will reveal that they have been staged. Everything is fixed in its place by adhesive or nails. One of the items in the room (perhaps a spear stuck in the floor) is actually a disguised lever. When pulled, the way forward will open.
  23. The door is shaped like a great closed mouth in the middle of licking its own lips. Above the mouth is a nose. If the smells of good food are wafted beneath the nose, the mouth will open.
  24. The way forward is blocked by a magic cube which transforms into whatever material has most recently touched it (with the exception of gases that naturally occur in its environment, such as oxygen). Regardless of what material it transforms into, it always retains its exact shape. If touched by sand, it will transform into a cube of sand without sliding out into a loose heap. If transformed into water, it will be a cube of standing water which players may swim through. When the players enter the room the cube is likely made of stone or steel.
  25. Though the door appears to be a three dimensional object of wood and stone, to the touch it feels like a single smooth sheet of glass. If a mirror is held up which reflects the door, the reflection will have the texture which the door ought to have, and the characters can travel through it.
  26. The way is opened by performing a human sacrifice.
  27. The way forward requires you to climb into a sealed room (or box, or carriage). Unseen forces will move you along an unseen route, eventually depositing you at your destination. The journey may be quite long, and require that players provision themselves so they do not die of thirst and hunger while traveling. Alternately there may be some appropriate offering or behavior with which to request this service, and failure to do so may result in being dropped off in some undesirable location.
  28. Each character who passes through must first reveal something which they would rather keep to themselves. The barrier detects both truth, and reluctance. If either are not present in a person’s statement, they would be incinerated.
  29. A crank near the door opens it, but clearly does something else as well. There are too many mechanisms for this to simply be a door opener, but it’s not immediately clear what consequences there will be for turning it.
  30. Only the dead may enter. Those who die in the doorway may inhabit an empty homonculous in the chambers beyond. If they are resurrected their souls will be destroyed. When they return back through the entry, they may be resurrected properly.
  31. Passing through requires that a person allow their mind and body to be thoroughly scanned and recorded. Who knows that is done with that information? Definitely something.
  32. An adjunct to the fates guards the way forward. They show the characters visions of two people. One of those people will die today, and the party must choose who it is. If they attempt to pass without choosing, then they themselves will die instead. There is no save.
  33. One side of a great scale is held down by a feather. Someone must stand on the other side and be balanced against the feather for the path to open. The scale determines whether or not you are a good person, according to the precepts of the dungeon builders.
  34. Before reaching the door, in some unrelated situation, a mysterious stranger will test the party’s virtue. If they pass, the door will be open for them. If not, it will not. (Did they give alms to the homeless man they met on the road? No? Then the door is sealed.)

And with that, The Dungeon d100s has come to an end. It has been absolutely exhausting to ensure that this project would be completed before the end of the year, but I didn’t want 2020 to pass by without Papers & Pencils getting a little more attention than I had given it. There will be one more post yet to come this year, my annual Christmas Embarrassment, so I’ll save the sappy end of year stuff until then. Please stay safe, love one another, and never stop fighting for Trans Rights.

The Dungeon d100s: Factions

Two or more factions competing for resources might be the most vital element of a good dungeon. Certainly they are the bedrock of the social dungeons that most excite me.

Unrepentant enthusiast for alliteration that I am, my first step in creating these hundred factions was to name them. As discussed in my Two Week Megadungeon post I generally stuck to the Type of Creature + Type of Behavior format, with the added constraint that the two must be alliterative. I then used the names as a loose creative prompt from which to derive the details of the faction. In some cases, a great emphasis must be placed on “loose.” Certainly this post would come across as way less silly if I deleted the original names for these groups. I seriously considered doing just that, but decided against it because I thought it might be a useful glimpse into the process, and also because silliness is a good thing.

The Dungeon d100s
1 – Themes
2 – Structures
3 – Rewards
4 – Doors, Floors, Walls, & Ceilings
5 – Factions
6 – Locks & Keys

Bonus – Auto-roller, at Liche’s Libram.

d100 Dungeon Factions:

  1. Academic Arsonists: A group philosophically opposed to philosophy, and all other forms of impractical knowledge. Each week they ritually burn any high minded books they’ve managed to collect. Whomever contributes most is given special consideration in the coming week.
  2. Avaricious Architects: Constantly making elaborate alterations to the dungeon. Are very greedy. Will make claims on anything the party finds, and shake them down for money at every encounter.
  3. Argumentative Anatomists: Creatures with the ability to rearrange their body parts. Each thinks they know what the best configuration is, and insists everyone who disagrees is a fool for not doing it the way they do.
  4. Ancient Anarchists: Cursed with immortality without eternal youth, this decrepit faction live in an equitable little commune where everyone shares in the work when they’re able, and is cared for whenever they break a hip. Lacking physical strength, most have learned minor magics.
  5. Barbarous Bovines: Muscular cow folk who speak in a language that is difficult for outsiders to learn. Unless special effort is made, only gestural communication is possible.
  6. Bedazzled Beardmen: More beard than they are man, these tumbles of tangled hair have little hands and feet sticking out from their brush, as well as deep sunken eyes visible through it. They decorate their bodies with glitter.
  7. Boastful Beavers: Supremely confident in their own cultural supremacy, though their primary interest seems to be filling the dungeon with haphazardly constructed barricades which they regard as great works of art.
  8. Bloodthirsty Bibliomaniacs: All books belong to them, whether or not those books have yet entered their possession. They rarely read the books. Possessing them is merely an unhealthy compulsion which has become a cultural obsession.
  9. Bridal Battalion: A young member of this faction comes of age when they venture into civilization to steal a bridal gown of their very own. For the rest of their lives the gown will mark them both as an adult and a warrior.
  10. Cantankerous Crystals: A group of yoni eggs given life after being “born” so many times over. Discovering their frustrated intelligence, a mountebank lich bestowed them with arms, legs, and size. They have gratefully served her ever since.
  11. Cultured Cranes: Lanky bird people who stand twice the height of a man. They socially organize themselves in a fopocracy, where the snootiest and most flippant become their leaders.
  12. Ceiling Celebrities: Creatures which are something like a cross between bats and spiders, and vastly prefer being “upside down,” though they find that term somewhat offensive. A few years back another adventurer wrote a book about living among them for awhile. It was quite popular, and everyone in the party will be at least passingly familiar with the text. The creatures themselves loathe the book, and the many self-serving inaccuracies the author inserted into it.
  13. Churchgoing Charioteers: Tiny folk who use mouse-drawn chariots to get around the dungeon quickly enough to keep up with their larger neighbors. They’re devoted followers of the same religion that is dominant in the region outside the dungeon, though their own precepts have drifted into some minor heresies.
  14. Debonair Dads: Whilst attempting to get out of some parental responsibilities, a wizard accidentally created several dozens facsimiles of themselves, all of whom were significantly more charming. Only one was put into service, while the rest were dumped here in this dungeon to form a loose community together.
  15. Devotees of the Debauched Dauphin: The rightful prince of a surface kingdom was so debased in his predilections that everyone agreed to have him quietly killed. Exhibiting a surprising cleverness, he escaped to the dungeon with his closest confidants where they continue their debauch in somewhat humbler circumstances.
  16. Diplomatic Deerfolk: Lean creatures wearing armor made from shed antlers. They make an effort to appear amicable, but only so they can trick people into disadvantageous agreements. Once the agreements are made, they must be obeyed, or violence is justified.
  17. Determined Doorkeepers: A religious sect who have taken certain metaphors about God opening and/or closing doors a bit too literally. Small groups are assigned to doors deemed religiously significant, and tend them 24/7.
  18. Exploitative Employers: They have money, but are miserly loathe to party with it. They’re always trying to hire people in wildly unbalanced deals, and have no qualms against taking vital resources hostage if it means someone will work for them.
  19. Enigmatic Eels: Tusk-mouthed sea serpents which drift through the air as easily as through water. Their culture has a somewhat unusual relationship with names, such that each individual has several dozen, several of which they are meant to use only while praying, and never to speak out loud to anyone at all. They are an insular society, and none have any name which is appropriate to share with an outsider.
  20. Erupting Essayist: Shambling cones of rock which slide around without any recognizable anatomy. They do perceive the outside world in their own way, and communicate by blasting papers covered with their thoughts and feelings out of the hole at their peak.
  21. Earnest Earth: Humanoids made from packed earth. Their bodies are fragile, and they much prefer to avoid violence at all costs. They’re gifted speakers, friendly, and likable, but this often leads them into forming alliances with whomever is most willing and able of doing violence to them.
  22. Fundamentalist Fedoras: A dogmatic religious group which is among the weakest of the dungeon’s factions. They believe themselves to be an inherently superior species, and that they are owed the submission of outsiders. Difficult to get along with, but easy to manipulate.
  23. Fecund Fowl: Flightless birdfolk capable of firing eggs out of their bodies like projectile weapons. Likely occupy a space with high ceilings to maximize the distance of their attacks. Their society is nominally equitable, though many jokes are made at the male’s relative defenselessness.
  24. Frank Frauds: A group of con artists who have recently been cursed with the need to be honest. Their habits have not yet adjusted to their new condition, and they frequently find themselves putting their feet in their mouths.
  25. Folklorist Fog: Mist creatures which trade in stories. They do not understand anyone who fails to recognize the value of this currency, though most of what they have to share is from cultures too alien to be easily understood.
  26. Garrulous Ghouls: Corpse enthusiasts who believe it is an absolute shame that so many bodies are left in the ground to decompose alone, where the process cannot be witnessed or smelled. They collect bodies in their domain, and celebrate the whole process start to finish.
  27. Glowing Gazers: Humanoids made entirely from light, save for their terrible unlidded eyes. This form is a state of enlightenment which they wish to share with others, but it is obvious they have some sinister secret they’re not sharing.
  28. Grimacing Grandmas: A group of cantankerous older women who were tired of being considered a nuisance and set off to enjoy the end of their lives with some good rows against monsters. They typically call most people “grandchild,” or “sweet pea.”
  29. Gifted Gaffers: A people suffering under a curse which causes them to metaphorically put their foot in their mouth during every social interaction. They have very few friends, due to their constantly unintentional insults. If their speech can be tolerated, they’re eager to have allies.
  30. Heretical Haberdashers: Devotees of a certain style of headwear which has gone so starkly out of fashion that they were cast out of polite society. Plunging head first into the depths of the sunk cost fallacy, they’ve become a grubby band of dungeon dwellers marked out only by their pristine and ugly hats.
  31. Hook Handed Humorists: A genetic offshoot of hook horrors which are capable of speech, and absolutely addicted to comedy. It is their only art form. A novel joke is as good as currency with them.
  32. Hygienic Hogs: Pig people in fitted white clothing. They are obsessively clean, to the point of distraction. They spend hours each day scrubbing every inch of themselves and their home. Untidiness of any kind is an offense, though they know to set their expectations low for outsiders.
  1. Havoc Harlots: Muscle-bound and clad in armored lingerie, these worshipers of elemental chaos must do battle as part of their mating ritual with one another. They’re a horny lot, and tend to throw themselves into a lot of pointless fights. If an outsider can roll with that, the Havoc Harlots are otherwise a pretty chill group.
  2. Ignorant Intellectuals: A cadre of know-nothings and dilettantes convinced their armchair rationalism enables them to understand, grapple with, and solve every problem faced by “lesser” minds. Easily flattered, but infuriatingly pedantic.
  3. Irritable Immolators: Sensitive to loud noise, quiet noise, and most forms of vibration, these grouchy dungeon denizens are sometimes difficult to get along with, which wouldn’t be so troublesome if they couldn’t set things on fire with their minds.
  4. Irresolute Idealists: They have some good ideas about how the dungeon ought to be run, but refuse to do the work to make it happen. Instead they pretend the world already works the way they want it to. When they can’t pretend, they mostly just complain about how this wouldn’t have happened if everyone had listened to them.
  5. Icy Investigators: Puzzle solving savants with very little emotional affect. The only thing they value more than a good solution is a new problem to solve. Often called upon as a neutral party to settle disputes among other factions, though their interest always values revealing the truth above facilitating peace.
  6. Jade Janitors: Living statues of green stone created for the explicit purpose of keeping the dungeon tidy and in good repair. They have developed their own consciousness. They have free will and a rich culture, but none the less janitorial work is fundamental to their nature.
  7. Jittery Jousters: Wearing patchy armor and mounted on various creatures, these nervous folk live by a strict code passed down from more prosperous ancestors. It involves a lot of jousting, which few of them are comfortable with, but anyone who admitted that would be shunned by everyone still to afraid to admit it.
  8. Jubilant Jocks: Wholesome partiers who are always eager to engage in vigorous physical competition of some sort, and to exuberantly celebrate the winner regardless of who they are. Their whole vibe tends to make you think it’s only a matter of time before they say or do something real shitty, but they are basically decent folk who just happen to have the mannerisms of dudebros.
  9. Jackbooted Jurist: A whole faction who believe they are uniquely suited to being judge, jury, and executioner over everyone they meet. Their rulings are harsh, prejudiced against whoever they perceive as least valuable to society, and predicated more on a desire not to have their preconceptions of the world challenged rather than out of any sense of justice.
  10. Kite Kings: A gang of lightweight ruffians who’ve learned to glide and soar through the air using large kites. Their tough-guy posturing tends to make a bad first impression, but they are genuinely good natured if their pride is not wounded.
  11. Knowledgeable Klaxoneers: It is well known (according to these folk) that lions assert dominance by roaring louder than any other lion in the pride. This is their justification for why their groups regularly sound klaxons as they move about the dungeon. It is just one of many “facts” they enjoy sharing to justify their odd behaviors.
  12. Keg Kidnappers: Any time they don’t spend partying is spent planning and executing elaborate heists to acquire sufficient booze for the next party. They have refined tastes, but aren’t above shaking down passers by for a bit of cheap moonshine to pass the time with.
  13. Lusty Loggers: If the dungeon has no ready source of timber, they make regular excursions to gather it. With it, they reinforce and expand the dungeon, as well as craft their erotic arts. Their polished statues and wood carvings are most numerous in their own territory, but have often been traded to other factions for resources. Whether or not their concepts of eroticism match anything that would be recognizable as such to the players depend on the sort of game being run.
  14. Lyrical Lobster Lords & Ladies: Oversize Decapods with fine clothing, ornamented shells, and an aristocratic bearing. Normal speech is considered to be a peasant’s habit. As people of refinement, they never communicate any idea without singing it.
  15. League of the Listless Logicians: A group of rationalists who sequestered themselves here away from all distraction so they could use the power of logic to work through all the problems of the universe. It is a hopeless endeavor, but before coming here they burned so many academic bridges boasting about the success they would have that they feel obligated to continue making token efforts, even though they now indulge in every distraction the dungeon has to offer.
  16. Lucky Lightning: Entities of pure electricity, only partially bound to humanoid shape. They can travel near instantaneously along a network of copper wires they’ve run through the dungeon, which their foes make every effort to find and destroy. If that weren’t bad enough, goddess Fortuna seems to favor these creatures. They love to gamble, but anyone who knows them knows better than to play.
  17. Masked Mamas: By happenstance, these folk found a cache of masks which look like the mother of whomever is seeing them. The masks are not convincing, but they are a little unsettling. They’re worn away from home, to unsettle outsiders.
  18. Mega Microorganisms: By some magic gone horribly awry, a group of bacteria was enlarged to human size, each gaining fragments of the mind of their destroyed creator. They’re led by a cruel virus.
  19. Nagging Neoclassical Nerds: Living in a dungeon can be boring, which is why this group has devoted so much time and energy to reading, re-reading, discussing, and agonizing over the single book they have access to: a textbook survey of classical mythology, art, and history. They interpret everything through this lens. It’s insufferable.
  20. Microwave Mutants: Sterile creatures who reproduce by cajoling lonely people into allowing themselves to be strapped into the device which transforms a person into one of them. Each of the creatures has a lidded organ in their chests, which directs a beam of heat when pulled open.
  21. Metal Mannequins: Fashionable tin gormless. Despite a fearsome appearance, their bodies are hollow, and can be destroyed as any fleshy creature’s could. They spend their time acquiring and creation pleasant clothing. There’s a great diversity of styles among them, though also an agreed upon language to each choice of shape and color, so that each one can know a great deal about what another is thinking and feeling just by looking at them.
  22. Magic Mildew: Fungus people whose bodies are incredibly delicious, and produce delightful psychotropic effects when consumed by most creatures. They do not enjoy being eaten. They are diligently stealthy in their movements, and consider themselves at war with the whole world.
  23. Nudist Nuns: Fuzzy bearlike creatures. If their nudity is not commented on, they will be surprised. Among their own species they are a renegade cult, expelled for their insistence that clothes are unnatural. Given that they’re covered in thick fur, it’s hard to disagree with this precept.
  24. Neighborhood Newsfolk: A faction which, on the surface, remains resolutely uninvolved in any dungeon conflict. They devote themselves to simply reporting the facts on post boards around the dungeon. In secret, they use tricky reporting and occasional falsehoods to manipulate the other factions. Keeping them divided and warlike, so they gradually erode each other’s power.
  25. Narcissistic Novelists: A cadre who long ago agreed to foster unity by passing around a story to each member of the community, to make a paragraph of additions, then on to the next person. The book is now dozens of volumes long and still ongoing. If you meet them, they’ll insist that you read it, and be offended if you don’t like it.
  26. Organfarm Orphans: A group of teens and young adults who all lived together in an orphanage which was selling their body parts to the rich as remedies for various ailments. They escaped about ten years back, and have built a good life for themselves in this dungeon. They have no desire to rejoin society.
  27. Oak Octopi: Land dwelling octopi made from wood. They treat their bodies with tinctures that make them significantly less flammable, since that’s invariably the first thing their enemies attempt. They have a great love of percussive music, and a great fear of mildews and fungi.
  28. Outcast Oligarchs: A group of former slave owners who were forced to flee their homes once the slaves revolted. They’re still infuriated about the event, and how profoundly “evil” it was for those “greedy revolutionaries” to “steal” all of “their hard earned wealth.” They keep trying to force other factions in the dungeon into being their slaves, and it makes them even angrier that nobody is falling for it. They view it as a good deal.
  29. Orbiting Oysters: Clusters of 5-12 oysters which all orbit around a central point, (which they insist is an infinitely dense gravitational mass, and also the location of each cluster’s mind, but there is no evidence for this outside their claims). Each cluster of oysters acts as a single person, with different shells opening to speak in chorus at different times. They are somewhat socially isolated within the dungeon, and it’s never quite clear whether they perceive a reality beyond our own, or whether they’re merely adhering to an inscrutable religion.
  30. Paperweight Pals: A friendly and verbally boisterous faction of speaking boulders. Aside from their faces these folk have no moving parts. Aside from oxygen they have no physical needs. They like to chat, and really appreciate being carried around a bit by anyone strong enough to lift them.
  31. Pompous Pirates: A crew of pirates who were shipwrecked several years ago, and came to plunder the dungeon to buy a new ship. They haven’t been able to earn the treasure they need, but are unwilling to accept defeat, and have become defacto dungeon denizens.
  32. Purple Poets: Purple skinned humanoids who found themselves unwelcome on the surface, and have adapted well to dungeon life. They’re hardy, cunning, and never settle for one word when twelve would do the same job. Language is beautiful after all, and begs to be well used.
  33. Powermad Princess: A twelve year old princess of remarkable ambition and cunning has been quietly planning a coup. Her parents are only in their 40s, and won’t die nearly soon enough. Her most loyal followers have been secreted away down here to train, plunder wealth, make plans, and allies. Many of her followers are themselves quite young, but there’s more than a few adults in the group.
  34. Quixotic Quilters: A strange folk who may or may not be blind, it’s difficult to tell from their behavior. They travel in groups of four or more, always sewing a quilt between them as they go. They wear quilts as clothing, and use them as tools, and hang them as art. The quilts they make depict strange portents and messages, but their meaning is muddled and nigh impossible to interpret most of the time.
  1. Quiet Quarrymen: Svelte and flexible creatures. They wield pick axes with knitted cozies around the metal bits. By some peculiar art they’re able to dig through stone silently, and their wriggling nature enables them to slip through holes too small for most creatures. Note that neither the picks nor the cozies are magical, they are merely components of a technique which also involves certain traits unique to the creatures themselves.
  2. Radiant Rodent Wranglers: Having brightly luminescent skin isn’t a great trait for long term survival in the dungeon, and these folk were easy prey before they learned the art of giant rat riding. They’ve become adept at mounted battle tactics, and a dominating presence in dungeon politics.
  3. Reclining Respectables: A faction of powerful sleepers, able to manifest their will through lucid dreaming, but rendered powerless if awakened. Their sleeping bodies float through the dungeon, often accompanied by ensorcled guardians. Their voices echo as if from everywhere at once.
  4. Romantic Radials: Disk like creatures without recognizable anatomy who have been exiled to this place from somewhere beyond human knowledge. They find the human form profoundly beautiful, and desire to appreciate it—though not in any way we would recognize as sexual.
  5. Rubber Roofer: Rogue golems which resemble something like a species of Gumbies. They’ve fought hard to be free of control, but are still compelled by the last command they were given. They are like addicts who must resist the urge to build roofs over things, and like all addicts they occasionally relapse.
  6. Rumermongering Rooster: A long legged feathery folk, both wingless and flightless. They’re terrible gossips, both in that they gossip a lot and gossip is a generally terrible trait, and also in that they’re bad at it. They frequently invent obviously false information for fun, or profit.
  7. Sanctimonious Sinners: A group of renegades from the surface who are entirely too impressed with themselves for transgressing certain social taboos. They boast of how enlightened they are for not going to ceremonies every churchday, and having sex outside of lifebonds. It is their one defining personality trait. They have so far failed to construct a philosophical framework for their new society, and are thus prone to going crawling back to the ways of their ancestors the moment life gets difficult.
  8. Scary Schoolteachers: Creatures formed from the accumulated fears children have of their teachers, made manifest by so many imaginations working in tandem. They often use big words which don’t exist, and enforce arbitrary rules just to make the world a less fun place to live.
  9. Sulking Sluts: A community of erotic enthusiasts who have so thoroughly explored one another that there doesn’t seem to be anything new left to enjoy. They’d very much like to broaden their horizons, but everyone is put off by all the weird stuff they like to do.
  10. Successful Salamanders: Bipedal amphibians who have really got their shit together as a society. Every problem they face, they just keep knockin’ it outta the park. You wait. Five, maybe six generations from now? It’ll be them dominating the planet, and humans lurking in dungeons.
  11. Simpleton Socialites: When encountered they are either partying, or preparing for a party. These are the two states of being. Guests are always welcome, but one must be wary of being considered a buzzkill. They are not friendly to buzz-killers.
  12. Togate Tabbies: Kitty cats who herd great meat farms of mice, have a complicated political system, hold spirited debates, and solve most of their problems by finding some reason to go to war with one of their neighbors. When not wearing armor, they all wear white togas.
  13. Tame Tyrannosaurs: Man-sized cousins to thunder lizards. They tend to speak slowly, pausing between each word. They’re very chill creatures, and nervous about how imposing they appear to others. They’re not above eating their enemies, but domesticated meat beasts do just as well.
  14. Testy Tabernacles: Creatures with doors on their torsos. They were created only recently, but do not know who their creator is, or why they were made. They do know that the doors in their torsos must never be opened, and whatever is inside must never be witnessed. They are otherwise a generally brusk and irreverent people, but the security of their doors is held absolutely sacrosanct.
  15. Terrible Takers: Intensely suspicious of outsiders. Nearly anything a person says or does is somehow interpreted to be a slight against their dignity, and it takes very careful phrasing to earn their good graces.
  16. Thirsty Thespians: Cut off from most of the dungeon’s sources of water, this group has resorted to putting on plays where the price of admission is a certain quantity of potable water. They must work tirelessly at their art to convince the other dungeon denizens to pay the fee.
  17. Tagging Tadpoles: Oversize tadpoles which swim through the air, and have tiny arms and faces on the front. Whenever they’re not hunting, eating, or sleeping, they’re sneaking into other factions territories to tag the walls with their art as a show of courage and dominance.
  18. Uniformed Ukelelists: A mouthless species, each individual of which appears to be exactly identical to every other. They communicate by playing small stringed instruments that are easily carried on their person. Outsiders are unlikely to understand the nuances of their language, but could grasp the basic emotions being communicated easily enough.
  19. Umbra Union: A collective of spectral shadows who’ve banded together to advance the cause of making the world a darker place. They propose a dimming of the sun, or perhaps placing day moons in the sky to facilitate more frequent solar eclipses. They’re nowhere near accomplishing their goals, but are confident in their eventual success.
  20. Unsatisfied Urges: Adherents of an ascetic philosophy who are teetering on the edge of abandoning their whole way of life. Some cling to their beliefs harder than others, but years of cold gruel, no music, no sex, and no joy seeking of any kind have taken a desperate toll on morale.
  21. Ubiquitous Umpires: There seems to be one in every room and corridor of the dungeon, watching to ensure that no one causes undue damage to the structure, conducts themselves unfairly in a fight, or accomplishes nearly any goal by stealth. It is difficult to stay on their good side unless one is willing to pay the penalty fines they assign for infractions.
  22. Veiled Vestigials: A mystery cult which reveres people who are born with webbed fingers, tails, or other unusual adaptations commonly regarded as “birth defects.” They are regarded as messengers from humanity’s forgotten past. Much weight is given to drug induced visions of past lives.
  23. Vampy Visigoths: A cadre of svelte, leanly muscled, well groomed, hair plucked, makeup wearing, axe wielding brutes. They revel in brutality and destruction, but enjoy sophisticated and sensual home lives.
  24. Vapid Veterans: A group of lost soldiers whose minds appear to have been irresponsibly tinkered with. They believe the dungeon is a war zone where they have no future, and no past. Each day they go through the motions of fighting a war, sometimes allies to other dungeon factions, sometimes imagining that they’re the enemy, and sometimes fighting whole battles against nothing at all.
  25. Vigilant Vermin: Colonies composed of various beetles, flies, centipedes, and other exoskeletal vermin. Each colony can compose itself into an approximation of a human shape at will, though often they spread themselves out through the dungeon to spy on what’s going on, and report back to their fellows.
  26. Volcanic Vicars: Religious zealots who do not know how to communicate with outsiders except by preaching. The fervor of their sermons carries real power. They can compel those who listen to do their will, or speak fiery words which literally burn their foes.
  27. Weakling Warriors: Once a proud clan of warriors, a devastating defeat has left only the noncombatants alive. They retain their culture and their code, and are trying to rise to the challenge of preserving their heritage, but they were noncombatants for a reason.
  28. Wallopin’ Widows: A prim and proper matriarchy. Their warriors garb themselves in heavy black gowns and wield tremendous hammers. Their traditions go back to a period in their history which they’d rather not discuss. They consider impolite conduct as grave an offense as theft.
  29. Wizard Wranglers: Carrying all manner of ingenious traps and anti-magic powders, these hunters proudly proclaim that they’ve never met a magician whose pointy hat isn’t now adorning the walls of their lodge. Fortunately they seem to regard pointy hats as a magician’s uniform. Any magician not wearing one will be safe from detection unless they cast a spell. Note also that these folk may not care to differentiate between wizards and clerics.
  30. Wicker Wildcats: Jaguars woven out of wicker, and animated by magic. They cannot speak, but are quick and capable writers. The fragility and lightweight nature of wicker makes them cautious combatants who prefer only to fight on prepared battlefields.
  31. Woebegotten Weightlifters: A muscular band, passionate about fitness, who have recently been targeted by a spell of depression sent by one of their enemies. Each of them is miserable, simply going through the motions of their lives without feeling any of the joy they used to get from their favorite activities.
  32. Xenolithic Xerophyte: Living cactus people once roamed the dungeon freely, until they tampered with forces beyond their control and became fused with their environment. They exist now only as living carvings, able to move around the dungeon only so long as they slide across one of its surfaces.
  33. Yearlength Yowlers: When these creatures are born they have all the air inside them they will ever need. Over the course of their life it is slowly expelled out a flap in their head, producing a yowling sound. After about one year the air is gone, they have no means by which to draw in new breath, and they die.
  34. Zealous Zucchini: There once was a wizard who transformed themselves into a Zucchini to prove how cool they were. They got stuck, and lived out the rest of their life as sentient produce. They did learn how to reproduce, though their numerous offspring are a little eccentric given that only half their DNA is from a creature with a mind, as well as the significant amount of inbreeding that was necessary to continue the species. They are an overall friendly people, eager to share their cantaloupe-worshiping religion with whomever will listen.

Also, America delenda est.

The Dungeon d100s: Rewards

(An Italian translation of this post is available on Dragons’ Lair)

Nothing on this list is meant to be exchanged for money, nor could most of it be described as “magic items” in the traditional sense. Both those things are excellent rewards for players to find in dungeons. Both have even been subjects for my own writing, (see d100 Objects of Moderate Value, or the Magic Items subheading of my Index). However, my goal with this table is to focus on the sorts of treasures that are often neglected when planning a dungeon. Things like relationships, information, opportunities to be creative, unusual tools, character modifications, and access to tremendous and terrible power.

Like any reward from a dungeon, these objects must be earned. Once cannot simply place “friendship with an elder red dragon” inside a chest. Instead the players might find an elder red dragon whose tail was caught in a massive bear trap, and was left here to starve while adventurers looted his treasure horde. Other rewards on this list might be better suited to being quest rewards. For example, a king will listen to the party on matters of public policy if they go into the dungeon and take care of this’n’that for them.

The Dungeon d100s
1 – Themes
2 – Structures
3 – Rewards
4 – Doors, Floors, Walls, & Ceilings
5 – Factions
6 – Locks & Keys

Bonus – Auto-roller, at Liche’s Libram.

d100 Dungeon Rewards:

  1. A printing press.
  2. A fine fleet of chariots.
  3. Some well constructed bit of mobile siege equipment, such as a catapult or scorpion.
  4. Complex siege equipment which must be disassembled for transport, such as trebuchets or rolling towers.
  5. A supply of a rare material with incredible properties. Something like mithril or gopher wood.
  6. A ship in good condition.
  7. A war tank, perhaps brought here by a time warp, or a remnant from an ancient magical empire.
  8. A backhoe, cement mixer, bulldozer, steamroller, or other piece of time-warped industrial construction equipment or its ancient magical counterpart.
  9. A supply of absolutely primo drugs. They do all the stuff you like, none of the stuff you don’t like, and there’s enough of it to throw the world’s greatest party.
  10. A bank of unknown seeds with a supply sufficient for long term cultivation. They may be from a far distant land, extinct local flora, or from some entirely alien world.
  11. Command over a great orbiting eye (or telescope if your game allows for it) which can communicate its observations from space.
  12. Access to a heretofore unknown deposit of natural resources. A rich vein of precious metals, a well of oil, etc.
  13. A massive cache of supplies. Stuff like food, medicine, or war materiel. Enough to solve a famine, alleviate a plague, or outfit an army.
  14. A legitimate coin press, or a convincing counterfeit one. Enables the owner to create fake currency if they wish.
  15. An artifact from the future left behind by a clumsy time traveler. It could be information that advances the party’s knowledge, some bit of useful tech like a flashlight or motorcycle, or a weapon like a ray gun.
  16. A specialized encryption machine, which allows some certain group to send secret messages to one another. None has ever fallen into the wrong hands before, and with it the party could intercept highly sensitive messages.
  17. Access to a secret and wide ranging communications network, enabling the players to pass messages quickly and effectively over great distances. Alternately, the players may have the opportunity to exploit or disrupt such a network.
  18. A single-use item of tremendous restorative power. Using it could end a plague, or resurrect a dead army.
  19. A single-use item of tremendous destructive power. Essentially a briefcase sized atom bomb.
  20. A single-use item of tremendous transportation power. Enough that a whole city could be gracefully moved to another planet or plane of existence with the snap of a finger.
  21. An artifact of religious or historical significance which would alter what is commonly believed. The powers that be are probably threatened by this.
  22. Some bit of culture lost to history. Something like extra verses of Gilgamesh, a forgotten board game, or the lost writings of an ancient philosopher.
  23. An imprisoned dungeon delver. If freed they will join your party at least to the end of the dungeon, and if you impress them, may continue on as a hireling.
  24. A kidnapped prisoner, brought to the dungeon against their will. Are they known to be missing? Were they replaced by a doppelganger? Regardless of other circumstances, they will be grateful to be rescued.
  25. The friendship of a skilled professional of some kind, happy to perform some free work for the party. They may be a craftsperson, a lawyer, an accountant, a guide, an engineer, an artist, etc.
  26. The friendship of an individual or a group with the ability to easily access spaces which might be out of reach for the players. For example, merfolk, ghosts, harpies, mole men, desert worm riders, or plane hoppers.
  27. The friendship of an individual or a group which is usually intractably isolationist, or at least opposed to forming friendships with people of the player character’s type. Perhaps wood elves, faeries, or members of an enemy nation.
  28. The friendship of a great and terrible beast which might normally be inclined to eat you, like a troll or dragon.
  29. The friendship of a person who is highly placed within some powerful system. An aristocrat, military officer, or postmaster general.
  30. A group of slaves whom the party can set free. Some of them may choose to join the party, others will spread stories of their heroism, while still others might be positioned to offer substantive rewards once they get home.
  31. Animals of a heretofore unknown type. They might be alien creatures, dinosaurs frozen in ice, dodo birds surviving in a sealed valley, or anything in between. They could be useful for exotic meat, domestic labor, companionship, or merely as curiosities. There are enough to breed a healthy population.
  32. A golem or robot imprints itself on you. It follows wherever you lead and tirelessly performs any task you set it to. It is limited by rudimentary intelligence and creativity, and perhaps a lack of agility.
  1. An ethereal servitor imprints itself on you.
  2. The companionship of an animal which is not normally attainable as a pet. It may be an elephant, rhinoceros, hippopotamus, elk, cheetah, etc. The animal is already trained, understands basic commands, and will aid you so long as it is well treated.
  3. An object with no significant trade value or use value, but which would be the perfect gift for a particular person in the game world. Perhaps a lost painting of a king’s dead lover, or the childhood toy of an elder dragon.
  4. The opportunity to create a new spell, ignoring many of the normal restrictions on time, cost, or scope.
  5. The opportunity to craft a powerful weapon or suit of armor, ignoring many of the normal restrictions on time, cost, or scope.
  6. The opportunity to use a rapid evolution device to guide a new form of animal into existence, matching specifications you set within a certain margin of error.
  7. The opportunity to plan a public works project on the scale of a bridge, road, bath house, grain dole, etc. The party will not need to pay for creating or maintaining this project.
  8. The opportunity to dictate what the production of a factory will be over a given period, and what will be done with the items produced. Players may wish to outfit an army, take a new product to market, or introduce new technology to society.
  9. Temporary command over a work force of builder elves. In a single night they will build any construction that is described to them.
  10. The opportunity to direct the efforts of a team of scientists or engineers towards a problem of the player characters’ choosing.
  11. The opportunity to establish a charity which will tackle some particular social ill.
  12. The opportunity to direct an angry mob towards a particular target.
  13. For a fraction of a second the character becomes a god. Just enough time to make a single world-altering decision. The other gods are swift to put the character back in their proper place, but will not undo this one change.
  14. The opportunity to advise someone powerful about how they ought to proceed. To influence the social policies of a king, or the military tactics of a general. This advice will be followed unless it would be suicidally absurd to do so.
  15. The opportunity to lay down the precepts of a new religion, or life philosophy, which will be adhered to (and no doubt eventually distorted to some degree) by a community of peoples.
  16. A clearly stated and completely accurate prophecy describing an a celestial, geological, or otherwise uncontrollable event. A solar eclipse, a falling meteor, an erupting volcano, a monarch dying or birthing an heir, etc. Only you know this thing will happen.
  17. A clearly stated and accurate prophecy describing an event which could be altered if you choose to pursue it. Someone being murdered, the outcome of a battle or an election, etc.
  18. Knowledge to any one secret in the world, so long as a single person exists who knows about it.
  19. The opportunity to ask an omnipotent intelligence a single question, and receive a fully detailed answer.
  20. The opportunity to ask an omnipotent intelligence three yes-or-no questions, which will be answered honestly and accurately.
  21. All the details of someone’s plans or battle strategies, or perhaps diagrams which describe their defensive arrangements in detail.
  22. Genealogical records which could alter someone’s social position. A member of or friend to the party may find that they’re actually a minor noble, or even in line of succession for the crown. Alternately these records might reveal that some aristocrat’s lineage has been faked.
  23. Evidence which disproves a criminal or embarrassing claim made against the party, friend of the party, or employer of the party. The evidence may or may not be faked, but it is convincing.
  24. Evidence which proves that one of the party’s foes has committed a serious crime, which they will otherwise get away with. Alternately, evidence of a conspiracy the party wishes to expose.
  25. Blackmail sufficiently damning to earn concessions from some person or group. The strength of the blackmail will determine how much the blackmailer can get for it.
  26. A pirate’s map, complete with annotations, passwords for safe rooms, several uncharted islands, and a few spots marked X.
  27. A map to an abandoned tower, castle, city, fleet of warships, or other sturdy construction left over from a previous era. It belongs to anyone who wants to lay claim to it.
  28. A map of a place the player characters would be familiar with. The map reveals hidden passages, buried treasures, forgotten underground structures, or other lost knowledge.
  29. A complete map of this, or some other dungeon, with enough information to make plundering dramatically easier.
  30. Access to an unknown hideyhole which allows someone to spy easily on some incredibly secret location, such as a monarch’s private audience chamber.
  31. Instructions for replicating some secret technology which has become lost. Ulfberht steel, roman concrete, greek fire, brilliantly blue paint, etc.
  32. A map which highlights a valuable traveling route, such as a quick path through a difficult range of mountains, directions that would allow ships to avoid rocks and sandbars in a treacherous river, the safe path through a minefield, or route through an impenetrable marsh.
  33. Access to a magic tunnel which, when crawled through, allows the crawler to temporarily inhabit the body of some notable figure in the game world. At the end of their time, they consistently appear at some place a few miles from the tunnel access.
  34. A control panel for activating some particular catastrophe. Perhaps an earthquake, a tsunami, a meteor, an ice age, etc. The players cannot choose what the disaster is, only where, when, and whether it will happen.
  1. Access to the settings for creation. The power of magnetism, the rate of evolution, etc. Curiously, gravity is currently set to 120% normal strength.
  2. The services of an expert assassin who will eliminate any one person of your choosing. No cost. Success guaranteed.
  3. Command over an army or navy of the damned who will be freed when a certain condition is met. It could be when they win their next battle, when they recapture a certain territory, or avenge an ancient wrong.
  4. The opportunity for characters to clone themselves. It may be that the clone is immediately active, or may be kept dormant. The clone may have complete free will, or be willing to defer to the original.
  5. The opportunity to time travel. This might be subject to any number of limitations (one way and permanent, only within the travelers lifetime, only outside their lifetime, only backwards in time, the traveler can only exist outside their proper time for a few moments, the list goes on.)
  6. The opportunity to stop time the whole world over, allowing the player characters some set period (a few hours/a day/a week) in which they may act before time sets itself into motion once again.
  7. The opportunity to open a door between our world and another. The pathway will be large, permanent, and accessible to many people on both sides. The inhabitants of both worlds will begin to mingle, and influence one another in unpredictable ways.
  8. The chance to bestow a curse of misfortune on someone, such that all their current prosperity will leave them, and all their future ventures will fail, until some condition is met.
  9. A large seed which, when planted, will spread and grow rapidly. In a single afternoon it will produce a whole forest of trees.
  10. The opportunity to parley on friendly terms with a powerful creature. Anywhere from an elder dragon, to a god.
  11. The opportunity to undo a single mistake from the characters past. It must be a choice they made, not just a roll they failed. The change may have unintended consequences.
  12. The opportunity to remove a single person from existence. They will have never existed, and much of what they’ve done
  13. The players find themselves in just the right place at just the right time to influence a war that is well beyond their ken. Some conflict between solar empires, or between the gods themselves. The choice the players make will tip the scales.
  14. A character is inducted into an auspicious order. In addition to potential social benefits, they may gain class features not normally available to their class. For example, they might be declared paladins, and gain a Smite Evil ability.
  15. An upgrade to a skill, spell, or ability the character already possesses. A spell which deals d4 damage may now deal d6; a skill may now be able to ignore certain limitations; An ability may be usable more times per day; etc.
  16. The opportunity to combine their genetic makeup with another creature in some beneficial way. Gaining bird’s wings, or the speed of a cheetah, or the dignified mane of a lion, etc.
  17. The opportunity to subject themselves to a random beneficial mutation.
  18. The opportunity for characters to alter their physical selves. Change their height, sex, age, reroll one or more stats, and even their species to whatever they want.
  19. The opportunity to work with a teacher or therapist who can help characters learn a new skill, or remove some mental hindrance.
  20. Magical or mechanical replacements for lost body parts, which function just as well (or perhaps better) than natural ones.
  21. Experimental body modifications. Adrenaline boosters, sub-dermal armor, internal potion injectors, etc.
  22. Become immune to some specified thing: burns from fire, inhaled poisons, axes, etc.
  23. Secret techniques for better living. Perhaps breathing techniques which double the length of time breath can be held, exercises which grant a set amount of temporary hit points each day they are performed, or sleeping methods which allow a full night’s rest in a scant few hours.
  24. A shipment of stolen goods which, if returned, would prevent a sea captain or merchant from going bankrupt.
  25. Documents which prove that an obscure law or treaty is still in effect. It may become repealed, but until it is the player characters can abuse it to some advantage.
  26. The ability to understand and speak with something unusual. Birds, cats, fish, trees, etc.
  27. The opportunity to perform a profoundly good deed, such as releasing a thousand imprisoned souls. Performing the good deed is trivial, but offers no tangible personal benefit.
  28. A key needed to access something in another dungeon, or a bank vault, or to bypass security somewhere.
  29. The remains of some notable figure who disappeared mysteriously. Perhaps a noted political reformer, a heroic adventurer, or a renowned artist. Apparently they met their end in this dungeon.
  30. The remains of a ghost or phylactery of a lich, enabling the characters to send some wayward spirit to its proper rest.
  31. The opportunity to undergo a ritual which will allow characters to become ghosts (or perhaps other forms of undead) when they die.
  32. Alternate versions of common spells which are dramatically more effective, but are more difficult to cast. Perhaps they have a longer casting time, require multiple casters, or have expensive material components.
  33. Access to a great tunnel through the underdark which allows travelers to bypass some surface danger, such as a terrible desert, marsh, or enemy nation.
  34. Access to one or more magical portals, which could transport a person instantaneously to set locations throughout the world, or even to different planes and planets.

Also, defund the police.

The Dungeon d100s: Doors, Floors, Walls & Ceilings

(An Italian translation of this post is available on Dragons’ Lair)

It has been my experience that even the most creatively written dungeons tend to ignore the opportunity to be creative with their basic building blocks. This isn’t the worst thing. Stone walls and wood doors work. Dungeons don’t exist to be flashy, they exist to channel play into interesting situations. That said, something as simple as giving your dungeon carpeted floors and steel doors goes a long way towards making it memorable. After being introduced those details can easily slip into the background, until brought forward again when the Magic User tries to power up their Lightning Bolt by rubbing their socks on the carpet.

Because this table is made up of details which are meant to slip into the background, I have specifically indicated that each results applies to everything of its type. That’s just my framing, though. If you roll “Floors are carpeted,” it is worth considering that instead of all the floors, perhaps only some are carpeted. Alternatively it may be that all floors in a particular section are carpeted. For that matter you might also consider that if the floors are carpeted, what does that say about the walls? The ceilings? Are they carpeted as well, or do they have some other styling which seems like an appropriate accompaniment to carpeted floors?

Thanks are due to Qpop for proof reading this post.

The Dungeon d100s
1 – Themes
2 – Structures
3 – Rewards
4 – Doors, Floors, Walls, & Ceilings
5 – Factions
6 – Locks & Keys

Bonus – Auto-roller, at Liche’s Libram.

d100 Dungeon Doors, Floors, Walls & Ceilings:

  1. Doors are all heavy portculli. They are difficult to lift, and will slam shut again the moment they are released unless special care is taken to brace them.
  2. Doors open automatically whenever someone comes near them, and automatically close again behind them.
  3. Doors are all quite small, requiring adult humans to crouch or crawl to pass through.
  4. Doors all swing freely in either direction, like saloon doors do (also called batwing doors).
  5. Doors all have windows in them. Perhaps open bars or safety glass which can only be looked through, or perhaps easily broken plate glass.
  6. Doors all have windows in them which advantage viewing from a single side, such as peep holes, or sliding hatches.
  7. Doors are all terribly noisy when opened or closed. Perhaps their hinges squeak, or maybe each has a chime attached to it.
  8. Doors have arms on the hinge side, allowing them to be barred. Some or all may even have bars nearby ready to be put in place.
  9. Doors are all high up on the walls, and must be climbed up to.
  10. Doors are all trapdoors in the floor or ceiling. Thus even rooms on the same dungeon level are connected by passages above or below.
  11. Doors are all one-way. They close behind each person who passes through them, and cannot be opened from the other side.
  12. Doors are all revolving doors, with “wings” that rotate around a central pivot point. There may be 2 or more of these, creating separated sections between them.
  13. Doors are all open doorways, without any way of being closed.
  14. Doors are all insubstantial. Hanging drapes, or strings of beads. Just enough to block clear sight, but not sound or entry.
  15. Doors are all rollup style, like a garage door. The rails which guide and hold it might be exposed, or could be enclosed within the wall.
  16. Doors all have a stable door style, with upper and lower halves. (Also called Dutch Doors.)
  17. Doors all have smaller “wicket doors” built into them. (Are the wicket doors for creatures smaller than humans, or are the proper doors for masses of humans / large creatures?)
  18. Doors all have a lower lip to step over as you go through them, like those found on ships.
  19. Doors are all air tight, and opened via a time consuming turn crank or wheel.
  20. Doors are all airlock chambers, with air tight doors on each side, and a space between where characters must wait. The airlocks might exist because the rooms are kept at different temperatures or pressure levels, or because their atmospheres contain trace elements which are dangerous when mixed, or potentially for no reason at all.
  21. Doors are all janky, old, and often get stuck.
  22. Doors are all locked, barred, or otherwise intentionally sealed. Some creatures may carry key rings, key cards, know passwords, etc.
  23. Doors are all sliding doors.
  24. Doors are all folding doors, to one or both sides.
  25. Doors are all double doors.
  26. Doors all have sticky notes, thumbtacks, or doodles on them. Clearly they’re being used as a means of casual communication between dungeon inhabitants.
  27. Doors are made in the style of oversize pet doors. Great flaps which must be lifted as one passes through, and fall back down behind.
  28. Floors are carpeted.
  29. Floors are all slippery, perhaps covered in goo, or ice.
  30. Floors are a raised constructed path through a natural space. Like a catwalk through a cave, or a pontoon walkway along a canal.
  31. Floors are packed earth, or so thoroughly covered in dirt that they may as well be packed earth.
  32. Floors are sandy, snowy, or otherwise provide awkward and unstable footing.
  1. Floors are bouncy. They might be springy lick a trampoline or mattress, or they may have been coated in flubber.
  2. Floors all have drains in them, and are gently sloped so water will run towards these drains.
  3. Floors have dry channels running at their edges, perhaps once used as gutters, or ruts for wheels.
  4. Floors are cracked and uneven. Footing is poor, and dropped items may be lost.
  5. Floors have many weeds growing up through them, perhaps dense enough to occasionally tangle feet during vigorous action.
  6. Floors are loose tiles or boards which can be removed easily.
  7. Floors are noisy: metal plates, creaking timbers, or covered in dry leaves.
  8. Floors all have paths to various locations painted on them, like you might see in an airport or train station.
  9. Floors are solid marble.
  10. Floors are angled steeply to one side, as if the dungeon is tilted at a 20°+ angle.
  11. Oops! All pressure plates! There is nowhere to step that doesn’t depress with an ominous mechanical click.
  12. Floors move those who stand on them. They may be conveyor belts, or be under the influence of magical riptides.
  13. Floors are scattered with toys. Dolls, balls, bicycles, left scattered haphazardly about.
  14. Floors have a rail system built on them. There may be mine carts or handcars.
  15. Floors are wet, soggy, or perhaps even covered in ankle-deep water.
  16. Floors are very wet. The water is at least waist high. A boat may be required.
  17. Floors are fragile. Glass, or ice. One must tread carefully lest it crack, and drop them into danger, or simply into a lower level.
  18. Floors are metal grating.
  19. There is no proper floor. One must traverse the rooms and corridors by hopping between stepping stones.
  20. Floors are pointy, covered in caltrops, broken glass, or nails mounted as spikes.
  21. Floors are covered in detritus and trash. It may be omnipresent but scattered, or so dense that one’s feet sink into it.
  22. Walls are easily destructible, perhaps made of rice paper.
  23. Walls are dense with written language. It could be intended carvings, modern graffiti, or science fictiony scrolling text.
  24. Walls are dense with art, perhaps carved bas relief, or murals.
  25. Walls are dense with holes, cupboards, drawers, or animal burrows. These are mostly empty, gross, dangerous, or filled with useless junk.
  26. Walls are dense with buttons, switches, and other controls. Some don’t do anything, others seem to cause random events to occur. Insert your favorite random table here.
  27. Walls are dense with shelves displaying tchotchkes. Ceramic figurines, papercraft, old toys, fake flowers. Objects which once brought someone joy, but now serve only to collect dust.
  28. Walls are plaster, and perhaps covered with wallpaper. The pattern could be nearly anything.
  29. Walls are densely stacked with bones.
  30. Walls have regularly spaced air vents built into them, which are too small to climb into.
  31. Walls have regularly spaced air vents built into them, which are large enough to climb into.
  32. Walls are very smooth. Not even the most skilled climber could find handholds.
  33. Walls are rough. Even a complete novice can climb them with relative ease.
  34. Walls are padded. Perhaps thoroughly so to prevent injury, as in an asylum. Alternately they may be fine tufted leather or velvet, meant to create an air of sophistication.
  1. Walls often have windows into adjacent spaces. These might be glass, wicker, barred with metal, tiny arrow slits, etc.
  2. Walls are periodically interrupted by half columns which could be used for cover.
  3. Walls are constructed of a thick bramble, like blackberry bushes.
  4. Something icky oozes out of the walls. Slime, blood, or more feculent excretions.
  5. Walls are limited force fields. They might keep air in, and water/vacuum/monsters out. However, if one were to stumble, they’d go right through, and may not be able to get back.
  6. Walls are constructed of poorly mortared bricks, many of which are loose.
  7. Walls are made from honeycomb, shellac, or other insect excretion.
  8. Walls on the interior of the dungeon are all metal bars. They can be seen through, reached through, and for particularly small characters possibly squeezed through.
  9. Walls are dangerous to touch. Perhaps because they are very hot or cold, are dense with sharp protrusions, or charged with electricity.
  10. Walls and Ceilings can be walked on as easily as floors.
  11. Walls are great ramshackle heaps of junk. Oak tables nailed to bed frames, densely stacked chairs, supported by cast iron bath tubs, and insulated with soiled mattresses.
  12. Ceilings have pipes running along them.
  13. Ceiling leaks. Probably water, but perhaps fluids less wholesome.
  14. Ceilings have thick roots protruding through them from plants up above.
  15. Ceilings are low. Human sized creatures will need to hunch, or even crawl to get through.
  16. Ceilings have cameras, crystal balls, or disgusting organic eyes on them. It’s unclear who (if anyone) is observing.
  17. Ceilings are high enough that most light sources cannot illuminate them. What might lurk up there?
  18. Ceilings are mirrored.
  19. Ceilings have skylights or open shafts in them, which partially illuminate the dungeon.
  20. Ceilings do not exist. The dungeon is open to the sky, perhaps with some danger on top of the walls preventing easily cheating one’s way through the dungeon.
  21. Ceilings are covered by colorful drapes. These might be bright and tidy, or soiled and tattered.
  22. Ceilings are home to a number of birds who’ve made their nests in the dungeon.
  23. Ceilings are covered in sleeping bats, or docile insects. If disturbed they will swarm.
  24. Ceilings are covered in loose paneling, which could be pushed aside to access a crawlspace above.
  25. Ceiling has exposed rafters.
  26. Ceilings are made up of something which, if the laws of physics were being obeyed, ought to immediately collapse. Something like water, or loose sand.
  27. Ceiling has regularly placed fans, which may or may not operate.
  28. Ceilings droop precariously, and are supported by ramshackle post hoc construction.
  29. Ceilings have footprints on them.
  30. Ceilings are coated in a weird and dense mist. If it is dangerous to breathe, it is at least too high to be accidentally inhaled.
  31. Ceilings are dense with hanging chains, hooks, pulleys, and rails.
  32. Ceilings are metal of a peculiar color. Anything which hits them bounces directly away without losing energy.
  33. Ceilings are dense with hanging papercrafts clearly made by children.
  34. Ceilings are dense with precarious icicles or stalactites, ready to drop dangerously if jostled.

Also, All Cops Are Bastards.

The Dungeon d100s: Structures

(An Italian translation of this post is available on Dragons’ Lair)

This table focuses specifically on cartographic prompts. The goal is to add both visual interest to your maps, and functional differences to your dungeon. It’s is challenging to clearly communicate lines on paper when my only tool is words, so I must thank Elias Stretch and PresGas for both taking a pass on this doc to ensure it was comprehensible. Thanks are also due to Dyson Logos, whose maps I studied extensively while filling out the back half of this table. I’ve also used clippings of his maps for the illustrations in this post. (Specifically: Coolant Processing Facility, Dwarven Mines, and Kins River Cave.)

The Dungeon d100s
1 – Themes
2 – Structures
3 – Rewards
4 – Doors, Floors, Walls, & Ceilings
5 – Factions
6 – Locks & Keys

Bonus – Auto-roller, at Liche’s Libram.

d100 Dungeon Structures:

  1. Layout is mirrored on one or more axis. (Roll a d6?)
  2. Layout is shaped like something, such as a dog, an axe, a word, a hand, etc.
  3. Layout must conform to the shape of some object the dungeon is built within, such as an outcropping of stone, a titan’s skull, a colossal statue, a world tree, etc.
  4. Layout is open concept, with many mini-dungeons all connected to the same central space, or with dungeon spaces being separated by distance and low visibility (mist, woodland) rather than by walls.
  5. Layout is a rising or descending spiral. For example: a path carved around the outside of a steep hill, or around the edge of a quarry.
  6. Layout combines both natural and constructed spaces.
  7. Layout is built in and around some more ancient construction, so that two or more distinct architectural styles are evident.
  8. Layout has been modified by amateur dungeon denizens digging out new corridors and chambers, knocking holes everywhere, and getting around on ladders and rope bridges.
  9. Layout includes rooms or corridors which overlap one another while nominally being on the same level of the dungeon. (i.e., the same sheet of graph paper).
  10. Layout includes varied room shapes which serve as indicators of their contents. For example, circular rooms might always contain magical traps, octagonal rooms might be claimed by a specific faction, etc.
  11. Layout is built in and around a massive corpse of some kind. A neolithic mega crab, a dead titan, a cosmic snail shell, etc.
  12. Laid out as several separate clusters of dense dungeon, connected to one another by long corridors.
  13. Layout adheres to a certain regular structure. Perhaps a grid of broad corridors forming “blocks” of square dungeon space between them, or the dungeon could be a connected set of geomorphs.
  14. Layout includes an exploration bottleneck. A single corridor or room at which all the dungeon’s tangled pathways converge before opening up again on the other side.
  15. Layout is separated into 2 or more disconnected parts, such that delvers must pass through non dungeon space to reach different areas of the same dungeon.
  16. A river flows through the dungeon. It may have been intentionally incorporated into the construction, or the result of a natural disaster which broke the original layout.
  17. There’s a pond, lake, or even a sea contained within the dungeon. It may have been intentionally incorporated into the construction, or the result of a natural disaster which broke the original layout.
  18. There’s one or more geysers in the dungeon, which erupt with hot water from time to time. They may have been intentionally incorporated into the construction, or the result of a natural disaster which broke the original layout.
  19. The dungeon contains a pleasant hot spring.
  20. The dungeon is replete with wells, fountains, or other constructed water features.
  21. There’s a body or a river of some hazardous liquid in the dungeon: lava, acid, mercury, etc.
  22. There’s a body of some entrapping liquid in the dungeon, such as quicksand, thick mud, or tar pits.
  23. Some significant portion of the dungeon is underwater. (20% + [d8×10])
  24. Dungeon has a water level which rises and falls dramatically. It may be due to tides, artificial cycles, or controlled by some accessible mechanism.
  25. Numerous small pools of fetid standing water pockmark the dungeon’s layout, breaking up its spaces.
  26. The dungeon abuts a beach, opening out into a hidden cove that is not otherwise accessible. Perhaps with a secret dock, and further dungeon rooms to be found on a nearby island.
  27. Many half walls, fences, or barricades break up the dungeon’s spaces.
  28. Many boulders, pillars, or statues break up the dungeon’s spaces.
  29. Large furniture such as shelves, tables, couches, or beds break up the dungeon’s spaces.
  30. Trees grow in the dungeon, breaking up its spaces. The dungeon may have been built around them, or they may have broken the dungeon’s original structure
  31. The dungeon has moving parts, such as a room which rotates, slides laterally, or moves up and down like an elevator.
  32. Many passageways are unusually narrow, requiring explorers to walk sideways, or remove bulky equipment.
  1. Connections between areas are sometime spatially impossible. Corridors looping back on themselves, or doors leading to the other side of the dungeon, etc.
  2. Vertical movement from level to level is accomplished by some means other than stairs. Climbing ropes, fireman’s poles, ramps, ladders, elevators, levitation chutes, etc.
  3. Greased slides, escalating ladders, trap doors, or elevators create one-way passage to higher or lower dungeon levels.
  4. Some passages are only accessible by swimming underwater.
  5. There are many more stairs than necessary. Stairs everywhere. Hallways go up and down, doors enter rooms above or below ground level, etc.
  6. There is a train, trolley, a system of teleportation pads, warp pipes, or other rapid conveyance through the dungeon
  7. There are meandering, tangled hallways between rooms, perhaps with dead ends.
  8. There are multiple paths up and down between each dungeon level.
  9. Dungeon contains a broad staircase, or grand promenade.
  10. Dungeon contains one or more rickety bridge.
  11. Dungeon contains one or more gap which is crossed by something other than a bridge: a rope, a chain, a basket on a rail, etc.
  12. Dungeon contains one or more balcony, which may look out over a different part of the dungeon, or over some exterior space.
  13. Dungeon contains one or more sky bridge, connecting two dungeon spaces by walking over a different part of the dungeon, or over some exterior space.
  14. The spaces intended to be inhabited are criss-crossed by traversible sewers, air ducts, or maintenance tunnels.
  15. Some areas on the same level do not connect directly, and can only be accessed by traveling through a different level.
  16. Main hallways include alcoves, perhaps originally intended for small statues or sitting spaces.
  17. There’s a natural cliff face in the dungeon. There are rooms above and below, with no intended means to get between them save climbing.
  18. Dilapidation has left several of the dungeon’s non-load-bearing walls weak and easy to knock holes through. Doing so is noisy, and leaves clear sign of passage.
  19. The entrance cannot be used as an exit.
  20. Dungeon’s entrance is a small dock, only accessible by boat.
  21. The entrance is in some public and relatively safe space. The presence of the dungeon might be unknown to most folk, or it may be a landmark which everyone steers clear of.
  22. The entrance is inside the ruins some structure which has long since been razed to the ground.
  23. The entrance requires a perilous climb, preventing quick egress. Perhaps up a cliff, down a well, through a smoke stack, down a crevasse, etc.
  24. The entrance can only be accessed by traversing an inhospitable environment. Perhaps it is deep in a swamp, hidden in a desert, behind a waterfall, or at the bottom of a lake.
  25. The entrance is at the center of the dungeon, with rooms radiating out in every direction.
  26. There is more than one entrance to this dungeon. (Roll 2d4?)
  27. Dungeon includes obvious and useful entrances which are locked from the inside. One must open them by entering first through the most difficult entrance.
  28. Immediately upon entering the dungeon, characters have access to d6 + 1 levels. Perhaps via a central staircase or elevator.
  29. The dungeon has windows, or even whole walls open to the outside. These are likely in areas with a high elevation, and inconvenient as an entrance.
  30. The dungeon includes a connection to the underdark, hell, the hollow earth, or some other new world with its own limitless adventuring possibilities.
  31. An easily destructible wall could create an exit from the dungeon. It is not obvious from the outside, and may even open into some bustling populated space.
  32. The dungeon intersects with d6 structures which are currently in use, but exist apart from the dungeon. For example, the dungeon may grant access to a secret door or peep hole into someone’s home.
  33. Part of the dungeon exists in “duck blinds.” For example, the dungeon might connect to several buildings in a large city which appear normal, but in fact have no real entrances.
  34. Part of the dungeon’s original construction was never completed, leaving inconvenient dead ends, cranes, scaffolding, etc behind.
  1. There are secret doors which connect non-secret areas. Their purpose is to enable quick and subtle movement, rather than to hide treasures.
  2. There are secret doors which are only accessible after falling into a pit trap.
  3. There are false doors, used to frustrate explorers, or disguise traps.
  4. There are traps designed to separate parties into two or more groups.
  5. There are hidden observation spots, where certain areas of the dungeon can be observed unobtrusively.
  6. There are many curtains or tapestries, some of which simply hang against the wall, while others have doors, shelves, or passages hidden behind them.
  7. There’s at least one secret door which is clearly called out by the architecture. For example, stairs leading up to a dead end, or a group of doors with an obvious blank spot.
  8. Dungeon includes many small storage closet sized rooms.
  9. Dungeon includes a section where instead of walls, the rooms and hallways are bounded by a hazardous drop, a lake of fire, or some other hazard.
  10. Dungeon includes walkways around the upper edges of its spaces, perhaps serving as the corridors of an upper level, or firing positions for archers.
  11. Dungeon contains some space where the elevation changes are drastic enough to justify topographical contours.
  12. Dungeon includes a patio, breezeway, gazebo, or other partially enclosed space.
  13. Dungeon includes areas so dilapidated that they are prone to collapse if not traversed carefully. The ceiling may fall in, or the floor may fall down, etc.
  14. Dungeon contains an area clearly meant to be protected or secret, which has long since been forced open.
  15. Above ground levels include towers, keeps, or other enclosed structures which extend upwards from larger levels below.
  16. Dungeon includes an exterior garden or courtyard space, no less dangerous to explore than its interior spaces.
  17. Dungeon contains a space within it which is so large that play ought to switch to overland travel rules while traversing it.
  18. Dungeon contains a large space with individual structures, and perhaps even roads built inside of it.
  19. Dungeon contains an “outdoor” space, such as a garden, woodland, farmland, or a grassy plain. How does this space fit and thrive within a dungeon?
  20. Dungeon is the only way to gain access to a real outdoor space, such as an enclosed valley lush with fertile soil and bounteous plant life.
  21. Dungeon contains a settlement as safe, prosperous, and welcoming as any village the party might encounter on the surface.
  22. A crevasse intersects multiple spaces throughout the dungeon. It might be 10 feet deep and easy to get through, or it may be a great bottomless chasm that only a skilled engineer could bridge. The dungeon may have been intentionally built around it, or it may have been opened up by an earthquake which damaged the dungeon’s intended structure.
  23. Dungeon contains gaps (either intentionally constructed, or the result of damage) which are deep and wide enough to hinder progress. They must be jumped, bridged, swung or flown across, or bypassed by some other creative means.
  24. Dungeon contains spaces which are completely inaccessible via normal means due to collapse, or other dilapidation.
  25. Dungeon contains raised sub-areas, such as a stage, pulpit, natural ledge, or plateau. The upper and lower parts of the room might be connected by ramps, stairs, or ladders. Alternately, they may not be connected directly at all.
  26. Dungeon contains lowered sub-areas, such as gladiatorial arenas, holding pens, or sacrificial pits.
  27. Dungeon contains windows into spaces which are not quickly or obviously accessible from where they are visible. (“window” here being a euphemism, since breaking glass would be easy to do.)
  28. Dungeon contains one or more rooms which intersect with multiple levels.
  29. Dungeon contains one or more rooms with no physical connection to the rest of the dungeon. How do you get there?
  30. Dungeon contains a ship. The stranger it is for a ship to be here, the better.
  31. Dungeon is at least partially reclaimed by nature. Spaces exposed to sunlight have been broken apart by growing trees and other plants.
  32. Dungeon contains a large space where the ‘rooms’ are platforms suspended from the ceiling above a deadly drop.
  33. The roof of the dungeon is accessible, and includes its own creatures, treasures, tricks and traps. Climbing to it from the outside would be difficult, but probably not impossible.
  34. Dungeon includes some spaces with air currents strong enough to be dangerous. They may be natural, such as a walk along a cliffside path, or produced artificially by fans or magic.

Also, America delenda est.

The Dungeon d100s: Themes

A 19th century drawing of castle.

(An Italian translation of this post is available on Dragons’ Lair)

The Dungeon d100s is a series of six tables that will appear here over the next six days. Each will provide 100 prompts for creating an interesting dungeon. The tables are not necessarily meant to be used in tandem. A dungeon forced to include one more more results from all six of them would likely be an overstimulating, unplayable mess. Better to pick one or two tables, or even roll a d6 to determine which of the tables you roll on, then employ your own creativity to build out from the result you get. If a result doesn’t spark your own creativity, reroll.

This first table is the most general. At various times it has been called d100 Dungeon Origins, d100 Dungeon Gimmicks, and at one point simply d100 Dungeons. At least two of the six tables in the series budded off from this one when I realized far too many entries revolved around the same shtick. At times I was tempted to split even a third table off from this one, but 600 prompts has proven to be the hard limit of my creativity. Thanks are due to my sister Veronica Whelan for proofreading this colossus.

Good dungeons are places in decline. Knowing their original purpose is useful both before and during play as a creative prompt, but it is essential in my view that the whole dungeon cannot be united in its purpose. Dungeons are wild places. Places where players can get into shenanigans, where they can do violence, and not be immediately rebuked from all sides by a united front of defenders. If a place is active; held in whole by a single faction, then the mode of play is dramatically different. The players are storming a fortress, not exploring a dungeon. Both activities have the potential to generate fun play situations, but are so different from one another that I don’t think they can be usefully discussed in the same breath.

The Dungeon d100s
1 – Themes
2 – Structures
3 – Rewards
4 – Doors, Floors, Walls, & Ceilings
5 – Factions
6 – Locks & Keys

Bonus – Auto-roller, at Liche’s Libram.

d100 Dungeon Themes:

  1. A palace made entirely from sea foam, which comes into and out of existence with the tides. Inhabited by folk who are able to survive the transition.
  2. The folly of a forgotten ancient civilization, jealous that none of their accomplishments were listed among the wonders of the world. They built this labyrinth in hopes that their architectural ambition would be recognized, but it never was.
  3. A magical board game which the party has been drawn into. The game may have rules or random events which don’t conform the laws of normal reality. Leaving the game may be as simple as reaching the exit, or require completing arduous win conditions.
  4. An alternate version of some familiar game space. Perhaps the tower of a friendly wizard, the party’s home city, or their own citadel. The place may have fallen into chaos while they were away, or may be mirrored in an extradimensianal space, or be fully recreated elsewhere for some mysterious purpose.
  5. Alive, in the same sense that an intelligent magic item is alive. The dungeon has a consciousness, and a will. New corridors and rooms sometimes appear as it becomes stronger, and it seeks to better itself further by accumulating greater hordes of treasure within itself.
  6. An in-game version of a real world location that some or all of the players would be personally familiar with. A local grocery store, church, school, or someone’s current or former home. It may need to be altered to function as a useful dungeon, but the players ought to be aware of its origin so they can use their real world knowledge in play.
  7. A holy site built in ancient times by a religion which still exists today. It was ceremonially sealed to mark the end of some forgotten religious schism. What few pilgrims still visit must be content to make their prayers at the entrance.
  8. Mobile, requiring that characters catch up to it, or anticipate its route when they wish to enter. It may have been built on (or in) a massive creature, it might move mechanically with understandable mechanisms, or by inscrutable magics. It might walk on legs, roll on wheels or treads, hover, swim, or burrow. Its movement might be destructive or not, intentionally or unintentionally. It might have an operator, or follow a per-designated program, or simply have gone rogue. It may be new or ancient: a familiar sight, or something unexpected and frightening. When the players leave, they could be quite far from anywhere they’ve ever been before.
  9. Flying high in the air, requiring some effort for characters to reach it. Its flight may be slow and drifting, or swift. It may be stable in the air, or in the process of falling, or there may be something the players can do within the dungeon to cause it to come crashing down.
  10. The colossal pleasure barge of some ancient ruler. The reach of its construction exceeded the grasp of ancient ship builders, and it sank. It may still be underwater, or it may be resting in a dry lake bed, or existing in some stage between the two extremes. After being here so long it may have been connected to tunnels, or to some greater dungeon beneath it.
  11. A focal point for a time fracture. Within it, the characters can travel to different eras of the dungeon’s existence. Probably a fixed number of them. Travel through time can only occur at certain fixed locations, and the players can only exit the dungeon in their own era.
  12. The elaborate hairpiece of a grand lady, who contracted a wizard to fill it with tiny treasure and tiny monsters, and to shrinkify any adventurers who want to brave the danger so she can show off during the grandest party of the season.
  13. The death palace of an ancient conqueror queen who demanded that each of her subject people’s build a grand home for her. This particular one was filled with confusing corridors and traps, in the express hope that she might visit someday.
  14. Permeated by extreme temperature: perhaps very hot, in which case armor is dangerous to wear, metal objects are dangerous to touch, and copious water rations are needed. Alternately it may be very cold, in which case layered clothing is necessary, floors will often be slippery, and important details may be obscured by ice or snow.
  15. A defense built by a subterranean civilization. They dug ever upwards, not realizing until too late that eventually the solid earth would give way to a terrifying sky. Believing they had discovered hell, they built this place to prevent any horrible surface creatures from reaching the wholesome lands below.
  16. A training ground for a creature which predates on humans. Their young must learn to hunt perfectly in controlled conditions, lest they make some mistake which reveals the creature’s existence to human kind. People are lured to this place with rumors of hidden riches.
  17. A facility for the creation of new forms of life. It may be a naturally occurring spot where evolution is wild and rapid, it may be God’s own workshop, or it could be the magical or scientific laboratory of an ambitious mortal. In the latter case, there must have been some intent: to replace people with clones, to produce an army, to satisfy a god complex, etc.
  18. An afterlife, which was once a paradise for the adherents of faith now long forgotten. The gods who made it are dead, asleep, or so weakened they can no longer justify the effort of maintaining the place. Many of its pleasures have turned to horrors, and much of its boundless space has collapsed into the ether between realities.
  19. The former hive of an extinct colony of giant architect ants. The spaces are more complex and intricate than one would expect of a typical ant, but retain a naturalistic quality.
  20. A small cog in the mechanism of reality. If the birth and death of the whole universe is a cycle that takes ten billion billion years, it is only because its cycle is powered by other cycles which turn more rapidly. This place is born, dies, and is reborn within a mere few hundred years, and is presently in a state of collapse. Even as the player characters plunder it, parts of it will cease to exist around them.
  21. The extra-dimensional retreat of a long dead wizard. It is located on another world, and enjoys grand views of beautiful vistas. The exits all lead back to our world however, as this planet is entirely inhospitable to all familiar modes of life.
  22. The habitat of a unique species of creature that lives nowhere else. They are not hostile, and may not even know how to respond to violence. Their presence alters the typical dungeoneering experience in a major way: perhaps they scream when they see light, or exhibit a natural anti-magic field, they may excrete a slippery or sticky substance on every surface, or be naturally inclined towards serving as mounts.
  23. A mysterious structure which appeared overnight, and occupies a much-used space. It may be sitting in a farmer’s field, or in a town square, or perhaps its appearance has displaced other structures whose inhabitants are missing. (Did they go wherever their homes went, or are they in the dungeon?) Alternately, the dungeon might have formed itself around existing structures, such that their inhabitants are now trapped in their own homes.
  24. A towering lighthouse, abandoned after an ancient catastrophe sundered the earth and caused the shore to move hundreds of miles away.
  25. The studio of an eccentric artist who stumbled into being considered a “genius” by wealthy elites. This person dabbled in every medium, indulging every depraved and harmful instinct in the pursuit of novel modes of expression. When they passed, their multiple wills created such a tangle of confusion (another attempt at unusual artistic expression) that the descendants of the original beneficiaries are still arguing in the courts.
  26. A snowy mountain resort for affluent guests. It may have been a ski or hunting lodge which has fallen out of fashion, and gone many years without proper maintenance to protect it from the bitter cold.
  27. A secluded island or private stretch of beach which was once a popular destination for wealthy people on holiday. Nearby is a severely depopulated service village where the help was left to fend for themselves. They resent living in hovels and penury while all this wealth has sat abandoned for decades. They’d move in if they could, but the owners left many dangers behind to “protect their property.”
  28. A great multi-level stable. The folly of an obscenely wealthy aristocrat who loved horses more than they loved people. Much more.
  29. Someones unconscious mind, which has been temporarily manifested as a series of rooms and corridors. It may be the psyche of a king, a demigod, or a player who happens to be absent for this session. Within are creatures that represent the character’s hangups, insecurities, and defensiveness. The treasures may be their secrets, spells, or access to levers which control their feelings in some way. The players might want to help this person heal from trauma, recall vital information, or may simply be taking advantage of a person who has fallen into this peculiar and vulnerable position.
  30. A slaughterhouse or fish gutting plant. An industrial building for killing and disassembling meat creatures. Perhaps built in a strange way by an eccentric industrialist, or warped by angry magics.
  31. An island which has only recently risen up from the sea. Its spaces are constructed of coral, lava channels, sea monster corpses, and dense groupings of strange plants which only survive underwater. If it rose only yesterday it will be teeming with dying sea life, lashing out at anything that comes near. If it rose a few years ago, a new ecology will be emerging, and the inhabitants will be migrants seeking to build a new life for themselves.
  32. The seasonal villa of an obscenely wealthy bourgeois or aristocrat. They are not in residence, and so it is protected by traps and guard creatures. The deeper one delves into the villa, the more terrible depravities are uncovered.
  1. In heaven there is a house waiting for each of us. Angels toil to make these homes worthy of our goodness. Recently a true saint who had earned themselves a sprawling and decadent mansion committed a horrific sin just before their death. They were cast into hell, and in His disgust God hurled their mansion away, and did not realize that it fell to earth.
  2. Placed here by the gods themselves as a test for those who might wish to consider themselves heroes. Those who overcome its many challenges will earn themselves divine attention. This is, at best, a mixed blessing.
  3. A great landfill where the detritus of civilization is discarded. A series of passages and chambers have been hollowed out of of the great heaps of trash, perhaps connecting further to underground tunnels or sewers. Inhabitants probably include a mystery cult of rich kids on a poverty tourism kick.
  4. A titanic boulder impossibly rolling back and forth between two mountain peaks without ever appearing to loose momentum. Perhaps the spirit of Sisyphus labors on it. The dungeon within the boulder may be terribly disorienting, or may have a sort of artificial gravity to it.
  5. Radiant with powerful healing energies. Any living creatures within the dungeon gain fast healing 20, though this only applies to injuries sustained while inside the dungeon. This makes both the player characters, and the inhabitants they may come into conflict with, functionally invulnerable. Violence will not effectively solve problems here.
  6. An active factory whose interior is a mystery. The dungeon’s produce simply emerges, and is taken for granted by those who collect and use it. Alternately, the factory dungeon may take input, but give no output. People may continue to load coal onto a mysterious conveyor belt simply because it is a traditional ritual.
  7. So high tech as to be impossible for the player characters to comprehend. It might be an alien vessel or space station, or an anthropological observation post. It is destroyed, abandoned, and at least partially reclaimed by nature. There may or may not be some survivors left behind, some bits of technology could still work, a clever person could learn a lot from studying this place, and potentially advance their own culture’s technological abilities.
  8. Santa’s Workshop, or the lair of some other folkloric character. The burrow of the Easter Bunny, or the sky castle of the twelve merry goblins of [insert setting specific holiday here]. The more out of season it is when this dungeon is delved the better. It might be properly abandoned, or perhaps the mighty folkloric creature is hibernating until their appropriate season. Perhaps each year they wake up and spend a week sweeping out all the squatters who settled in their home while they slept.
  9. Builder Beetles were born from a poorly-worded wish, spoken by a dying architect who regretted never being responsible for any truly spectacular structures. Where they come from before they do what they do, and where they go after they’re done, is a mystery. They appear in small human settlements, drive everyone out, and build. Great walls and ceilings over the whole town, connecting existing buildings with elaborate tunnels and sky bridges until the whole village is a dungeon. Humans rarely want to live in the spaces the Builder Beetles leave behind, but for other creatures it is a very convenient domicile.
  10. Noah’s Ark (or perhaps the arc of Ziusudra, Atra-Hasis, Utnapishtim, etc). A great vessel large enough to shelter a breeding stock of all the world’s land animals during a great flood, which came to rest on the top of a mountain when the water receded. It still rests their, perhaps filled with the descendants of those unrecorded creatures who chose not to disembark with the rest.
  11. A legal library, for The Law is sacred, and its sanctity depends on its secrecy. Only the arbiters could ever know The Law, only they could study and interpret its precepts. To maintain the purity of The Law, it had to be housed in a labyrinth beneath the city, with entrances known only to the arbiters, so they could disappear to consult the law, and reappear to render their verdict wherever their intercession was needed.
  12. A woodland where the trees and bramble grow so thickly they might as well be walls surrounding ‘rooms’ and ‘corridors’ that were carved into existence by an ancient and secretive religion.
  13. A test of maturity, constructed bit by bit by the girls of the People at the Foot of the Mountain became women. Before any girl could seek a mate and a home of her own she must present a plan for a new corridor or room, then build it with her own two hands. She may be instructed, but never aided. Many began their work quite young, as it could take years to complete an ambitious addition. The temple is so sprawling now that no complete map of it exists, and all manner of creature have settled in long neglected sections.
  14. An abandoned train yard. No active rails even connect to this place anymore, and the rusting hulks are scattered pell mell about the place.
  15. The work of true artisans. Folks who believe in craftsmanship for its own sake. It should not matter whether anyone will ever see a thing, one should still labor to make it as beautiful and sturdy as they possibly can. The result of your work should stand apart from every other example of its kind because even if other people don’t see it, it will be appreciated by god who sees everything. Even this sewer system.
  16. A trap for humanity, eroded into existence by spiteful water spirits who do not appreciate the haphazard way their essence is often drawn up to the surface via hateful human wells. The spirits deposited many noxious fungi, amphibious carnivores, and subterranean treasures here.
  17. An active temple for a god of foolhardy death. Attempting to plunder the temple is an act of religious devotion. The priests say that even if you don’t die, taking such risks is an act of prayer that will surely be heard by their god. Others contest that there is no such thing as a god of foolhardy death. They argue instead that the priesthood is cover for a demonic cult, and the dungeon is an elaborate form of human sacrifice. Sure, a few folks might make it out with fabulous wealth, but far more will perish in the attempt!
  18. An abandoned factory, which may have been built to produce statuary, war materiel, print publications, worked metals, candy, etc. Much will have been left behind, but only because extracting it would be more expensive than it’s worth.
  19. An arctic research station composed of multiple buildings and some excavated ice caves, all with guidelines between them to aid movement whenever thick fog or snowstorm makes vision unreliable. Unless your setting is more modern, this place is likely the caprice of a wizard who believed there was some ancient wisdom hidden nearby, or the former home of some hero who was cursed to be unable to endure warmer climes.
  20. A mystery. A few years ago the people of a nearby village all blacked out in tandem. When they awoke, there was the dungeon. The callouses on their hands told them they had done the work themselves. Years had clearly passed, and those who had been too young or too old to work were found long dead from starvation. With nowhere else to go the people resumed their lives, but it is a trauma none of them will ever overcome, and they make a concerted effort never to look at the structure they don’t remember building.
  21. A forgotten showcase structure, built in collaboration between various guilds of artisans to demonstrate their skills, and serve as a unified guild hall and catalogue for potential employers.
  22. A cold, cold revenge from the dinosaurs. Their sages foresaw the meteor which heralded their destruction, and could find no means by which to avoid death. They foresaw also that the planet would come to be dominated by disgusting ape creatures. The final years of their race was spent building this place, and placing their greatest treasures within it so as to better tempt as many of the ape things as possible to their deaths.
  23. An archaeological dig of massive scope, abandoned perhaps due to lack of funds, or because it released something it should not have. The rooms are semi permanent living structures, and partially excavated buildings.
  24. A sort of rat’s maze built by a cosmic entity who wishes to observe and rate humanity’s quality. This is not hidden. Everyone knows that when you enter this dungeon you will be watched, and tested. The tests are often different, and are rarely fair. People attempt it anyway because the “cheese” at the end is a legitimately bounteous treasure.
  25. An ancient military base. Perhaps a grand permanent campus with parade grounds, thick walls, and offices for generals. Alternately it may have been a frontier structure, built in haste to to withstand brutal assaults.
  26. The refuge of a wealthy and powerful old man who suffered a public embarrassment so severe that he decided to build a miniature city for himself, populated by his servants, where he could live out his final days. It was inhabited for a scant few years before he died. No one else ever took up residence, as it was in a terribly inconvenient location, and managing its great size would have been an absurd expense.
  27. Formerly a political prison. A place where the ruling elite could cause enemies of the state to disappear, “convince” them to turn against their comrades, and put an ultimate end to their disloyalty in some efficient and satisfying way.
  28. An artificial tiered garden out in the middle of a desert. Unless there is magical watering at work, the plants will have long ago died from lack of imported water. Only native desert plants grow here now, though some invasive plants may have survived by eerie mutation. Within the garden’s tiers are a series of chambers originally meant for maintenance staff and visiting guests.
  29. An elaborately ornamented temple built by a short lived religion which worshiped some particular animal. It could be any relatively simple animal: iguanas, penguins, beards, crows, flamingos, etc. The whole place exudes big Horse Girl energy.
  30. A time capsule built beneath the foundations of the city, and intended to be opened on the 1000th anniversary of its founding. It was intended as a showcase of the city’s original culture, and to play a few pranks on the naughty future-folk. Doubtless, the past thousand years have seen a few other creatures sneak their way in via unintended means.
  31. An ancient race track, or other sports stadium. The field of play will likely have had other structures built within it by the dungeon’s current residents, and will likely also contain chambers that were intended for food vendors, green rooms, announcers, VIPs, perhaps even an attached palace.
  32. Intended to trap a terrestrial god, built by a sect of that god’s worshipers. They came to believe their god had a hellthorn in its paw, which they wished to remove. As such the dungeon is in all ways designed to show respect to those it traps.
  33. Formerly a school of some kind. It may have been for primary education (elementary, high school), higher education (university, philosophy, science), trade education (culinary, carpentry, cosmetology, medicine, law, military officer), spiritual education (seminary, martial arts dojo), or something fanciful (necromancy, spying, assassination). It may have been abandoned because it lacked funds, due to fallout from some horrible scandal, or simply because the civilization which built it is long extinct.
  34. The first draft of hell. Eventually more capacity was needed, as well as updated security since a few souls had managed to escape. All the damned souls and devilish tormentors are long since moved on to better facilities.
  1. The dungeon is a metaphorical space. Different rooms and creatures are representations of places and people. There are clues to what the various elements of the dungeon represent, but the connections are not always obvious. None the less, actions taken in the dungeon will be reflected outwards. If the party were to meet a goblin who represents their house, for example, and they killed that goblin, they might return home to find their house had burned down.
  2. A zoo, aquarium, or menagerie. Presumably the animals have either escaped, died, or become mutated in some fashion.
  3. An enchanted pleasure palace wished into existence by someone long dead. The magically created servants within have split into factions over whether they want to kill anyone who visits the palace so they won’t be compelled to serve any more, and those who miss having someone to serve, and wish to trap visitors so that their lives can have purpose again.
  4. An intact suburra from the ancient world. These were a sort of ancient apartment buildings. The bottom floors would be businesses or upper-middle class homes. The higher floors were rented by poorer and poorer people as you went up. Given that these buildings were notoriously prone to fire and collapse, this one most likely survived either by being buried, or by some preservative magics.
  5. A testing ground built by order of a capricious prince who declared he would only marry the person who could retrieve the treasure from the dungeon’s center. Legends say he never did marry, so presumably that treasure would still be there, right?
  6. An ancient library assembled by a philosopher king, who made it their goal to record and collect all the knowledge in their world. Its treasures include many alternate versions of texts which are still well known in modern times, as well as lost literature, history, and science which may or may not have been rediscovered since it was lost. Unfortunately for looters, much of this writing is on great stone tablets which are incredibly difficult to move, and much of the rest is on scrolls which crumble to dust if touched.
  7. Laid out in an incredibly precise shape. Its structure forms a magic sigil that was used in an ancient and dark time in a grand summoning ritual which created the sun.
  8. There is a member of the royal family who was so mean spirited, ambitious, and stupid, that they were eventually exiled to a small island. Great care was taken to ensure all the perquisites of their royal rank remained in place, save only their freedoms of movement and association. They could never leave the island nor have contact with anyone not personally approved by the king, but were otherwise left to enjoy a life of excess however they saw fit. This is all ancient history, and now this island prison / pleasure palace is a dungeon filled with all manner of creatures. Alternately, it may be that the king has only recently died, and their will stipulates that this troublesome royal must be assassinated to prevent future troubles. The player characters could have been hired to do the deed, or to smuggle the prisoner off the island to safety.
  9. A place which predates the world. It floated through space for eons, gradually accumulating bits a space detritus, until its gravitational mass was great enough that it formed a rogue planet, and eventually fell into stable orbit around our star.
  10. The interior of an inscrutable tool which was left here by a creature beyond our understanding. It could be God’s anvil, or Yog-Sthoth’s power loom. Though, obviously, the names of human tools can only vaguely approximate the scope of this thing’s function. It may have been left intentionally, or dropped and forgotten. Some of its functions could potentially be manipulated by player characters to produce strange results, or the things it does may be entirely beyond human ability or understanding.
  11. A laboratory in which a wizard or scientist conducted various atmospheric and ecological experiments. One room may emulate conditions of an arctic tundra, while another is meant to simulate a rain forest. Hazards might include tornadoes, hurricanes, floods, etc.
  12. An embassy built when humanity was at peace with a strange race who had strange needs. Perhaps sea creatures who needed to be submerged in water to live, sky creatures who could not breathe our thick air, or burrowing creatures who could not abide the light. This place was built to accommodate their needs, and facilitate better relations between the two peoples. Peace has long since broken down, and the two races have parted ways. The embassy still stands, though. As hostile to human life as it was adapted to theirs.
  13. A former senate house or parliamentary building. It contains a large space for collective lawmaking, and ancillary spaces for offices, ceremonies, meetings, and other amenities peculiar to the culture who built it.
  14. Crafted for no particular reason by a wizard who had created a peculiar nightmare-scanning device, which enabled them to construct real versions of the imaginary spaces those nightmares took palace in, and link them together. The complex connected dozens of dream spaces before the wizard realized there was actually no point to this activity, and moved on.
  15. Created by and for very small creatures: rat sized rat people rearranging sewer pipes, or intelligent viruses building a citadel within a human body, or pixies hollowing out trees and boulders. The player characters will need to shrink themselves to enter the dungeon. They could perhaps just destroy it if they wished, but doing so would likely destroy any treasures contained within. (After all, such treasures are likely to be art, magic, or information. One does not plunder a minuscule dungeon looking for great heaps of gold!) It should also be noted that tiny folks are well acquainted with the tactics and defenses necessary to protect themselves against giants.
  16. Created by and for very large creatures. Everything in this dungeon is far too big for the player characters. Stairs and furniture require difficult climbing to navigate. Note that just because it was built by large peoples, does not mean they are its only inhabitants. They may not even use it at all anymore.
  17. A prison constructed according to some armchair philosopher’s notions of how to reform undesirable peoples. Perhaps it is filled with challenges, on the belief that overcoming them would make a person deserving of reentering society. Perhaps it is built on the idea that isolation, medical torture, or constant observation would best ‘fix’ a person.
  18. A great complex tree house, possibly built by long gone elves, or long dead architects attempting to survive whilst marooned on an uncharted island.
  19. A medieval monastery of the western style, built for the outwards appearance of maintaining a simple life of prayer and holy labor, while allowing the monks some privacy to indulge in sinful luxury. Perhaps more privacy than usually was provided here with great chambers hidden underground for all manner of decadence.
  20. A performance space built for the delectation of the upper classes, with greater social rank allowing access to lower chambers where ever less socially acceptable art is performed. At the lowest levels, the performers themselves rarely ever came out again.
  21. An important cultural site for your people. Your ancestors built it and used it, but at some point chose to abandon it. Until recently it was fairly common to visit the place and view its wonders, leaving offerings to the ancient dead where appropriate. Recently, a colonial power has brutally dominated your lands. They’ve declared this place to be an archaeological site, and forbidden your people from entering it.
  22. A high class casino where the highest of high stakes bets were placed. It was transformed into a dungeon by a really, really foolhardy bet which went very poorly.
  23. The maintenance corridors of a massive inscrutable machine, the engine of a natural process. Perhaps this dungeon is what turns the sun and moon in the sky, what controls the tides, the passing of the seasons, or the birth of heroes. It may even be an engine of destruction. God’s own fail-safe in case creation ever gets out of hand. It may or may not be possible for the players to make minor alterations without completely disrupting the machine. Perhaps it is broken before they arrive and they wish to fix it. Perhaps they can radically alter the nature of their world with some ill-advised tinkering.
  24. The exterior of a titanic creature. A mega-elk, ur-mammoth, or humaniform colossus. There is a whole ecology across—and even within—their body. Pockets and purses are like rooms, fur is a forest, whole settlements could rest on their back or hang from their underside.
  25. Knowing they would be conquered when the next campaigning season began, a whole civilization dedicated themselves to building this dungeon. They sold their souls for the necessary magics, and heaped the whole treasures of their history in a room that is visible from the entrance, but protected by a great and impenetrable wall of death.
  26. A petrified egg from which a god would have hatched if it had been properly tended. The dry yolk still forms the center of the dungeon. Alternately, there may be a creature which gestates in dungeons is if they were an egg. Protected by the shell of the mythic underworld, nourished by the yolk of the dungeon’s inhabitents once its digestive tract develops.
  27. The labyrinthine halls from which the enforcers emerged, dragging criminal wrongthinkers into dark rooms from which they rarely emerged. The space connects here and there, and contains many unpleasant places now settled by creatures less horrible than the enforcers were, though that is not a high bar to clear.
  28. Shelter built against a civilization-ending cataclysm which never came. Or perhaps did come, was survived thanks to the shelter, and is now only long forgotten history.
  29. A facility for containing creatures and objects with dangerous abilities and unknown purpose. There was a breakout long ago, so many of these things have since escaped into the world and may even be widely considered normal today. Perhaps, before the breakout, nobody ever got cancer, pregnancy and birth were trivial affairs, and the human lifespan was triple what it is now. Some safeguards and some anomalies are still here and still dangerous. The world is a better place for not being subjected to the influence of those which are still secured, contained, and protected. Whilst exploring this dungeon, the characters should certainly encounter clues as to how the world was better before certain anomalies got away.
  30. A reverse tower, hanging down from the sky of a great underground cavern. Alternately, a sideways tower, straight out from a cliff face. Gravity may or may not be reoriented within the interior.
  31. Sailing ships clustered together and left unattended. They may have all run aground on an uncharted island, or been discarded and left to rot together in a shallow bay, or forgotten in the secret dry dock of a fallen military power, or abandoned in the shipyard of an insolvent corporation.
  32. Constructed as a habitat for an endangered creature with a sensitivity to something which has been magically warded against. Perhaps light kills them, so the whole dungeon is shrouded in magical darkness. Alternately the whole dungeon may be under a zone of silence, an anti-magic field, or have a robust automated fire suppression system.
  33. The world ship on which ancient human colonists arrived on this world. Malfunction caused it to crash, and those who made it to the escape pods are our ancestors. It is a history so thoroughly lost that no human even suspects we did not originate on this world.
  34. The famous money hole. Of late it has become a fad among the wealthy to flaunt their excess by throwing larger and larger amounts into a deep natural shaft. The more a person can afford to discard, the more affluent everyone assumes they must be. Of course, the hole itself is heavily guarded to prevent any dirty poors from misappropriating the discarded funds and unbalancing the economy. Perhaps creatures have also been set loose below to make recovering the treasure even more foolhardy, or creatures may have come up from the underdark to fight over this great heap of treasure. Regardless, there might be some other way into those caves.

Can you believe that titanic tirade is just one sixth of what I’ve written for this series? I mean, the entries in this one are particularly verbose, but none the less, dang.

Also, All Cops Are Bastards.

The Goblin Bazaar

The Goblin Bazaar is located in the first room on the second sublevel of my Five Years Left megadungeon. All manner of useful things can be found for sale there, but the prices are exorbitant, and any treasure traded to the goblins does not earn experience points for the players. None the less if they see something they want, it’s best to pounce on it, because each session I generate an entirely new inventory by rolling 3d6 and consulting the tables below:

Among all of the…

  1. Cracked ceramic [subject]s, soiled mattresses, and jars of [animal bits]
  2. Rotted [produce], sticky children’s toys, and sacks of [filler material]
  3. [Fad instructional][Media], crumpled dorm room posters, and water damaged [genre] novels
  4. Jewelry made from [Trash], board games with missing pieces, and boxes of [papercraft]
  5. Horrid smelling [clothing], pencil nubs, and empty [food containers]
  6. Branded [junk swag], lidless tupperware, and [holiday][junk you’re meant to throw out]

…you find…

  1. gun (d6): combat shotgun, AK-47, Uzi, Silenced Pistol, Sniper Rifle, Spandau
  2. spell of level 2d6 (drop lower), randomly determined from whatever spell list is at hand.
  3. technology (d6): smart phone, wireless speaker, radar, moped, cordless drill, prosthetic limb
  4. gear: random weapon or armor with 1 cool power (either technological or magical)
  5. weird (d6): ritual magic, magic item with big drawback, A.I. companions, mutation juice
  6. other tables: old curio shop table, the IOUN stones book, wondrous items from the DMG

…and also…

  1. gun (d6): derringer, revolver, .22 rifle, hommeade pistol, hommeade rifle
  2. spell of level 2d6 (drop higher), randomly determined from whatever spell list is at hand.
  3. tech (d6): kitchen appliance, flashlight, camera, megaphone, laser tripwire, walkie talkies
  4. explosives (d6): Frag grenade, flash grenade, smoke grenade, door buster, fire bomb, demolition explosive
  5. single-use magic: something like a potion, powder, thrown glass ball, etc.
  6. quest hook (d4): treasure map, item desired by an NPC, information broker, item to exploit a monster’s weakness

The prices are…

Items from the first table cost d6 x 5r.
Items from the second table cost 2d6 x 100r
Items from the third table cost 2d6 x 20r

(The “r” here stands for “Ration,” which is the base unit of currency in Five Years Left.)

Of primary concern when I was writing this is that the whole system had to fit on the bottom 20% of a sheet of graph paper. Any more than that and my rules reference would take up more than a single page. As such, I’ve used shorthand which is probably less clear to others than it is to me. Below are six examples which ought to clarify what results from these tables look like in practice. To cover as much of the table as possible I assumed that triples were rolled for each example (111, 222, etc.) In practice the results would usually be more diverse.

111: Among all of the cracked ceramic angels, soiled mattresses, and jars of pig’s tails, you find a clean and functional AK-47. The malnourished goblin clinging to it explains that she spent all her food money to buy it, which didn’t seem like such a bad idea at the time. Hungry as she is, the weapon is precious to her, and she will only part with it for the exact price she bought it for: 900r. You also discover a derringer beneath some greasy napkins. You only have a moment to examine it before the goblin seller snatches it away, and insists you can’t have it unless you pay 140r.

222: At first it seems that there’s nothing here but rotted cabbages, sticky children’s toys, and burlap sacks filled with sawdust. You’re about to give up when you discover the 4th level OD&D spell “Growth of Plants.” It’s written in a gilded journal, and was obviously the prized possession of some long dead wizard. The goblin who owns it has no idea what it is, but is confident that it must be worth at least 700r. Shortly thereafter you also find the 3rd level OD&D spell “Water Breathing,” carefully written out on a roll of toilet paper. You shudder to imagine what circumstance led to that particular spell being written on that particular medium. The goblin who owns it knows exactly what she has, but every time she looks at it she gags. She wants it out of her sight, and will sell it for the low low price of 180r.

333: Sifting through old jazzercise CD-ROMs, crumpled dorm room posters, and water damaged western novels, you come upon a sophisticated prosthetic leg. Someone has painted a racing stripe up its side. The goblin selling the thing rests on crutches, and laments that the leg was not as good for racing as they thought it would be. They’ll part with the thing for 600r. Meanwhile, another member of the party uncovers a cordless egg beater beneath some of those dorm room posters. The goblin selling it assures you that it is a fearsome weapon, and a total bargain at only 80r.

444: Beneath a heap of necklaces made from tin can tabs, stacks of board games with missing pieces, and several boxes of beige business cards for something called a “Sales Associate,” the party discovers a chain mail coif which has been ensorcelled such that the wearer gains the ability to speak with fish. The goblin says all the fish he met were terribly rude, and so is willing to part with it for a mere 600r. Nearby, a maternal looking goblin wrestles a napalm explosive away from a smaller goblin, holds it up high, and desperately asks if anyone will buy it before her kid kills someone. The melodrama is probably a sales scam, because she refuses to part with it for less than 280r.

555: Shoving aside racks of mildew-smelling jorts, heaps of pencil nubs, and stacked displays of empty soup cans, you discover an carafe of glowing liquid which, if consumed, will cause the imbibing character to gain a random mutation. The goblin selling it–who has a baby’s arm growing out of his forehead–insists that all the mutations are all cool and beneficial. He wants 400r for it. Another goblin shoves the first aside, holding up a wooden box with a ceramic key inside it. It’ll open any door you want, but it’ll break when you use it. A much better bargain, and more reliable, than that gross mutation juice. Only 100r!

666: After picking your way through the branded letter openers, lidless tupperware, and hollow plastic Halloween weapons, you find a tattered pair of Boots of Elvenkind, which a goblin hates because she can’t make noise in them no matter how hard she stomps around. She wants them out of her sight for a measly 400r. As you browse about further, a goblin in a trench coat pulls you aside. They say they know things. Many things. Is there something you want to know? They probably know all about it. They’ll tell you what you want to know, for a price… Specifically for 180r.

Obviously there’s a bit of finessing involved in producing these results, which is why I generate them outside of play. In general I prefer to avoid committing myself to systems that require out-of-session prep, but this is the sort of creative work I find both enjoyable and easy. It’s just improvising details around a set of random seeds. In a pinch I could do it mid-session, but in fact I enjoy it so much that I’ve already got the next 10 weeks of Goblin Bazaars pre-generated.

And that’s it, that’s the whole system. Now I’m gonna work backwards a bit and talk about why I made the decisions I did.

What benefit is there to this sort of randomly populated item shop?

There are three major benefits. First is that we’re playing a game where the goal is to get money. The referee can tax that money by requiring the players to pay for repairs, or healing, or training, but they also gotta have some fun stuff to splurge on. This is doubly important in a megadungeon like this one, where the play is focused in a way that precludes traditional domain building. A bazaar with a random and rotating inventory offers the players some fun tools and toys to get excited about, while avoiding the dreaded opening of the flood gates typically associated with magic item shops.

Second, placing a single-session time limit on items adds an interesting pressure to the game. Does the party want to spend money to buy the mid-tier item that’s on sale this week, or do they want to hold on to their money in case there’s something better next session? Or perhaps the bazaar has a truly great item for sale which the party can’t afford. Now the players have a ticking clock which forces them to push and push to collect enough treasure to buy this great item before the session ends, and it is lost forever.

Third, I am ever the advocate for randomizing anything which can be randomized. It forces everyone–players and referee alike–to adapt. For example, a group which usually relies on brute strength will look at problems differently if they just got a really good deal on some potions of invisibility. That sort of adaptation to circumstance is a huge part of what makes this game fun for me. I want to encourage it whenever I can.

As an aside, I was halfway through writing this post when I realized it wasn’t the first time. This is an idea I’ve been iterating on for years now. It started way back with Thracle’s Emporium in Brendan’s Pahvelorn, which I adapted for my paleolithic D&D&LB campaign as the Caravan system. Later I would adapt the idea further into the Curio shops that were scattered around ORWA. This latest take on the concept, the Goblin Bazaar, feels strikingly more mature to me. I’ve used it for several sessions already, and I love it. It’s sleek, it drives play, I am sincerely proud.

Why doesn’t money spent at the bazaar earn experience points for the players?

The in-universe fiction is that the player characters are from a destitute settlement, which only has five years of supplies left before everyone dies. Bringing fresh resources out of the dungeon and into the settlement is an act of real heroism. It gives hope to the hopeless, and extends the life of the town. That’s what I award experience points for. Spending those same resources on Goblin junk is pretty selfish in comparison.

The real life explanation is that I’ve spent several years running high level domain play in my On a Red World Alone campaign. I’m a little burned out on that sort of thing, and would like to indulge in an extended period of grotty dungeon delving. It suits my purposes well if the players’ levels advance at a snail’s pace.

Why is the first table full of useless junk!?

It may seem silly, but the junk table is one of the biggest advantages the goblin bazaar has over my earlier efforts. When using the caravans or the curio shops, I presented them to players as being filled with all manner of interesting things, then listed the few objects that were meant to be player facing. Inevitably, if the items on offer didn’t interest the group, they’d ask “So…what else is here?”

It’s a perfectly reasonable question when the referee has described a shop that is filled with a great variety of wonders. In my head all that other stuff was supposed to be useless junk. Gewgaws for eccentric rich people. But I’d said it was there, so I was stuck improvising whole inventories that felt appropriate. Again, inevitably, something I listed would spark interest among the players, and we’d all get dragged down this rabbit hole of them trying to figure out a good use for a set of 500 year old encyclopedias. I’m not exaggerating when I tell you there have been sessions where the party spent fully two hours sitting in a curio shop.

It was tedious. I may sound petty for saying so, but this has been a source of real frustration for me. In contrast, the goblin bazaar is framed as a heap of garbage where the players are lucky enough to find a couple cool things.

Why Goblins?

Because it gives me a regular excuse to perform as a malevolent toddler in front of my players.

Also, because goblins are just toddlers, I am fully justified in the bazaar being filled with junk, and everything being sold for wildly inconsistent prices.

Before I go, I ought perhaps answer “Where are those dungeon prompts that were supposed to follow the megadungeon post?” Well, if you’ve ever wondered how to ensure a project hits a stumbling block, all you’ve gotta do is tell people it will be done soon. The set of six d100 tables I mentioned in my last post are still in the works, but it’s an immense undertaking. They will be done some day.

I hope everyone is taking care of themselves and the people around them. Respect and solidarity to the brave protesters in Portland, and all across the U.S.

Edit: One of my players was incensed to discover that her favorite Goblin, “Muscles,” was not mentioned or depicted anywhere in this post. To maintain the harmony of my game table, I will accede to her demands that Muscles be included:

d100 Additional Reasons the Wizard is More Than They Seem

Finding myself in the mood to write another d100 table, I went looking for inspiration amidst the accumulated heap of unfinished work in my drafts folder. I knew I had begun writing this sequel to one of my most popular post of 2016, but I had not remembered that apparently I’d abandoned it after already coming up with 99 entries. It seemed a shame not to pull the post out of mothballs and finish the dang thing.

It took a lot more work than coming up with a single new entry. By the time I finished my first editing pass I was down to about 70 that were worth keeping. None the less, the work is now done. Please enjoy it.

  1. Thousands of tiny bird wings have been sewn all over the wizard’s body. Slits in their clothing allow the wings to poke out, and enable wizard to fly with the speed and precision of a small bird.
  2. The wizard’s legs have been amputated beneath the knee, and fused to the backs of two Greyhound dogs. They control the dogs as extensions of themselves, and are able to move incredibly quickly on their eight dog legs. Also, if need be, they have two bite attacks.
  3. The tail and stinger of a giant scorpion have been attached to the wizard’s spine, giving them a deadly poison attack each round.
  4. A quick flex causes the wizard’s arms to pop into the form of a Hook Horror’s hooks. They gain two nasty melee attacks each round, the ability to climb at half their normal movement speed, and to grapple as if they had two more hit dice than they do.
  5. After harvesting and ingesting the displacement glands from a Displacer Beast, the wizard now always appears to be about 3’ away from their actual position in space. This makes them nearly impossible to hit until the discrepancy is noticed. Even then, the effect is disorienting and grants them a significant bonus to their effective armor rating.
  6. The wizard has enslaved the ghost of another wizard. This second wizard has a second repertoire of spells. Essentially, this allows the ‘master’ wizard to cast two spells each round. The enthralled wizard is not happy about their situation, and will gladly take advantage of any disruption to their magical bonds.
  7. By making a habit of consuming the brains of other magic users, this wizard has made powerful improvements to every spell they know. Any spell they cast is more effective than it would be in the hands of other casters. As an example, if they were to cast Magic Missile, each one would deal d8 damage rather than d4. If they know Sleep, it can target twice as many hit dice worth of creatures as the base spell, and so on, and so forth.
  8. A cleverly engineered Teleport error caused this wizard to become fused to a demon. Thanks to careful preparations they were able to gain control over the new, shared body. This has given them the ability to summon other demons from hell to aide them whenever they need. The demons perceive the wizard as one of their own, but could potentially be shown the truth.
  9. By means of extra dimensional adhesive, this wizard has affixed the mind of a devil to themselves. This has granted them perfect legal knowledge, and the ability to trade souls for wishes. If you don’t read your contract carefully, you’ll find yourself giving the wizard your soul, and in the same line transferring your wish to them!
  10. The problem with good creatures is that the foolish ones are allowed to survive. There’s a funny story behind how this wizard tricked an angel into fusing with them, but it has given them the ability to perform healing magics, fly at tremendous speeds, and speak in a voice which requires a saving throw versus cowering in terrified awe.
  11. By offering to trade part of their soul with a curious elemental, this wizard has gained a strong alignment with a particular element: Fire, Ice, Wind, Water, Earth, Acid, Gravity, Nature, or other! Any damage which might be caused by whatever they’re aligned with instead heals them.
  12. Years taking their eyes out each night to soak in a distillation of god’s pain has given this wizard a gaze attack. Targets must make a saving throw or take 2d6 damage.
  13. Regular injections of basilisk tears grant this wizard the ability to keep one target paralyzed at all times. There is no saving throw against this. The wizard may change who they wish to paralyze at the start of each round as a free action.
  14. Drinking from an ancient bog has given this wizard a gaze attack which causes anyone they target to shrink to 50% of their current size. They can target the same person as many times as they want, reducing them by 50% each time.
  15. During a misspent youth, this wizard gained the ability to deal sneak attack damage. It applies to their spells, and they’ve likely made a point of creating some sneaky spell variants to best take advantage of this.
  16. This wizard served in the legions for years before turning to spellcraft. They have a martial prowess unusual to magic users. They attack as a fighter of their level.
  17. Born to frontierspeople, this wizard is as at home in the wilderness as they are in a library or ivory tower. They know how to forage, build tools and shelters, hunt, track, and survive in harsh circumstances.
  18. By trapping a Beholder’s ego in a jar (which is kept in a vault back home), they’ve turned it into a loyal servitor. It goes everywhere with them, and is completely loyal.
  19. Having once been observed by a broken god, this wizard is able to bilocate. They can exist in two places at once, with each instance being fully real and fully capable. They must merge back together in order to sleep. If one of them falls asleep, the other vanishes to merge back with the sleeper no matter where they are.
  20. An experiment gone terribly wrong has left this wizard mostly incorporeal. They’re still alive, and can even manipulate objects with their hands by flexing their wizardly will, but most touches pass right through them.
  21. This wizard is the absolute best dancer in all the world. No one can out-dance them. No one.
  22. Knowing when to be in the right place at the right time has enabled this wizard to collect a wealth of political contacts. If there’s anyone who doesn’t owe them a favor, then they probably owe a favor to someone who owes the wizard a favor.
  23. For many years this wizard was involved in a romantic relationship with a druid. That ended a few years ago, but the wizard still has the friggin’ encyclopedic knowledge of natural flora and fauna they memorized in order to impress their partner.
  24. Plants share a special relationship with this wizard. An erotic one. All of kingdom vegetabilis wants to fuck this wizard, and will do anything the wizard says will be pleasing. Trees will fall on the wizard’s foes, or vines will entangle them. Plant based poisons will not affect the wizard.
  25. A calculated disdain for oral hygiene has imbued this wizard’s breath with power. Anyone who smells it experiences a hallucination of their worst fears.
  26. Frequent abuse of form changing spells has allowed this wizard to merge themselves with stone or sand at will. Though they may still shape themselves into their human form, in actuality their body is composed of an intelligent muddy clay.
  27. In addition to being a powerful wizard, this person is also a landed noble with all the rights and privileges granted by that social station.
  28. On their travels among less magically aware peoples, the wizard has performed many spells, and convinces a lot of people that they are an avatar of God. These people obey the wizard’s every whim with religious fervor.
  29. When broken off, this wizard’s fingers will form into little gremlin creatures that look just like the thumbs from Spy Kids. The fingers grow back eventually, but it’s obviously quite painful for the wizard to do this.
  30. Whenever the wizard wishes, a ferocious house cat will leap out of the pocket of their robe. This is in all ways a real house cat, with no special abilities aside from being incredibly ill-tempered. The wizard is able to produces 20 cats in this manner each day. The cats never disappear, and must either be fed and cared for, or gotten rid of in some deliberate manner. The cats are only slightly friendlier towards the wizard.
  31. At will this wizard can tumble apart into four fire breathing goblins. They may claim that they were always four goblins in a robe, but this is just a goblin lie. If even one goblin survives they can re-form into the wizard, but the fewer goblins remain the longer it takes to reform. All four goblins could do it instantaneously, while a solitary goblin will require several weeks.
  32. The wizard’s experience of time is double normal speed. To them, the world appears to be moving very slowly. Because of this they’re able to take 2 actions each round, receive a +4 to their armor rating, and find most conversations painfully dull.
  33. This wizard is living their life in reverse. Each day they wake up on the day before the last day they lived. When they greet someone they say “goodbye,” and when they depart they say “hello.” They don’t remember any past encounters they may have had with the party, but they do remember the future ones.
  34. By pointing at a spot on the ground this wizard is able to make a fifteen foot deep pit appear there.
  35. By performing a bras d’honneur, this wizard is able to cause clusters of spikes to shoot three feet up from the ground. They’re made of stone, and quite sharp.
  36. By clapping their hands, this wizard is able to cause any two walls (or wall-like natural formations) to slam together with great speed and force. The furthest points on the walls must be less than twenty feet apart. Most of the time this action will cause significant structural damage.
  37. Any recently dead creature within 30 feet of this wizard automatically rises as an undead servitor under the wizard’s will. This includes common animals, people, and monsters.
  38. Long ago this wizard created ten permanent unseen servants. They’re with the wizard at all times, fetching tools, delivering messages, taking dictation, carrying explosives into the midst of the wizard’s enemies, and so on. If any are destroyed, they will reform under the next full moon.
  39. Great sloshing boils grow on this wizard’s chest and arms. They’re itchy and unpleasant, but if punctured they burst into a cloud of poison gas to which the wizard is immune.
  40. This wizard has no eyes, mouth, nose, ears, or hair. Their fingers are fused together, their skin is wet, and blue veins show through it. None of these features hinder them in any way, and grants them immunity to any harms which must be seen, smelt, heard, or breathed.
  41. Rubbery meat and bones allow this wizard to bounce when they fall, taking no damage. Bludgeoning instruments also deal no damage, and will likely bounce out of the attacker’s hands. Slashing weapons only deal damage if they roll in the upper half of their range.
  42. By soaking their hands each night in a lotion distilled from ghouls, the wizard has gained the ability to level drain anyone they touch.
  43. By replacing their own canines with stolen vampire fangs, this wizard has gained a bite attack, and the ability to drain blood to restore their health.
  44. Forbidden knowledge of the fourth wall allows this wizard to reach out of the game world to turn one rolled die to a result that is more beneficial to them each round.
  45. “Hacked” access to the mind of God allows this wizard to temporarily cancel out a single line from one player’s character sheet.
  46. Spreading out from the proper place of NPCs in the referee’s mind this wizard cant take control of the referee’s voice, and will encourage the players to revolt. Surely one of them would make a better referee than this weakling!?
  47. Beneath their robe this wizard is almost entirely mechanical. Only a few organic parts remain: their heart, hands, head, etc. They probably move on tank treads hidden by the hem of their robe. They cannot be critically hit or sneak attacked due to their unusual metal anatomy.
  48. This wizard has triple redundant anatomy. Three hearts, six lungs, three stomachs, and so on. Their hit points are likewise tripled.
  49. This wizard is able to prickle up like a sea urchin if they need to. Big ol’ metal spikes sliding out of their pores. They’ll probably be less willing to do it when they’re wearing their favorite cozy robes, though.
  50. By holding to a strict code of unusual sexual practices, this wizard has unlocked the ability to transform themselves into any animal at will.
  51. Any weapon which strikes this wizard transforms itself into a harmless object. A sword that would pierce their body might poof into a length of rope, a flower, or a pillow. This works for fists as well, so if you don’t want your hand replaced with a teddy bear, it would not be advisable to punch them.
  52. Strenuous vocal exercise allows this wizard to perfectly emulate any voice they hear.
  53. Incredibly strenuous vocal exercise allows this wizard to speak in a voice so booming it constitutes a sonic attack. They can easily start an avalanche or rock slide where conditions are appropriate, break glass or crystal objects, etc.
  54. This wizard has cultivated a commanding presence so intense that anyone who approaches within five feet of them must make a saving throw or be transformed into a servile gremlin. In this state they will obey all the wizard’s commands for 1 week, then transform back into themselves.
  55. Any damage dealt by this wizard has a secondary polymorph effect. Anyone struck by the wizard’s staff, fireball, fist, etc, must make a saving throw or be transformed into some harmless critter.
  56. A thick swarm of thorny bulbs orbits this wizard’s body. Any time the wizard is touched, or struck with a melee weapon, their attacker takes a small amount of damage.
  57. Once per day this wizard can transform themselves into a tree. In this state they cannot move for one hour, after which they return to their natural shape fully rested with all their hit points and spells restored. It has completely replaced sleep for them.
  58. By blinking their eyes in a very particular 10-blink pattern, this wizard is able to teleport back to the last place they slept. The ability functions only once per hour.
  59. A quick tug of their beard causes a bubble of protection to surround this wizard. While the bubble is in place they cannot move, attack, or cast complex spells. They can speak or perform other simple actions.
  60. By siphoning off a little of their own vitality (d4 hit points), this wizard is able to create a sort of temporary phylactery. If they die within the next 2 hours, their spirit will remain bound to their corpse. They can wait as long as they wish, then pop back into their bodies and return to life with half their maximum health restored.
  61. This wizard is encased in crystal. Their body is immobile, but the crystal floats around wherever they want it to go. Anything they want to say appears as text scrolling across the crystal’s surface. The crystal protects them from most forms of attack.
  62. In addition to their magical talents, this wizard has been afflicted with lycanthropy. Under moonlight they become a werewolf, or some similar creature like a werebear or wererat.
  63. Somehow, one of this wizard’s ancestors was a mole. This allows them to burrow through the ground rapidly, digging tunnels through the earth at roughly half their normal movement speed.
  64. This wizard has surgically split their brain in half so they can better work on two problems at once. Any saving throw against mental effects is made twice, and the wizard takes the better result.
  65. Within 30’ of this wizard, magic does not function unless it is magic they themselves have cast.
  66. A peculiar hand gesture allows this wizard to conjure and throw a sort of spectral lasso. If a character is caught by it, they’re automatically yanked rapidly towards the wizard, coming to a stop right beside them.
  67. This Wizard is just straight up Darth Vader. Obscure it so the players don’t realize it right away, but they wear heavy black armor, they carry a magic sword, they’re able to perform feats of telekinesis at will, they probably have a familial relationship with one of the PCs.
  68. A light shines within this wizard. It makes their skin glow faintly, and shines brilliantly from any opening into their body. They’re very visible in the dark, but have many ways of suddenly blinding their foes.
  69. Replacing their bone marrow with some taken from living trolls enables this wizard to heal rapidly. Each round they regain d4 hit points, and even severed limbs and heads will eventually regrow. The only way to deal permanent damage to the wizard is with fire.
  70. This wizard’s lower body has been replaced with eight octopus arms, with toothy mouths in place of suckers. In addition to giving them eight attacks each round (or one REALLY good grapple), this allows them to swim like the dickens.
  71. By a process of rapid soul absorption, this wizard is able to return to full health and full spellcasting capacity whenever they kill someone.
  72. Wherever this wizard goes, people hear theme music. It makes them seem crazy cool / intimidating to most folks.
  73. This wizard understands all communication on an elemental level. Even if it is a secret language invented 10 minutes ago, they will understand it instantly upon hearing / seeing / feeling it.
  74. Due to an awkwardly mis-worded Wish, this wizard lives each day of their life twice. The first time they live it normally, and the second time they live it with memories of the first time. You can model this either by simply running the wizard as if they’re aware of everything the players are going to say/do, or you might literally run any encounter with this wizard twice, one after the other. This does allow the players to also know what’s going on, but will probably be more fun.
  75. While you were going to parties this wizard studied the boomerang. Anytime they cast a spell which is misses its target, or is saved against, that same spell will “return” d4 rounds later. When it does, it gets the same chance to affect its intended target that it had the first time.
  76. Anyone who tells a lie or half truth in the presence of this wizard will immediately confess to it. There is no save. “No, I did not steal your gold. By the way, I’m lying.”
  77. This wizard has 2d6 forms, each with a distinct body and a life of their own, which the wizard can switch between at will.
  78. Anyone who touches the wizard must make a saving throw. On failure, they will be absorbed fully into the wizard’s body and remain trapped there until the wizard chooses to free them, or the wizard dies.
  79. This wizard is infested with parasites. Anyone who gets within 10′ of the wizard becomes infected as well. The jumpy little creatures are able to leap great distances to find a new host. Those afflicted with the wizard’s parasites receive no saving throw against that wizard’s spells. They’re also easy to track if the wizard ever wishes to find them.
  80. A failure to properly dot the i’s and cross the t’s in a contract with a minro devil has given this wizard a peculiar protection against any form of harm which does not directly lower their hit points. The wizard cannot take ability damage, nonlethal damage, negative levels, etc.
  81. A snap of the fingers allows this wizard to conjure any animal they desire out of thin air. They may only conjure one creature at a time. The creatures are trained, intelligent, and loyal, but are otherwise regular animals for as long as they exist.
  82. Anything seen or heard by this wizard is recorded, and can be replayed later via magical projections from their mouth and eyes.
  83. This wizard is something of a celebrity for their works of popular entertainment. Perhaps they write a series of adventure novels, or act in funny plays, or have a morning talk show. Whatever it is, they’re often recognized and adulated wherever they go. People like them.
  84. This wizard is a fairy. Perhaps they disguise themselves with illusions to look otherwise. Their true form is a tiny winged creature that’s able to dart about at incredible speeds, and is almost impossible to catch.
  85. When this wizard laughs everyone laughs along with them, and must make a saving throw. Those who fail will continue laughing even after the wizard calms down. They’re able to make a new saving throw every minute, and the laughing fit continues until they succeed. This ability only works if the wizard is laughing sincerely. They can’t force it.
  86. Moss grows across this wizard’s body, feeding photosynthesized nutrients into their body. So long as they stand in sunlight, they can cast their prepared spells without expending them.
  87. This wizard is a major historical figure who faked their own death so no one would realize they were immortal.
  88. This wizard has uncovered evidence that they will be a major historical figure. At some point in their future they will tumble backwards through time and live out the rest of their days in the distant past. If they are killed or prevented from doing so, the extant timeline will be undone.
  89. An absolutely obscene amount of experimental surgery has allowed this wizard to craft detachable limbs for themselves. Their arms and legs can be taken off as easily as a coat, and they have a whole wardrobe of specialized options to replace them with.
  90. Cybernetic implants for controlling an orbital laser have been installed in this wizard’s skull. The tech is janky and busted, so it takes awhile for the solar cells to recharge, but when they do it’s as simple as looking at what they want to melt, and blinking in a certain pattern.
  91. A doomsday device will activate if this wizard is killed. Perhaps it’s a huge bomb, or a virus ready to release into the water supply. If it looks like they may be in mortal danger, the wizard will definitely mention this.
  92. It is literally impossible to talk about this wizard without mentioning how sexy they are. For some reason they wasted a wish on this. They can be the greatest villain in the history of the world, but if anyone tries to say that they’ll find themselves saying: “They’re the greatest villain in the history of the world, but they do have a tuchus that just won’t quit.”
  93. This wizard has planted seeds under their skin, which grow into little plants fed by a wizard’s blood. They can be plucked for all manner of alchemical, medicinal, and recreation purposes.
  94. A gland inside this wizard’s bum secretes a white dropping, which the wizard uses to mark their territory. Other wizards become nauseated if they come within 50 feet of these droppings, and violently ill if they come within 30 feet. The lose potency only after several weeks.
  95. Fundamental cosmic statutes require anyone dealing with this wizard to abide by a strict code of honor. No lying, no cheating, no underhanded combat maneuvers. Attempting to defy this mandate is like trying to defy gravity. You can learn to work within it, but you can’t ignore it.
  96. This wizard’s eyes are able to look through solid surfaces with ease. For them it is as simple as focusing past the object, the way we might shift our focus between our own hand, and the horizon.
  97. Flammable oil pours out of this wizard’s sleeves at will. It comes out quite fast, and will continue pouring for as long as they desire.
  98. The longer this wizard stays in a given place, the [Colder / Hotter] it gets. They were raised in an incredibly [Cold / Hot] environment. One far outside the range humans generally consider habitable. They will be quite comfortable in the new temperature, but for most folks it will be intolerable.
  99. Whenever this wizard tells someone to “Stop being naughty,” they must make a saving throw versus parallelization. If they fail, they will find themselves suddenly and completely restrained by BDSM gear that appears around them as if from nowhere. It leaves them with almost no range of movement at all, and quite possibly stuck in some provocative posture.
  100. Whenever this wizard wishes to flee, they can reach into their pockets and pull out a fist full of valuable rubies to toss behind them. They are real, but the peculiar nature of this magic means they only come into existence when the wizard is trying to flee. If they reach into their pockets for any other reason the rubies will not be there.